Stringing a Quartet Together: A Methodology for World Literature? by Coilin Parsons

Peter Hitchcock

Peter Hitchcock

Stringing a Quartet Together: A Methodology for World Literature?

by CÓILÍN PARSONS

April 15, 2011

Peter Hitchcock. The Long Space: Transnationalism and Postcolonial Form. Stanford U.P., 2010. 295 pp.

Postcolonial writers, it seems, can’t put a good book down—especially when they are writing it themselves. Trilogies, tetralogies and novels in series are features of postcolonial writing from the Caribbean to Indonesia, and Peter Hitchcock sets out in The Long Space to ask why this is. Does the form of the novel in series have a particular affinity with postcolonial or transnational content? How does a writing process that unfolds over time reflect and challenge the temporality of colonialism and its cognates? These questions are the backbone of Hitchcock’s book, but they support a more exhilarating and innovative set of questions about methodology in the study of “world literature.” How can we read four novelists (from Guyana, Somalia, Indonesia and Algeria) without doing an injustice to their differences? What scale of reading must we adopt when reading for the world? Hitchcock’s ambitious new book both asks these questions and tries to provide a model through which to answer them.  It is one of a number of recent books that engage substantially with the task of reading globally. Bernhard Schoene’s The Cosmopolitan Novel (2010) and Rebecca Walkowitz’s Cosmopolitan Style (2007), for example, encompass similarly breath-taking sweeps of geographical territory. Hitchcock’s optics are somewhat different, focussed as they are not on cosmopolitanism, but on the “long space”: a formal innovation of the postcolonial, transnational novel in series.

Appropriately for a book that ranges across continents, the “long space” is a baggy term designed to contain a multitude of possible characteristics and effects that manifest differentially across the globe. The term is not, for all that, a night in which all cows are black The long space is characterized by a sideways glance at the spaces and times of modernity, colonialism, nationalism and globalization. The process of writing itself is implicated in this production of alternatives: “Writing takes time, but in transnational trilogies and tetralogies, duration in dynamic place is a crucial chronotope of decolonization, one that must claim time differently to narrate the fraught space between more obvious signposts like Bretton Woods and Bandung” (2). Writers of extended postcolonial narratives, in their choice of form, produce alternative temporalities, in which the high-political markers of global change are either absent or experienced differentially. Of course, Proust’s À la recherche du temps perdu or Beckett’s trilogy of novels also invoke and enact a “long space” of writing and memory, and Hitchcock acknowledges that all extended narrative claims time in a particular way, but he makes a special case for the long space as “bound to the concrete predicaments of postcolonial narration as transnational critique” (2).

The long space is, above all else, a Bakhtinian chronotope—a conjunction of time and space specific to a particular form; in this case, the form of the postcolonial novel. “The long in long space,” writes Hitchcock, in one of his many definitions of the term, “is the irruption of local history into the truncated temporalities of globalization and transnationalism in their hegemonic formations” (9). It is the disruption of global narrative time by the concerns and needs of the local. Hitchcock’s notion of “long” is drawn from Raymond Williams’ The Long Revolution, where long “usefully posits a project rather than a historical description” (10). In other words, long does not refer to time in the conventional sense, but to a secular form of messianic time, defined by political aspiration. The space of the long space, on the other hand, is inspired in part by Said’s relentless critique in Culture and Imperialism, which continuously links the spatial to the political. Hitchcock both admires the critical project of contrapuntal reading, and also offers the possibility of the long space as an instance of a postcolonial practice of “contrapuntal writing” (14).

The theoretical introduction to the concept of the long space is the most provocative section of the book—here we sense the author’s gift for inspiring polemic—but the hard evidence for the long space is traced in four chapters, one each dedicated to Wilson Harris, Nuruddin Farah, Pramoedya Ananta Toer and Assia Djebar. The differences separating these novelists are many and, thankfully, Hitchcock doesn’t attempt to draw them into strained relations of similarity. What they do have in common, and what gives Hitchcock the warrant to write of them together, is their transnationalism. The novels that he writes about “are not national novels because, even when they explicitly address the critical form of nationhood, the primary axis of narration favors a chronotope irreconcilable with the nation that is its putative object” (30). On this basis the comparison can proceed.

I will pass quickly over the argument of the chapters, for Hitchcock deserves to surprise the reader himself with his fresh and nuanced readings. Chapter 4, on Pramoedya’s Buru Quartet, is in many ways the flagship chapter of the book. It is a careful, deeply informed discussion of the archive of Pramoedya’s writing. No reference is made to Ann Laura Stoler’s excellent work on the archive of the Dutch East India Company, Along the Archival Grain, but Hitchcock’s attention to the fractures and fissures of official and personal memory found in the archive of Pramoedya’s novels has some quite fruitful connections to Stoler’s work. He does not go so far as to say this—indeed, he is quite muted on the subject of archive overall, even as he writes on archival novels—but this chapter suggests that colonial archives themselves might be a fascinating subject for chronotopic analysis.

This chapter is followed by a reading of Assia Djebar’s disintegrating and impossible Algerian Quartet. The unfinished quartet, Hitchcock argues, may never be finished because the formal demands of a tetralogy might simply be too much for the eruptive, disruptive history of Algeria. The chapter covers a great deal of Djebar’s complex intertextuality, but Hitchcock pays particularly close attention to the figure of Jugurtha, the second-century BCE Numidian/Algerian leader whose revolt humiliated Rome. Jugurtha’s anachronous appearance in Djebar’s writing is an instance of the deep time of anticolonial revolt, the long memory of decolonization, which will continue to resist the amnesia of colonial modernity. This chapter, too, seems to have been a labour of love for Hitchcock—his closeness to the material is palpable.

In Chapter 3, a reading of Nuruddin Farah’s Blood in the Sun trilogy, Hitchcock captures and rethinks a recurring issue in scholarship on Farah: that “the personal must do double duty as character and symbol” (115). Emboldened by the title of one of the novels in the trilogy, Maps, Hitchcock’s reading of Farah rests on the question of scale so crucial to world literature, to mapping, and to this book: how can we both do justice to intimate space and at the same time allow for the distant view of analysis? He has an answer, in one sense: “Farah’s feminist critique in Maps scales up the metaphor of Misra’s miserable life as a comments on the Somali national ideal rather than bringing this mapping down to size, to the scale of difference that is the country’s very possibility” (101). I am reminded of the innovative scaling of what Sheldon Pollock et al. call “cosmofeminism”—a construction of the world that begins with the intimate sphere, untrammelled by the global, and works outwards (584). If Farah can do this, Hitchcock argues, it is because of his “outsideness,” or “exotopy,” which makes his critique of the nation possible.

Finally, in the second, and perhaps most isolated, chapter of the book Hitchcock writes about Wilson Harris’s The Guyana Quartet. The chapter is a self-contained analysis of Harris’s return to the epic tradition, in a reclamation of a “living open tradition” that can transgress and redefine the boundaries of the time of the nation (47). Harris’s form is not, as Bakhtin wrote of epic, blocked by novelization; it questions the time of novelization. “A variety of times,” writes Hitchcock, “indigenous, exploratory, national, Gnostic—both fracture and suture Harris’s text” (88). The time of the novel is too short, too modern to capture the deep time of postcolonial life—only the epic has the historical sweep and feeling needed to represent the time of Guyana.

The geographical breadth of these chapters is dizzying, and the scale at which Hitchcock writes is daring, yet the four chapters on postcolonial authors are oddly conventionally ordered. Each moves through the authors’ works in chronological order, and the spaces and histories of the four authors are kept separate. This is somewhat disappointing given the audacious sweep of Hitchcock’s lens—the long space is, after all, defined by transnationalism, by transgression and border crossing. But this is not a mistake, nor is it the result of a lack of imagination. The Long Space consistently foregrounds problems of scale in both postcolonial writing and world literature. How can we both attend to global history and yet define and defend an alternative sense of time and space that resists the flows of capital that make global history ever more possible?

Hitchcock’s range and choice of subjects clearly place him in conversation with current trends in world literature, however that body of literary and scholarly writing is defined. Perhaps the clearest polemic in the book is directed against the proponents of world literature as a reading practice. We are all, by now, familiar with the terms of the debate: Hitchcock quotes Franco Moretti’s dictum that “the way we imagine comparative literature is a mirror of how we see the world” (7). An attention to world literature might amount to recognition, or celebration, of an already globalized world. Hitchcock admires the transnationalism of David Damrosch’s definition of world literature as a “subset of the plenum of literature,” which circulates beyond its original site of meaning (32), and also the situatedness of Damrosch’s reading practices. By contrast, Moretti emerges as the villain of the piece. Hitchcock is astute on the weaknesses of Moretti’s method, and follows others in pointing out that his systematic approach “alludes to the cultural history but not the difference in it, which is precisely what enables the analysis to proceed” (35). His response to Moretti is at times caustic, and comes in the guise of sparkling aphorisms: “world cancels the literary in world literature for an outside of graphs, maps, and trees” (38). The social-science approach to literature, it seems, is unable to grasp what Derek Attridge calls the “singularity of literature”, its status as event, to which Hitchcock is very much dedicated. The question is one of scale—the singularity of the literary event is lost to view if we try to aggregate events together to discern patterns. On the whole, the clinical dismantling of Moretti speaks to an anxiety of influence. Hitchcock tries, and succeeds, in this book to shuttle back and forth between world chronotopes and intimate chronotopes, simultaneously producing distant and close reading. The effect can be somewhat jarring at times, but this experiment in methodology is brave. His engagement with world literature is vigorous and thoughtful, but the trenchant response to Moretti seems necessary only to differentiate two somewhat similar projects that differ more in scale than in intention. These two projects can, and do, happily coexist in the world republic of literary criticism.

Hitchcock’s book is an outstanding, provocative contribution to the fields of postcolonial literature, novel theory and world literature. It is also one of those rare scholarly books in which the voice of the author, his passion and his sense of humour, are on display, despite a writing style that can sometimes overwhelm. This is a minor quibble, for the real force of this book lies in the clear striving for a new vocabulary of reading that will allow us to take the global scale into account, and yet retain a strong sense of the particularities of alternative spaces and times in the still decolonizing South. The project both describes and enacts a contradiction, which is a hallmark of the very finest scholarship.

Works Cited

Attridge, Derek. The Singularity of Literature. London: Routledge, 2004. Print.

Pollock, Sheldon, Homi K. Bhabha, Carol A. Breckenridge, and Dipesh Chakrabarty. “Cosmopolitanisms,” Public Culture.  12:3 (2000): 577-589. Print.

Said, Edward W. Culture and Imperialism. London: Vintage, 1994. Print.

Schoene, Berthold. The Cosmopolitan Novel. Edinburgh: Edinburgh U.P., 2010. Print.

Stoler, Ann Laura. Along the Archival Grain: Epistemic Anxieties and Colonial Common Sense. Princeton: Princeton U.P., 2010. Print.

Walkowitz, Rebecca. Cosmopolitan Style: Modernism Beyond the Nation. New York: Columbia U.P., 2007. Print.

Williams, Raymond. The Long Revolution. Toronto: Broadview, 2001. Print.

Jibanananda Das, Post-Rabindrian Bengali Poet

JIBANANANDA DAS, POST-RABINDRIAN BENGALI POET
Debashish Banerji

Across the expanse of modern poetry in Bengal falls the tall shadow of Rabindranath Tagore. Rabindranath indeed could be said to have created the modern Bengali language, bridging its stiffer Sanskritized literary precedents with popular parlance, fashioning a tongue noble, exalted yet supple, sweet and finely nuanced. Sri Aurobindo pays tribute to Rabindranath’s literary achievement in The Future Poetry, noting his ability to express spiritual truths poetically and suggestively, embodying a world of psychic aspirations in his word-music. He points to the force of rhythm, chhanda, as a powerful carrier of the mantric experience, and Rabindranath’s Bengali poetry certainly intones its subtle and exalted wings of flight to the inner hearing.

However, if it is a single primary difference one was asked to identify between the poetry of the late 19th /early 20th century and our present times, the attenuated contemporary concern with rhythm would most definitely be a pre-eminent candidate. Apart from overt elements, such as rhyme, sonic symmetry seems to have discarded even the semblance of metrical regularity, be it that of blank verse or of experimental moulds such as Sri Aurobindo’s proposed stress or quantitative or mixed meters. What accounts for this transition and what, if anything, substitutes the power of rhythm in modern verse, would make an important and interesting study. The comparative flatness of the modern ear is experienced painfully by all readers who awaken to the heartbeat-altering mantric rhythms of Sri Aurobindo’s own poems. Partly of course, I believe, this has to do with the high levels of noise pollution to which urban existence exposes us, rendering the hearing insensitive. But historical reasons related to changes in poetic practice in the 20th century are its more intentional origins.

Modernism in the Arts is Humanism’s correlate of that peculiar 20th century techno-economic phenomenon, Internationalism. It traces the human concerns relating to the appearance of a common urban culture across the world, drastic reductions in the subjective awareness of space and time, an enormously accelerated and all-engrossing world-wide material production system, a rupture from the ideals and continuities of gradually developing traditions. The early 20th century marks the transition to this change, spreading swiftly across the world from the West. Nor are the articulations of these common concerns accidentally homologous; the same vectors of accelerated transport and communication carrying globally the voices and thoughts of dissent and anguish in hearsay and print, and making it possible for distant cultures to recognize the commonalities of the modern phenomenon and echo one another. It is thus that French Symbolism, originating in the late 19th century, can be seen as the founding paradigm of Modernism in Poetry. Sri Aurobindo, commenting on Mallarme, refers to him as the father of modern poetry and indeed, this is true not merely in an European but an international context. The very precision of the French language, its classical lucidity, became an obstacle in the way of writers like Baudelaire and Mallarme, in their articulations of a modern subjectivity. The modern era is characterized by a pervasive technological concentration on the objective and material domain and, as Sri Aurobindo points out, it is inevitable that human consciousness will develop a corresponding deeper and more complex subjectivity in its interpretive and oppositional Humanist stance.

This subjective need, combined with the rational precision of French, drove Mallarme to develop his esoteric symbolism, resting on the power of images and their related associations. But it was Mallrame’s student, Paul Valery, who can be credited with turning this principle into the modern poetic methodology, with his emphasis on conciseness and imagistic density predicated on his observation of modern reading bias. At the turn of the century, Valery noted that the demands of modern civilization would make it less and less possible for individuals to read long and continuous tracts of literature, accurately anticipating contemporary advertisational and televisual culture. The intense accelarated compression of productive time necessitated the presentation of information as tightly packed immediacy-Gestalts, capsules of subjective complexity mentally ingested in short durations, capable of long-term assimilation.
The visual orientation of this formulation is unmistakable and passing through the intellectual appropriations of English poets like Ezra Pound and T.S. Eliot and circulating globally through their polemical writings in the world-hegemonic tongue, this orientation was to revolutionize modern poetic practice, heightening the imagary component of the word into the primary carrier of its subjective message, and spawning Imagism, Symbolism, Surrealism.

Another social factor playing into Modernism is the insignificance of the poet in the face of civilization’s inexorable material unifications. The poet’s self-image as prophet, as pioneer and leader of human consciousness, under the leveling action of a global and encompassing socio-industrial organization, gives way to a faceless anonymity, marked by a tragic consciousness of the loss of community and of human values that endure. The poet no more has the luxury of speaking from a pedestal. A discard in consumerism’s gigantic recyclings, his only strength is his word, to be exercised from an unprivileged position and his only concern the spiritual concern of humanity, the single destiny that unstoppably ties all individuals globally, without exception, to the wheels of the productivity machine. The exalted intonings of Rabindranath, Victor Hugo, Walt Whitman, Swinburne and the early Yeats are now seen as Victorian excesses, precarious imaginings of a feudal elite, not visited yet by the pressures of quotidian survival. Pound and Yeats, once admirers of Rabindranath, who popularized him in England and nominated him for the Nobel award, both later retracted their support, deriding the lack of semantic density in his work. Eliot systematically demolished the basis of Swinburne’s enormous Continental popularity, by demonstrating that the richness of his word-music concealed a vapid insubstantiality of meaning. The case of Yeats is particularly interesting. Hailed by Sri Aurobindo in the Future Poetry as one of the promising voices of the future, a master of rhythm, suggestive music and mythological symbolism, he nevertheless, later disowned his past manner of writing

I have lived in dreams
A marble-headed Triton among the streams…

and accepted the rupture from tradition that modernity implied:

Though the great song return no more
There’s been delight in what we have
The rattle of pebbles on the shore
Under the receding wave.

From the faery seas of sound of his early poems, he moves to new seas in his later work:

Those images that yet
Fresh images beget
That dolphin-torn, that gong-tormented sea.

Jibanananda Das (1899-1954) was a Bengali poet who marks the transition to Bengali Modernist poetry. Necessitated into the career most common to modern poets, he was a teacher of English in Barisal (Bangladesh) and Calcutta and was well-read in Mallarme, Rimbaud, Valery, Pound, Eliot and the like, whom he often references in his prose writings. Jibanananda relies largely on imagistic and symbolical means to express in his poems a complexity which grapples with the subjective realities of modern urban life. He was unhappy with the conditions of modern living, was hopelessly impecunious and often expresses a deeply tragic sensibility. Yet, through the poignancy of passing beauty, the “touch of tears in mortal things” and the hopelessness and discord of material exploitation, overpopulation and poverty, the poet’s awareness of an eternal Beauty and Love struggles to penetrate the veil of appearances, questioning, probing, finding significance in unlikely circumstances. In a tragic and untimely ending, Jibanananda died in a tramcar accident in 1954.

Existential angst may be the consequence of an awakening to finitude and transience. Our social bus(i/y)ness conceals this reality from us but the loneliness of isolation brings it to the front. Such occasions for isolation become the norm in the modern world, where the breakdown of community makes one alone even in the company of others. And yet such moments may be moments of wisdom, for they bring us face to face with truth. The poet seeks out such moments, seeing behind the transience the backdrop of eternity. In the poem Road-Walking, for instance, he stirs out at night when all things sleep and walks the streets of Calcutta:

No one errs – brick home signboard door window terrace
Becoming silent know the need for sleep under a sky.

The simple perfection of the sphere of repose unveils itself to him at night. Behind the eternity of sleep, is the eternity of rebirth. The poet remembers distant times when he has walked thus the night in long-forgotten cities, experiencing the deja-vu of continuous recurrence. The powerful transient circulation of the city by day is thus counterbalanced in his consciousness by the equally powerful eternal repose which he lives recurrently. And yet a complex combination of wearniess and mystery surrounds the entire phenomenon

In Babylon alone thus I have walked the night
For some reason. What, today after a thousand thousand tired years I am yet to understand.

Several poems by Jibanananda Das are set at night and the deja-vu recurs repeatedly. Babylon, Assyria, Egypt, Bidisha, Tyre, Shanghai – the era of world-history marshalls its dead civilizations before his eyes hazing the all too-real present with the ghosts of glorious pasts that will live no more. Night becomes the symbol of subjective contemplation when unharried by the rush of the world, one might juxtapose the past and the present, time and eternity. In another poem, Night, a more restless and humming cityscape emerges, but the “realm of the forefathers” can distance itself from both the ignoble present and the glorious past and, from its eternity, laugh at their transience:

Glare of the drunken light kisses my cheek.
Pong of kerosene, wood, lac, hessian, leather
Merging with drone of the dynamo
Keeps taut the bow-string.
Taut keeps the dead and living world
Taut keeps the string of life’s bow.
When, in distant times, Maitreyi has uttered spells,
Has conquered kingdoms immortal Atilla.
Ever in personal tune still from the window above
Half-awake the Jewish maiden sings.
Laughing, the realm of the forefathers thinks – what is song,
And what mines of gold, oil, paper ?

This cosmopolitan night provides the poet not merely the space for reflecting on time and eternity but also on the secret intimacies of human and animal lives:

Some Phiringi young men smartly pass.
Leaning against a column a lax Negro smiles
The briar pipe in his hand cleans
With confidence of an old gorilla.
Vast night of the city seems to him
The forest of Libya.
Still the animals are regulated – extremely proper -
In fact out of shyness they clothe themselves.

In another striking poem, Night of the Wind, the night sky brings powerful reminders of the perennial human aspiration for Immortality and Love:

Those constellations that on the sky’s breast a thousand thousand years earlier had died,
They too have through the window a countless dead skies brought with them.
Those beauties whom I have in Assyria, Egypt, Bidisha seen dying
Last night they very far away in the limit of the sky in mist and mist tall spears in their hands holding have stood themselves in rows as if -
To oppress Death?
Deep victory of Life to express?
Fearsome profound column of Love to erect?

At such times, the poet feels within him the pressure of the continuous urge of consciousness and the empowerment of the past to confront the Falsehood of a mechanized Materialism. In rare and supreme instances, a Grace power acts and the veil is removed, revealing an inward glory. In the poem Blue, the sky becomes the living and conscious agent of this Grace. Here, the poet’s existential aloneness within the multitude becomes the occasion for the revelation:

O unblinking blue, of this prison-house of a hundred thousand rules
Your wizard-rod has broken the spell!
Solitary midst the multitude-rush I muse
In which distant magic kingdom’s enchantment wrapped
Into the blood-embankment of the mundane have you arrived, alone -
In crystal light outspread your robe of blue -
Voiceless dream-peacock wing!

An inner reality transforms his seeing and the earth reveals a new face:

Erased from my eye the hunter-pierced earth’s blood-calligraphy,
Awakens within the self-rapt sky’s golden flame!
…..
Earth’s worm-like withered moult breaks
At your lightning-touch, O sleepless distant wish-world!

Like the Night, a number of images repeat in Jibanananda’s poems, working their way into a symbolic system. The vulture is one such symbol, its ambiguous associations serving very well the poet’s complex reflections. Usually an element in several of his poems, in one, the vulture becomes the principal subject of contemplation, giving its name to the poem. In this poem, the repulsive scavenger bird becomes the messenger of the romantic spirit, closely related to death, looting the works of civilization with its pitiless eternal gaze. And yet its appearances bring the atmosphere and beauty of other worlds, upsetting established norms, fertilizing with the spirit of adventure. On crossing back to its alien kingdom, the bird leaves nostalgic longing in the poet’s heart, with a special tang in the knowledge that modern civilization may have finally succeeded in banishing this incursion of the irrational once and for all. In a final stanza, the poet equates the bird with the Huns, barbarian invaders whose appearance out of the wilderness broke the proud and invincible Roman empire and ushered a new age in history:

Passing round the sad corner of a minaret many vultures
Forgetting the birds of earth disappear to some kingdom beyond Death.
As if some Boitirini or desolated earthly lagoon of Separation
Is moved to weeping – Look to see when in deep blue have merged all those Huns!

In the face of all the changes of the modern world, the poet finds final solace in the knowledge that the world of primordial images cannot be banished. Some hypnotic power of primitive silence holds these images. In the poem Horse, such Stone-Age horses still haunt the “weird dynamo” of this world, pressing the depths of their atmosphere of Silence upon the present:

Odour of the stable floats in in a crowd of night breeze;
The shedding of sad hay sounds from the steel machine;
……
The paraffin lantern is snuffed in the circular stable
Blown by Time’s repose -
Having touched the moonlight of these horses’ Neolithic Silence.

The range of Jibanananda’s poems far exceeds the scope I have outlined in this essay, but my purpose here was only to touch on some important repeating themes and concerns in his work. I believe that in work of this kind, new directions towards the Future Poetry announced by Sri Aurobindo were taken, directions that have added to the store of approaches that might be utilized in the climb to a higher utterance, which yet recognize the range and complexity of consciousness in its engagement with modern existence.


A Selection of Poems by Jibanananda Das (translated by Debashish Banerji)

VULTURE

From field to field and field – throughout the afternoon in sky and sky of Asia
Are grazing the vultures. Man sees market outpost settlement – soundless fields
Of the vulture. Where extreme silence of the field is beside the sky standing

Another sky as if, – there the vultures descend once in succession
From the stern hard clouds: As if distant light leaving, sleep-weary elephants of direction
Have fallen – Have fallen on earth in fields grounds wildernesses of Asia
All these discarded birds a few moments only: Then lift themselves to rise,

Huge wings of darkness on the palm tree. On the horns of the hills in sea’s margins
Once the beauty of earth survey: Ships of the Sea of Bombay when
In darkness of the harbour dock, that see : Once to peaceful Malabar
Go flying: Passing round the sad corner of a minaret many vultures

Forgetting the birds of earth disappear to some kingdom beyond Death:
As if some Boitirini or desolated earthly lagoon of Separation
Is moved to weeping – Look to see when in deep blue have merged all those Huns!

 

ROAD-WALKING

As though holding some gesture in my mind alone from city’s road to road
Much I have walked: much I have seen the correctness of moving trams and buses
Then leaving the road they know peace and withdraw into their worlds of sleep.

All night the gaslight knowing its duty burns in good conscience
No one errs – brick home signboard door window terrace
Becoming silent know the need for sleep under a sky.

Alone walking the road the deep peace of these in my heart I have known.
Was late at night: Many stars the heads of monuments and minarets
Have circled in silence. If anything more simple more perfect than this

I have seen I wonder: a cluster of stars and peopled-with-monuments Calcutta?
My eyes are lowered – quietly burns my cigar – much dust and straw in the wind.
Shutting my eyes I step aside – from the tree many brown dry leaves

Have flown. In Babylon alone thus I have walked through night
For some reason. What, today after a thousand thousand tired years I am yet to understand.

 

NIGHT

Unscrewing the hydrant the leper licks up water
Or that hydrant perhaps, was choked.
Now midnight descends in a rush upon the city
One motorcar, coughing like a donkey passes

Shaking off restless petrol. Though ever vigilant,
As though someone has horribly fallen into water.
Three rickshaws running merge into the last gaslamp
In a pull as of wizard magic.

I too, fleeing Phear Lane – in haste
Walking many miles – beside the wall
Have stood myself in Bentinck Street – in Teritibazar,
In a breeze dry as groundnuts.

Glare of the drunken light kisses my cheek
Pong of kerosene, wood, lac, hessian, leather
Merging with drone of the dynamo
Keeps taut the bow-string.

Taut keeps the dead and living world
Taut keeps the string of life’s bow.
When, in distant times, Maitreyi has uttered spells,
Has conquered kingdoms immortal Atilla.

Ever in personal tune still from the window above
Half-awake the Jewish maiden sings.
Laughing, the realm of the forefathers thinks – what is song,
And what mines of gold, oil, paper ?

Some Phiringi young men smartly pass
Leaning against a column a lax Negro smiles
The briar pipe in his hand cleans
With confidence of an old gorilla.

Vast night of the city seems to him
The forest of Libya.
Still the animals are regulated – very proper -
In fact out of shyness they clothe themselves.

 

NIGHT OF THE WIND

Night of a dense wind last night – night of a countless constellations:
All night the wide wind has played in my mosquito-net.
Mosquito-net has swelled sometimes like the belly of the monsoonic sea.
Sometimes tearing from the bed
Has wanted to fly in the direction of the constellations.
Sometimes it seemed to me – perhaps in half-sleep – above my head there is no mosquito-net.
Cleaving to the lap of Arcturus in the ocean of the blue wind like a white swan it is flying.
Was such a wonderful night last night.

All the dead constellations had awoken last night – not a gap of one grain was there in the sky
Faces of all the faded dead loved ones of the earth I have seen in those constellations:
Like on the crest of the uswattha tree in the dark night dew-wetted eyes of the male eagle lover were glittering all the constellations.
Like on the shoulder of the Queen of Babylon on a moon-drenched night luminous skin of the cheetah was shining the vast sky.
Was such a strange night last night.

Those constellations that on the sky’s breast a thousand thousand years earlier had died,
They too have through the window a countless dead skies brought with them.
Those beauties whom I have in Assyria, Egypt, Bidisha seen dying
Last night they very far away in the limit of the sky in mist and mist tall spears in their hands holding have stood themselves in rows as if -
To oppress Death?
Deep victory of Life to express?
Fearsome profound column of Love to erect?

Immobile, overwhelmed I have become.
The mighty blue torment of last night has torn me apart as if.
Within the boundless outspread wings of the sky
Earth like an insect has been wiped out last night
And mad wind has from the breast of the sky descended
Into my window in tonnes
Like at the cry of the lion a countless zebras in the green upthrow of the field.

My breast has been filled full with scent of the green grass of the spread-out-wide veldt.
With pungency of the ten-directions-flooding protean sun.
Like roar of mad-for-mating tigress with the agitated vast living hairy joy of the Dark.
With the terrible blue madness of living.

My soul tearing from the earth flew off
In ocean of the blue wind like a mad bloated balloon went flying,
The mast of a distant constellation to star and star took flying,
Like a furious vulture.

 

BLUE 

Sun-spangled dawn sky, midnight blue
In infinite glory you disclose yourself repeatedly
Beside the helpless city’s prison walls.
Here licks dense smoke’s coil
The furnace’s angry blaze here incessantly burns
Bloody stones in desert’s fiery breath covered,
Mirage-cloaked.
The lives of a countless travellers
Are snuffed searching interminably; find no clue of the path -
Domination’s cruel shackles coiled around their feet.
O unblinking blue, of this prison-house of a hundred thousand rules
Your wizard-rod has broken the spell!
Solitary midst the multitude-rush I muse
In which distant magic kingdom’s enchantment wrapped
Into the blood-embankment of the mundane have you arrived, alone -
In crystal light outspread your robe of blue -
Voiceless dream-peacock wing!
Erased from my eye the hunter-pierced earth’s blood-calligraphy,
Awakens within the self-rapt sky’s golden1 flame!
Earth’s tear-pale heated2 shore,
Tatter-clad, bare-headed beggar throng
This compassionless highway
Of innumerable terminally ill this prison
This dust – darkness pervaded smoke-womb
All drown in the blue – within an eyelid rapt in dream-expanse.
In conch-white cloud-masses, in a bright sky in constellation’s night
Earth’s worm-like withered moult breaks
At your lightning-touch, O sleepless distant wish-world!

1. fair

2. fevered

 

HORSE

We are not yet dead – images incessantly yet are born:
Mohin’s horses graze in the wildernesses of autumn’s moonlight
Stone Age horses as if – still desirous of grass they graze
Upon the weird dynamo of this earth.
Odour of the stable floats in in a crowd of night breeze;
The shedding of sad hay sounds from the steel machine;
The teacup like a tawny kitten – in sleep – in the indistict grasp of a mangy dog -
Turning to ice rattles in yonder pice-restaurant;
The parrafin lantern is snuffed in the circular stable
Blown by Time’s repose -
Having touched the moonlight of these horses’ Neolithic Silence.

 

CEREMONIOUSLY INSTALLED

“Rather why not write a poem yourself – ”
I said with a wan smile; the shadow-mass gave no reply;
I gathered it is after all no poet – but a mounted narrator
On manuscript, commentary, notepad, ink and pen
Enthroned – no poet – unageing, undecaying
Professor; Toothless – helpless mucus-drip from eyes;
Pay a thousand rupees a month – another thousand and a half
Obtainable by picking dead poets’ flesh and worms,
Although these poets food, love, fire’s warmth
Had sought – had thrashed about in the shark’s wave.

The Public Life of History: An Argument out of India by Dipesh Chakrabarty

The Public Life of History: An Argument out of India

Dipesh Chakrabarty

I should explain at the outset that by the expression “public life of history,” I do not refer to the role that historians can and do sometimes play as specialists or experts appointed by governments or to the particular questions that have been raised about this role in forums such as the Public Historian. I have in mind a different question: under what conditions can history and historians play an adjudicating role when disputes relating to the past arise in the domain of popular culture in democracies? By history, then, I mean something very specific: the academic discipline that we research, teach, and study in universities under that name, the discipline that was invented in Western Europe in the early part of the nineteenth century and of which Leopold von Ranke, for all the criticisms made of his approach during and after his lifetime, is still considered a putative founding father. If one could think of the life of this discipline within the university — composed of classrooms, courses, examinations, seminars, conferences, journals, and so on — as its “cloistered life,” as it were, then by its “public life” one could mean the connections that such a discipline might forge with institutions and practices outside the university and official bureaucracy. Can this discipline have a public life in my sense of the term when the public actually debates the past?

India is a good site from which to address this question. The Hindu Right that rose to political power in India in the 1980s and 1990s by spreading anti-Muslim and antiminority sentiments was often accused by “secular” historians — justifiably, I might add — of rewriting history or even replacing it by myths for public consumption. Implicitly or explicitly, these historians — the most prominent of them (such as Romila Thapar or Sumit Sarkar) based in Delhi — argued for a role for their discipline in public debates about pasts and identities in India, particularly when the Hindu Right was disseminating antiminority sentiments and “memories” that were clearly at odds with reasoned historical judgments. Thapar, for example, has repeatedly emphasized in her recent writings the importance of historical reasoning in India’s public life. She has argued the need for identities in India to be ultimately validated by the discipline of history: “In the retelling of an event, . . . memory is sometimes claimed in order to create an identity, and history based on such claims is used to legitimize the identity. Establishing a fuller understanding of the event is crucial in both instances, for otherwise the identity and its legitimation can be historically invalid.”1 Another reason India is an interesting site is that the demand for the discipline of history — often called “scientific history” in the nineteenth and early twentieth centuries — arose in public life long before Indian universities actually taught the subject at a graduate or research level. Yet over time, as I shall seek to show, the discipline of history has become marginal in debates among subaltern groups that arise from their perceptions of the past. This is not a criticism of the heroic and laudable attempts by historians today to find a public career for their specialist skills. But their present situation — unlike that of amateur nationalist historians at the beginning of the last century — is a bit reminiscent of a moment in the life of the English philosopher Thomas Hobbes. Famously, Hobbes once thought that incontrovertible logic would compel people to listen to him, thus obviating any need for persuasive rhetoric. But he soon realized that while the matter of providing compelling logic was in his hands, logic by itself could not ensure that people would at all feel motivated to listen to him in the first place. Hobbes put it this way: “As it is my part to show my reasons, it is theirs to bring attention.”2

Similarly, the fact-respecting, secular historian in India can bring his or her reasoning to the public, but there is no guarantee that public will bring their attention. Given their expertise, it is only understandable that historians in India should seek a role in adjudicating disputes about the past in India. But what prevents them from realizing this aspiration? It is to answer this question that I provide a history of history in India before returning, in conclusion and with some comparative glances at relevant debates in Australia and the United States, to the larger concern from which this essay arises: can history, the academic discipline, have a public life in a situation when the past is a matter of contestation in everyday life?

History’s Beginnings in Indian Public Life

History was not a university subject in India at the postgraduate level until after the First World War. The first master’s degree in modern and medieval history was created by the University of Calcutta in 1919, and most graduate-level history departments in other universities came up in the 1920s and 1930s. Yet the cultivation of history as a “scientific discipline” began in India in the 1880s and more seriously in the 1900s, particularly in Bengal and Maharashtra, two regions I will concentrate on in the first part of this essay, amid what could only be described as enormous public “enthusiasm for history.”

The expression “enthusiasm for history” is not mine. The poet Rabindranath Tagore used it an essay he wrote in 1899 in the literary magazine Bharati, welcoming the decision of Akshaykumar Maitreya (a pioneering amateur historian) to bring out a journal called Oitihashik chitra (Historical Vignettes) from Rajshashi in northern Bengal (now in Bangladesh). Tagore wrote: “The enthusiasm for history that has arisen recently in Bengali literature bodes well for everybody. . . . This hunger for history is only a natural consequence of the way the vital forces of education[al] . . . movements are working their way through Bharatbarsha [India].”3 Tagore was right in describing his own times. A host of young Bengali scholars had begun to take an interest in the past and in debating ways of accessing it: Akshaykumar Maitreya (1861 –1930), Dineshchandra Sen (1866 –1939), Rajendralal Mitra (1822 – 91), Rakhaldas Bandyopadhayay (1885 –1930), the young Jadunath Sarkar (1870 –1958), and others come to mind. There were, similarly, a bunch of “amateur” scholars taking an active interest in regional history in western India: V. K. Rajwade (1864 –1926), D. B. Parasnis (1870 –1926), V. V. Khare (1858 –1924), K. N. Sane (1851 –1927), R. G. Bhandarkar (1837 –1925), G. S. Sardesai (1865 –1959), and others. They worked on and from a variety of sources ranging from old literature to family genealogies, sculptures, and coins. Among themselves they debated “scientific” ways of studying the past, but they were all votaries of the new science of history.4 The idea that history could be a subject of “research” — and the very conception of “research” itself — were new.5 The English word research was actually translated into Bengali and Marathi in the first decade of the twentieth century and incorporated into names of organizations such as the Varendra Anusandhan Samiti (Varendra Research Society), established in Rajshashi in 1910, and the Bharat Itiahas Samshodhak Mandal (Association of Researchers in Indian History), founded in Poona in the same year. The Bengali word anusandhan was a piece of neologism, translating literally the English word research, while samshodhak in Marathi meant “researcher.”6

This demand in public life for “researched knowledge” of the past had something to do both with European administrators’ enthusiasm for discovering “Indian” history and with the cultural nationalism of nineteenth-century Indian intellectuals, many of whom subscribed to the supposedly universal ideals of the Empire. Nineteenth-century European administrators often believed that historical knowledge provided one of the best ways of “knowing” India. For instance, James Grant Duff, the pioneer of modern Maratha history, acknowledged his personal lack of preparation for historical research and yet undertook to do the same, asking, “Unless some members of our service undertake such works, . . . how is England to become acquainted with India?”7 Many of the contemporary Indian scholars such as the ones I have mentioned before all agreed, for their part, that the formation of the nation depended on the dissemination of “modern” (i.e., of European origin) scholarly knowledge in public life. It did not hurt their nationalist pride to acknowledge European “superiority” in knowledge. As the noted Indologist R. G. Bhandarkar put it in a public lecture titled “The Critical, Comparative, and Historical Method” delivered on March 31, 1888. “It is no use ignoring the fact that Europe is far ahead of us in all that constitutes civilization. And knowledge is one of the elements of civilization.” If Indian scholars were to “compete with Europeans,” they could do so only by following “their [the Europeans’] critical, comparative, and historical method.”8 Bhandarkar repeated the point in his presidential address at the first Indian conference of Orientalists, which was held in Poona on November 5, 1919: “The study of . . . Indian literature, inscriptions and antiquity according to the critical and comparative method of inquiry, . . . is primarily a European study. Our aim, therefore, should be to closely observe the manner in which the study is carried on by European scholars and adopt such of their methods as recommend themselves to our awakened intellect.”9

In other words, Indian scholars who believed in the Empire as representing something universal also believed that knowledge itself was grounded in that universal and that historians in Indian and Europe belonged, equally, to the same republic of letters. To quote Bhandarkar again: “Between the Western and Indian scholars a spirit of co-operation should prevail and not a spirit of depreciation of each other. We have but one common object, the discovery of truth.”10

It was in the same spirit of bringing knowledge, a public good, to the people that Rabindranath Tagore, addressing the student community at a meeting organized by the Bangiya Sahitya Parishad (Bengali Literary Academy) during the years of the Swadeshi movement (1905 – 7), said:

Bengal is the country nearest to us. The Bengali Literary Academy has made the language, literature, history, sociology etc., of this land into subjects for their own discussions. My appeal to the Academy is that they invite students to be part of these discussions. . . . If students, led by the Academy, can collect details about religious sects among the lower orders of their own country, then they will both learn to observe people with attention and do some service to the nation at the same time.11

For Tagore, the criterion by which knowledge could be judged “true” was that it helped to improve the life of the people. Simply reading “ethnology,” for instance — Tagore used the English word — was not enough. If such reading did not generate “the least bit of curiosity for a full acquaintance with the Haris, the Bagdis, and the Doms [all ‘untouchable/low-caste’ groups] who live around our homes,” said Tagore, “it immediately makes us realize what a big superstition we have developed about books.”12

Both Akshaykumar Maitreya and Jadunath Sarkar shared Tagore’s sentiments. Maitreya worked through the Varendra Research Society, set up on the model of European academies. Sarkar was more tied to the idea of the university. But they agreed on the need for the dissemination of scientific history. They thought of the historian as a custodian of the nation’s or the people’s memories. Presiding over a conference of the North Bengal Literary Association at Rangpur (now in Bangladesh) in 1908, Maitreya announced a three-step program with respect to “scientific” history: “(a) knowledge had to be acquired, (b) discoveries had to be made, and (c) publicized among ordinary people in accordance with scientific methods.” Otherwise, he feared, the scientific pursuit of history would be reduced to “mere argumentation among the learned.”13

From his undergraduate years on, Jadunath Sarkar — later, from 1929, Sir Jadunath Sarkar, usually regarded as the doyen of the modern discipline of history in India — aspired to the life of a researcher. Yet all his life he wrote for nonspecialist readers in magazines and newspapers such as the Modern Review, Prabasi, the Hindusthan Standard, and so on. He was a lifelong member of the Bangiya Sahitya Parishad (Bengal Literary Academy) and the Poona Mandal. He was also associated with Bihar Research Society and with the nationalist student-conference in Bihar that was started by Rajendra Prasad, the first president of independent India. Sarkar even presided over some sessions of that conference.14 What he said in 1915, when he addressed the History Branch of the Eighth Convention of the Bengal Literary Association, held in Bardhaman, echoed Maitreya’s and Tagore’s sentiments about the need to make connections between education of the masses and historical research:

Some people say with regret that historical essays have banished the short story from the pages of the Bengali monthly magazine. If this piece of good news . . . is indeed true, then literary leaders and the learned academies are faced with a crucial duty with regard to the development of the nation’s mind. . . . Our duty is to help tie together this newly-awakened endeavor to serve history, to contain and direct this initiative through advice so that the Bengali brain is not mis-spent.15

Such direction could come about only through the popularization of “scientific” history. “The best way of cultivating history is the scientific way,” wrote Sarkar. The scientific way is “the first step in national development. The more we discover the real truth about the past, the more the minds of our people will proceed along the right lines. . . . True history teaches people the causes of rise and fall of nations, their health and illness, their death and regeneration.” Sarkar then moved his rhetoric up a notch. He likened this scientific history to the old medical and religious scriptures of the Hindus: “Without this mahashivatantra [literally, a tantric text on the Great Shiva], this national ayurvedashastra [literally, the Vedic science of life], this dedication to truth, and without an irrepressible urge for continuous improvement, there is no gain.”16

Paternalistic remarks, no doubt. Yet they point to an obvious unity of sentiments between Maitreya, Sarkar, and Tagore. All of them wanted to ground the discipline of history in the emergent “public” life of the nation.

The Unraveling of the National Public

Early nationalist demand for “scientific history” had one major problem that we can see today, with hindsight: the process of dissemination of knowledge the early nationalists envisaged was a top-down one. Tagore, for instance, would often be troubled by the gap between educated and ordinary people: “Our consciousness is failing to reach every place in the national body. . . . Various factors separating the educated from the ordinary society prevent our sense of national unity from being truly realized.”17 But the “we” of his address were clearly the educated Indians. They were to be the bearer of consciousness. It was their mission to connect with the poor and the marginal. This vision of the nation was predicated on the assumption that elites were capable of overcoming deep-seated social conflicts to usher in an age of social harmony.

With all their belief in the universality of knowledge, what a Tagore or a Sarkar, or a Bhandarkar for that matter, could not imagine was the actual nature of the democracy that evolved in India once mass politics became the mainstay of the nationalist movement. As more and more groups were swept up in the tides of the nationalist movement in the 1920s and 1930s, the “wars” that marked the social body of India came to the fore, destroying the ideal of social unity that once inspired Sarkar or Maitreya before the First World War. What once looked like a benign “enthusiasm for history” now produced, as mass politics evolved, so many history wars.18 Historical contestation pitting one social group against another took place in the nineteenth century as well but gained real momentum in the political bargaining of the 1930s and 1940s, when enthusiasm for the past was fast transformed into partisan passions. To put it simply, the Hindus now wrote histories that tried to depict Muslim kings as unabashed oppressors; Muslims blamed the Hindus for their relative decline; lower castes revolted against Brahmanical texts and oppressions; many in the upper castes turned toward more inclusive but aggressive versions of Hinduism.19 The idea of historical knowledge as a universal, as some kind of a public good, was clearly in crisis.

Sarkar got a taste of this evolving public life — and its relation to history — in the 1920s and 1930s, when the Brahman/non-Brahman conflict erupted in Maratha history, making the seventeenth-century Maratha king Shivaji a key symbol in this conflict.20 When the liberal Maharashtrian Brahman politician M. G. Ranade wrote his Rise of the Maratha Power at the end of the nineteenth century, he treated Shivaji (a Maratha king allegedly with a Brahman guru, Ramdas) as a national symbol for all castes, including Brahmans. This was indeed the Shivaji that Bengalis celebrated during the Swadeshi movement (1905 – 7). In the early part of the twentieth century, however, as the non-Brahman movement in Maharashtra gathered momentum, Shivaji, a Shudra king with aspirations to Kashtriya status, was claimed as a symbol of non-Brahman pride in public life. In 1907 Krishnarao Arjunrao Keluskar, a teacher at Wilson High School in Bombay, wrote a biography of Shivaji, titled Kshatriyakulabatangsha chhatrapati Shivajimaharajanche charitra (A Life of Shivaji Maharaj, Lord of the Royal Umbrella and the Pride of the Kshatriya Lineage). The book was dedicated to the King of Kolhapur, Shahu Maharaj, who himself had just managed to upgrade his status from Shudra to that of being a Kshatriya.21 The book was translated into English in 1921 by N. S. Takakhav, a teacher at Wilson College, Bombay. In 1924 a Shri Shivaji Literary Memorial Committee was founded in Bombay as part of the growing non-Brahman movement. Keluskar, the author of the original Marathi version, was a member of this committee. The committee decided to publish an “authentic life story” of Shivaji with a view toward removing “unfounded prejudices and misunderstandings unfortunately perpetuated in . . . Maratha history written by irresponsible writers who chiefly gathered their information from Mahomedan sources.” Keluskar’s Marathi book was selected for this purpose. The ruler of the Holkar dynasty — another pillar of the non-Brahman movement — gave 28,000 rupees to get 4,000 copies of this book distributed gratis to libraries and institutions.22

Jadunath Sarkar was often the target of criticism in what was written on Shivaji by modern Maratha nationalists in early twentieth century. His book Shivaji and His Times (1919) was criticized by Poona scholars for, among other things, his supposed failure to even mention maharashtradharma, a term “fully symbolic of the great movement of uplift that Ramdas [Shivaji’s guru], Shivaji . . . had carried on during the seventeenth century, . . . a term which is the key to unlock the mystery of the Marathi Swarajya [self-rule].”23 He was accused of dependence on “Mahomedan sources” that allegedly prevented him from being able to see the Maratha king in his full glory. In his preface to the translation of Keluskar’s volume, Takakhav criticized Sarkar’s Shivaji and His Times in these terms: “His [Sarkar’s] sympathies are with Moguls and the commanders of the Mogul empire. His sympathies are with the British factors in Surat and Rajapur. His sympathies are anywhere except with Shivaji and his gallant companions. . . . Shivaji is at best patronized here and there with a nodding familiarity and spoken of as if a familiar underling with the name of ‘Shiva.’ ”24 It was no small irony that the new non-Brahman history warriors would thus make the “Rankean” Sarkar out to be a partisan, Muslim-influenced, anti-Hindu historian.

The anti-Brahmanical history war over Shivaji reached a crescendo around 1930 – 31. The 1925 Poona session of the Indian Historical Records Commission had passed a resolution deciding to move the Bombay government to conduct a “scientific investigation” of the records of the pre-British Peshwa rulers left in the Poona Alienation Office and to produce a list of what was available of these records. As the word scientific suggests, Sarkar, a leading member of the commission, was probably one of the principal architects of this resolution. It was upon his recommendation that his close collaborator G. S. Sardesai, a Brahman historian of the Marathas, was appointed by the government to undertake the task. By then Sardesai had resigned his service with the Native State of Baroda — at considerable personal sacrifice — to devote himself exclusively to historical research.25

On Sardesai’s appointment to this position, all hell broke loose in the non- Brahman political circles as well as among the Mandal historians of Poona, who themselves wanted access to the records of the Peshwa Daftar. But of critical importance to this part of the story were larger political developments in the Bombay presidency. The non-Brahman movement of the presidency had achieved new strength by the mid-1920s. The well-known non-Brahman leader B. D. Jhadav was appointed the first non-Brahman education minister of the Bombay government for 1924 – 26. He would stay on as the agriculture minister for the next few years. The non-Brahman leaders of the Bombay Legislative Council raised many questions over Sardesai’s appointment as the editor of a proposed set of selections to be made from the eighteenth-century Maratha records now held by the British.26 Their questions — turning on whether a Brahman could write the history of non-Brahmans (such as the Marathas) — would not sound new to us. But they show us the depth of the connection between history and identity politics on the subcontinent. I cite here some of the questions asked and answers given in the Bombay Legislative Council. The questioners of March 13, 1930, were Rao Bahadur S. K. Bole, N. E. Navle, and others. W. F. Hudson supplied the answers on behalf of the government. The questions were pointed at the Brahman Sardesai and his Brahman assistant, K. P. Kulkarni:

Rao Bahadur S. K. Bole [SKB]: Were applications invited for the post?

. . .

W. F. Hudson [WFH]: No.

SKB: Were there no fit persons to do the work from the backward communities?

WFH: Not as far as I know.

SKB: May I bring to the notice of the Honourable Member names of persons from among the backward castes who have done historical research work?

WFH: Thank you.

. . .

SKB: How many non-Brahmin readers and how many Brahmin readers are employed?

WFH: Three Brahmins and three non-Brahmins.

N. E. Navle: Is it not a fact that the backward classes, especially the Marathas and the allied communities, apprehend that damage would be done to their history at the hands of the Brahmin officers whom the government have appointed?

WFH: Government are not aware of it.

SKB: Are not the government aware that manipulations are being made to give more importance to Ramdas [a Brahman saint] and less importance to Shivaji?

. . .

WFH: Does the question arise, Sir?

. . .

SKB: My question points out the apprehension of the backward classes that history might be tampered. I was going to point out how they have begun to [distort history].27

Much was also made then of the fact that Sarkar could not read the Modi script in which old Marathi documents were written. Sardar G. N. Mujumdar, a Maratha member of the Legislative Council, asked: “Is it not a fact that Sir Jadunath Sarkar and Professor Rawlinson [the recently retired principal of the Poona Fergusson College] do not know the Modi script?”28 Bole intervened in the council debates again to ask whether the government was aware “that much discontent is felt among the non-Brahman communities because no trained [non-Brahman] man, although available, was taken [by] Daftar to protect their [the non-Brahman’s] own interests in their history and that they have shown their distrust in the personnel appointed.”29 A book published by Shri Shiva Karyalaya in Poona in 1931, English Records on Shivaji, edited by a D. V. Kale, was full of complaints about Sarkar. Here is a typical example: “There is a good deal of first-class material published in Marathi. . . . Sir Jadunath has used not more than half a dozen letters from Marathi and he claims that though based as it is on English and Persian records his biography of Shivaji ‘so far as existing material goes is definitive.’ This claim is fantastic even for Sir Jadumath’s self-complacency. First-class historical material from Marathi sources he has not used, probably because he cannot use it properly.”30

Faced with these history wars, the idea of scientific history had to beat a hasty retreat. It was clear that history, the discipline, was not going to acquire the kind of public life that a Tagore or a Sarkar once desired for it. On being told that his histories were untrue to the real spirit of non-Brahman Maratha history because he could not read the Modi script, Sarkar could now fume only in private, for he recognized that the space for the kind of historical “truth” that he pursued had shrunk in the “public life” that mass politics had created in India. He wrote privately to his friend Sardesai:

I have said that I have used all the Marathi materials on Shivaji available. Now, the only materials available are the printed ones, which are all in Balbodh and therefore can be read by me. No material, besides these, known to refer to Shivaji exists in ms. [manuscript] in Modi. I reject the nibadpatras, mazharnamas, and worthless private documents of the kind of which thousands have been printed and many thousands are lying in ms. in Modi. My claim is therefore true to the letter while . . . making a lying suggestion that historical papers relating to Shivaji are definitely known to exist in unprinted Modi. If so, where are they? My ignorance of Modi does not handicap me in the least, in view of the known condition and extent of Shivaji sources.31

In his public statements, however, he would no longer express the enthusiasm for a public life for history that he had once expressed in his youth. He now presented the pursuit of historical truth as something very much disengaged from any public activity. A lonely pursuit with rewards slow in coming, it was now to be compared to the endeavors of a yogi and not to any imagined ayurvedashastra for the nation. This is how, for instance, Sarkar expressed his sentiments in a radio address broadcast in 1948, a year after Indian had attained independence and about nine years before his death: “The pursuit of literature or fine arts [he always referred to history writing as a literary activity] is exactly like the pursuit of yoga.” The “present age,” however, made “this much more difficult to do than previously.” Why? Sarkar made it clear that the reason had to do with the advent of mass politics and the particular forms it had taken in India. “We usually say,” he continued, “this is the time of popular sovereignty [janatantra], the age of democracy [in English in original].” But, in his judgment and that of many other political conservatives, India was not yet ready for such democracy. Sarkar wrote out of conservative instincts, but the words — one must admit, looking at the corrupt and venal nature of political power in India today — had a sort of prescience: “Where the masses are uneducated and unorganized, there the political reign will definitely pass on to fraudulent thieves. Whoever finds that they have no possibilities for making money from business or other worldly activities, will now set up political parties and make themselves and their relatives rich at the expense of the country.” He then went on create an imaginary figure of a young scholar who might have shared his own sense of defeat: “The prevalence of such injustice and dishonesty on all sides can make the thoughtful young person despondent.” What could this “young scholar” be but a fantasy figure, a projection from his own youth, now irrevocably past? It was as if to comfort himself that Sarkar invented an imaginary dialogue with this solitary, young, and lonely scholar of the future, for the despondency really was all his own: “I will say to him: don’t despair. Truth will definitely win in the end — perhaps after your death.”32

History in the Life of Indian Democracy

Patriots such as Maitreya, Bhandarkar, and Sarkar had once created a vulgate and vulgar version of Ranke in the hope that the discipline itself would find a vibrant life in India both within and outside the university.33 Central to their thinking, however, was one assumption: that the life of the nation was about producing and celebrating India’s deep and fundamental unity. Histories driven by identity politics — Hindus versus Muslims, upper castes versus lower, one linguistic group versus another — saddened them emotionally and threatened their intellectual frameworks. For that generation of Indian nationalists, products primarily of the late nineteenth and the early twentieth century before the coming of electoral politics, the unity of India was ultimately built around the idea of civilization. As Tagore once put it, “What is remarkable about India is her constant attempt to found unity in diversity.”34

This line of thinking has cast a long shadow over debates about history in India, as recent controversies over “Hindu” historiography show. Upholders of “secular” historiography today do not repeat the point about the civilizational unity of India — for that kind of cultural nationalism, however noble, has no political takers in the country — but their intellectual frameworks are often based on assumptions about a sociological (not civilizational) unity of India that is assumed to exist as something prior to the conflicts that produce warring memories in public life. Romila Thapar is again a good case in point. In a convocation address delivered at the Jadavpur University in Calcutta in the mid-1990s, she disagreed with historians — including some prominent intellectuals in the ranks of Subaltern Studies — who privileged the idea of the “fragment” in their discussions of Indian history. Instead, she stressed the need for taking a “holistic” view of India, for in her opinion even the mutually opposed and the most “confrontational” groups in India made up, in their togetherness, a single and whole society, and it was this prior existence of the whole, she contended, that was overlooked in the talk about the fragment.35

Fragment or no fragment, this imagination of the nation as constituting some kind of a whole seems untenable today. The assumption that there is a “whole” in India that always trumps all conflicts and diversity does not strike us today with any degree of obviousness beyond what the media or Bollywood can produce with cricket or the occasional war with Pakistan. The perceived unity generated around sports and wars is not necessarily false, but it would be unrealistic to think of these moments as somehow revealing a deep transhistorical truth about India’s capacity for social or political unity. Many of the intellectuals and politicians of the lower-caste groups in India — for instance, the political bloc that sometimes goes by the name of dalit-bahujan samaj (society of the oppressed and the majority) — prefer to write histories that have deep connections with politics of identity and that do not subscribe to the ideology of a whole. Listen, for instance, to Kancha Ilaiah, a dalit-bahujan (oppressed-majority) intellectual, writing in Subaltern Studies on the need to combat upper-caste histories: “The Dalit-bahujan experience — a long experience of 3,000 years at that — tells us that no abuser stops abusing unless there is retaliation. An atmosphere of calm, an atmosphere of respect for one another in which contradiction may be democratically resolved is never possible unless the abuser is abused as a matter of shock-treatment.”36 The casualty of Ilaiah’s approach to history is not Indian democracy. For as Badri Narayan has shown with his meticulous research, such contestation of upper-caste rendition of history has been an integral part of the electoral politics of recent dalit-bahujan leaders Kanshiram or Mayawati.37 The causality of this history war has been the historical method itself. Dalit historians have not always cared for “evidence” in the way that we might expect them to if they were our colleagues or students in universities. Ilaiah, for instance, writes with a clear and explicit intention to eschew the use of “sources” and “evidence” and to base his history on “experience” alone (and of course does not see himself as producing mere testimony, either).38 In the essay he wrote for Subaltern Studies, Ilaiah, a university- trained political scientist, deliberately set aside all academic procedures in order to claim for the dalit-bahujan peoples a past that would not look to academics for vindication.39 Ilaiah’s radical claim was that the existing archives and ways of reading them — the discipline of history, to be precise — had to be rejected if dalit-bahujans were to find pasts that helped them in their present struggles.40 He would much rather write out of his personal and dalit groups’ experience of oppression. In his words: “The methodology and epistemology that I use in this essay being what they are, the discussion might appear ‘unbelievable,’ ‘unacceptable,’ or ‘untruthful’ to those ‘scholars and thinkers’ who are born and brought up in Hindu families. Further, I deliberately do not want to take precautions, qualify my statements, footnote my material, nuance my claims, for the simple reason that my statements are not meant to be nuanced in the first place. They are meant to raise Dalitbahujan consciousness.”41 I still remember the debate among the editorial members of Subaltern Studies that preceded our decision to publish this essay that deliberately — and as a political gesture — flouted all the disciplinary protocols of history and yet claimed to represent the past in a series that was, after all, an academic enterprise.42

Badri Narayan’s research on dalit claims about the past in the Indian state of Uttar Pradesh gives us a fascinating account of how history wars function in the electoral democracy of India today. Narayan’s recent book, Women Heroes and Dalit Assertion in North India, studies the debates about history that have accompanied the rise to prominence and power of the lower-caste party, the Bahujan Samaj Party, and of its leaders, Kanshi Ram and Mayawati.43 What Narayan documents in the first place is the degree to which the electoral success of the lower castes went hand in hand with a phenomenal growth in the demand for representations of the past, representations that would allow the formerly marginalized and oppressed groups to take pride in their own histories. The result has been an unprecedented proliferation of myths, legends, and mythical anecdotes through oral, written, and visual media. Statues have been made of dalit heroes and heroines, their images put on cheap calendars, fairs, and festivals organized in their names, and books brought out to narrate their stories. Some of the heroes are indeed historical figures, while others belong to the larger Hindu pantheon of local and/or national gods and goddesses. Narayan’s research shows us that the demand for pasts on the part of up-and-coming low-caste groups in India does not translate into a demand for more academic histories. If anything, what he documents is a veritable festival of “tradition invention” by low-caste communities.

Consider the case of Udadevi, a Pasi (low-caste) heroine of the 1857 Rebellion, whose roadside statues, as Narayan reports, “can now be seen all over U.P. [Uttar Pradesh].” According to Narayan, the first-ever image of Udadevi was created in 1953 by a painter who was invited to do so by basing himself on narratives collected by a botanist working at the Birbal Sahni Institute. The idea was to place this image in a new museum on the history of Lucknow on the campus of the National Botanical Research Institute. In 1973 a statue was built following this painting. The statue soon developed cracks, and it was repaired clumsily by “unskilled labourers.” Later, when the lower-caste political party BSP wanted to publicize Udadevi’s image on posters and calendars as part of their overall campaign, “they picked up this distorted image” and made it popular.44

The legendary Pasi king of yore, Maharaj Bijli Pasi, is another case in point. A “symbol of caste glory for all the dalits,” he had his first image ordered by Kanshi Ram, who then popularized it through calendar art and posters. Not knowing what Bijli Pasi actually looked like, Kanshi Ram reportedly asked sculptors to “put together the best features of five Sikh gurus . . . revered by dalits.”45 Even more fascinating is the case of Suhaldev. Originally a hero of the Pasis, he has been deified by upper-caste devotees who built a Hindu temple for him (in all probability to garner dalit support). I quote Narayan at some length, for the details of the case are telling:

Suhaldev is . . . [an] icon of the Pasi caste popular in Central U.P. The first image . . . was created in 1950 in Jittora near Bahraich . . . by the local Congressman. . . . Two local painters . . . were commissioned to paint the first pictures of Suhaldev from their imagination. Later, Samaydeen of Gonda sculpted a statue of Suhaldev based on [this] painting in which he was portrayed as a soldier astride a horse. This clay statue was later replaced by a cement one. The local raja [landlord] of Prayagpur donated 500 bighas [about 166 acres] and the Jittora lake to the Suhaldev Smarak [Memorial] Committee. Earlier the statue was placed in the park in the form of a memorial. Today however the place has been renovated to resemble a temple with the statue as the idol. . . . A priest has been appointed to conduct prayers. . . . the devotees also take dips in the Jittora Lake, which is believed to have medicinal properties.46

Clearly, these are developments in which invented pasts are blended with history, myth, legend, religion, and so on to produce ingredients that feed the electoral machinery and caste politics in India. These mixtures speak to a growing demand for pasts that would, as I said, give pride to groups that have suffered marginalization for a long time. But by the same token, they represent histories that are completely and deliberately dominated by particular points of view. In this regard they are marked by a rampant sense of perspectivalism. You can either agree or disagree with these accounts of the past. But there is no question of their seeking validation from the historian’s history or even being amenable to the usual methods of historical verification.

The second point to note is that these accounts of the past of lower-caste groups represent combative narratives. They remind people of past domination and are actually meant to incite both friends and enemies to (political) action. They are thus part of the ongoing social wars in India, wars that get drawn into electoral battles. Let me again give two examples of this from Narayan’s study. Narayan reports the anger of Thakurs and Yadavs (upper- and middle-caste landowners who owe political allegiance to the Samajwadi Party) of Azamgarh at the installation by low-caste Chamars and Pasis of statues of Ambedkar, the most exalted historical leader of the dalits: “Omkar Singh, a fifty-year old Thakur living in a village . . . of Azamgarh district, whose family owned most of the land of that village, said heatedly that all the upper-castes felt greatly angered when they saw statues of Ambedkar and emphasized that they would not be responsible if they lost control and resorted to bloodshed.”47 The same call to war, a deliberate cultivation of provocation and incivility, marks the language of Mayawati, the ex- untouchable leader often identified with Jhalkaribai, a legendary dalit heroine who reportedly gave her life fighting the British in 1857. Narayan mentions how Mayawati’s speech

tries hard to resist upper-caste notions of femininity . . . [and] mildness, docility. . . . Male officials or rival leaders are addressed as tu or tum (an impolite form of “you”). . . . Colloquial terms of address like arrey and terrey, used primarily by upper-caste men to address lower-castes, appear frequently in her conversation. . . . Abusive words . . . that connote inherent masculinity, violence and aggression, like kuchalna (crushing) and ukharna (plucking) are also thrown into her conversation.48

What do these combative lower-caste histories — produced as a part of the functioning of electoral process in India — foretell for the discipline of history in India?

Michel Foucault’s 1976 lectures published under the title Society Must be Defended present us with a way forward with this question.49 I assume — with Foucault and somewhat against Thapar — that societies are not integrated wholes. They do not represent any kind of oneness. Societies, Foucault says, are internally “traversed by wars”; they carry legends of conquest and subjugation as part of their memories. Liberal regimes are those that are able, in particular historical circumstances, to divert these ever-present wars into institutions managed by the two main modes of power that Foucault diagnoses as characteristic of modern times: discipline (which works by individuating and through the individual’s cooperation) and regulation (which is about managing humans in large numbers). In this context, Foucault says something quite remarkable about popular history. Before history became a modern knowledge form to be taught in universities, he contends, most historical ballads and legends were about conquest, domination, and subjugation. That is what history was in the popular domain: memories of conquests that made up the social. It was only when history became an academic discipline that it became more aligned with the Hobbesian — and eventually liberal — quest for a social formation from which conquest had been banished. Hegel’s (and Marx’s) philosophy, Foucault argues, carries forward this dream. It is, of course, precisely Foucault’s point that the theme of conquest was never actually exiled from the social body; it was simply shifted into the politics of disciplinary institutions — something that Foucault regarded as war by other means.50 In other words, even when we do not discount the benefits of liberalism, Foucault reminds us that projects of social domination continue through the working of institutions that are integral to the working of a liberal regime. Among such disciplinary institutions one would have to count universities and the particular “disciplines” they invent and teach.

In my personal experience, the emergence in Australia of an academic subject called “Aboriginal history” has been very much about the process Foucault’s lectures outlined. Aboriginals are undeniably a group of people who have suffered systemic discrimination in Australian history since the beginning of European occupation and settlement of the country. They are also, arguably, a conquered people. Yet the moment nonindigenous Australia decided to include them in a liberal imagination of the nation — say, from the referendum of 1967, which resulted in Aboriginals being counted in the national census and the federal government assuming some legislative powers with respect to the indigenous peoples — a new academic subject began to emerge within Australian institutions, initially through the inspired and inspiring researches of academics such as Henry Reynolds. The subject was christened Aboriginal history and formally introduced in the mid- 1980s (when I was a lecturer in history at the University of Melbourne). From the very beginning, the subject was embroiled in vigorous disputation about historical methods and their capacity to represent Aboriginal pasts. Whether it was a Henry Reynolds defending historical objectivity, or a Deborah Bird Rose looking at Aboriginal songs as historical evidence, or a Tony Birch posing poetry as an alternative mode of history, or a Bain Attwood trying to preserve the rationality of the discipline of history, or a Stephen Muecke or the late and lamented Minoro Hokari experimenting with forms of writing history, the university has always been a major site of methodological battles over Aboriginal pasts.51 One could say, following Foucault, that Australia has been able — more than India — to shift its social wars into the disciplinary and regulatory mechanisms of institutions including the university. That is, I think, why attempts by the current right-wing government to stifle all moves toward “reconciliation” between indigenous and nonindigenous Australians have been accompanied by spectacular attacks on the research credentials of historians who wrote with sympathy for Aboriginal suffering in the past.52 Even institutions outside the university, such as the National Museum in Canberra, have been at the center of debates regarding the representation of the pasts of indigenous peoples.53

Indian democracy, unlike the Australian one, is not managed through a mix of discipline and regulation. Social wars are out in the open in this democracy and fuel the debates and “disorder” that mark its public life.54 It is not universities that displace and absorb social wars into battles over or about disciplines. It is indeed remarkable how, in all that progressive and secular Indian historians in Delhi have written in the last twenty-five years about the Hindu Right’s tendency to mythologize the past and about the relevance of history, there has not been a single, original debate among them about the methods of their discipline (no Carlo Ginzburg, no Hayden White, no Greg Dening, no Inga Clendinnen here).55 The institutions that help absorb and displace the “wars” that traverse the Indian social body — and thus keep the nation going — are the courts of law and electoral processes and the political offices they make available to winners. The nexus between street politics (a part of the political mobilization process in India) and the culture of litigation may be easily seen in the Indian “debate” over the publication in 2003 of the American historian James Laine’s book Shivaji: The Hindu King in Islamic India. Laine had referred to historical conjectures about Shivaji’s paternity. In January 2004, the Sambhaji Brigade, a right-wing group named after Shivaji’s eldest son, vandalized the Bhandarkar Oriental Research Institute in Poona (where scholars had helped Laine in his research), reportedly destroying 18,000 books and over 30,000 manuscripts in the process. They “labeled the book a ‘Brahmin conspiracy’ ” because it suggested that Shivaji’s biological father may have been a Brahman servant in the family. The publishers withdrew the book, and the Maharashtra government banned both this book and a subsequent book by Laine.56 The Bombay High Court lifted the ban on April 26, 2007, on petition by civil liberties activists and a documentary filmmaker, but Sambhaji Brigade burned an effigy of Laine in Poona on April 30, and the political party, Shiv Sena, threatened further violence if someone dared to sell the book.57 It is significant that universities and academic historians in the state played absolutely no role in these events.

Indian democracy is perhaps too special a case from which to produce a general argument. Its mixture of the “first past the post” voting system, political parties that all deliberately acquire the capacity to create mayhem on the streets as a means of strengthening their bargaining muscle, political passions that often float free of all concerns with good governance, a relatively free press, and a liberal set of laws working in combination with everyday illiberal practices, has a certain claim to uniqueness. Besides, the social location of the research university varies from one democracy to another: it is relatively marginal in the Indian public sphere (where full-time research institutions often get more attention); more central in Australian public life; and isolated from the larger society and yet prestigious in the United States. In discussing the question of the public life of history in different democracies, one has to pay attention to the peculiarities of individual cases.

Yet it may be that a general trend has marked the career of history in the liberal democracies of the world in the period since the Second World War and the waves of decolonization in the 1950s and 1960s. I will have to be brutally short and blunt in my description of this trend. Everywhere in the last five or six decades, it seems, the academic subject of history has come under pressure to incorporate and represent the pasts of social groups hitherto marginalized in or excluded from mainstream narratives. In almost every democracy this has given rise to the question of whether the distinction between “testimony” and “historiography” should be dissolved in the interest of challenging the authority of the academic historian. As the discipline of history has opened up to the possibilities of “multiple narratives” of the same event, it has attempted to accommodate multiple perspectives while expressing uneasiness over the danger of “relativism” — “as many truths as there are perspectives” — though many historians have also acknowledged that perspectives do not as such lead to the abyss of relativism. Along with this has come the welcome move, in all democracies, to diversify the faculty and the student body engaged in the discipline. However, all this has happened at the expense of certainty about what may constitute positive historical knowledge beyond the perspectives of conflicting interests. Historians believe that they offer knowledge that goes beyond the collection and description of factoids. The ideal of knowledge still animates discussions among historians, but we are less and less sure about the nature of this knowledge. Nineteenth-century historians acted on the assumption that they knew what this knowledge was (above and beyond perspectives), but today we seem to be far less sure. Of course, within the profession there are pragmatics by which “research” and “knowledge” are recognized. But, put under scrutiny, this knowledge is hard to define when every historical generalization is seen as made up of a combination of individual facts (relatively uncontested) and perspectives (entirely contestable). Nineteenth-century founders of the discipline had a sense of historical truth — universal truth — that transcended the particularity of individual facts. Not that they ever claimed to have reached this goal, but the goal constituted the ethical horizon of their work. Most historians today would not subscribe to the same conception of truth, and would be hard put to define what might constitute “positive knowledge” once history moves beyond the realm of individual facts. And this situation is only made more acute when the past under discussion is vigorously contested in public life.

For now I have to leave this broad generalization as a piece of unsubstantiated speculation, but let me at least explain what is at issue here. An instructive example is Thomas Holt’s thoughtful and provocative response to Joan Scott’s equally provocative 1991 essay “The Evidence of Experience.”58 Scott, readers may remember, took a poststructuralist position in that essay, arguing against the politics of identity (which used the evidence of experience) and highlighting the need for historians to be sensitive to the discursive production of “experience” itself. Holt’s invited comment on Scott exemplifies our contemporary predicament with respect to defining historical knowledge. Holt wanted to argue that there were institutional and material realities of discrimination that went beyond the level of discourse, so that actual experience of such realities might indeed contribute to the enrichment of our knowledge. At the same time, though, Holt wanted to abjure the essentialism of a Kancha Ilaiah — the belief that only a black historian could write black history. But this gave rise to a very interesting conundrum. “The problem, bluntly stated,” writes Holt, “is that if one accepts that whites can study blacks and the men can study women, then what intellectual need is there — as opposed to a moral or political one — for colleges and universities to aggressively recruit black or female historians?” Since, however, he wanted to defend diversity of faculty and students on grounds of knowledge, this is how he continued:

Heretofore, many of us have avoided the essentialist, ahistorical (and patently false) trap that only blacks can study blacks and only women can study women by invoking the value brought to intellectual inquiry by the differences in people’s experience — something that can be learned as well as lived. Moreover, such diversity is crucial, we have argued, not only because it might provide a different perspective on the history of excluded groups but because such perspectives brought to bear on yet other groups different from themselves can profoundly shape the interpretations of the collective general history; that is, blacks should also study whites and women should also study men.59

For Holt, then, particular perspectives born of particular experiences were helpful insofar as they shaped “the interpretations of [our] collective general history.” This “collective general history” is what I have called “historical knowledge.” As an ideal, it is clearly meant to be something that transcends stories told from particular and conflicting perspectives. But do we know what this “collective general history” is when all ideas of “universal history” have been abandoned? Holt does not — for reasons of space, I assume — attempt to explain what he means by the expression. But my guess is that even if he had had the space, he would have found it difficult to explain exactly how such a “collective general history” became both collective and general, thus superseding the conflict of various perspectives. Such collective and general histories are what historians today have become unsure of as they embrace, under the pressures of democracy in postcolonial times, the idea of multiple perspectives.

I thus disagree with Badri Nayaran’s proposition that “history as proposed by subalterns and Dalits, which is grossly different from professional academic history, is actively and consciously redefining the boundaries of history as knowledge.”60 Discussing whether the “democratization of history as knowledge of communities” ultimately leads to “the democratization of history as a discipline,” Narayan cites in defense of his statement an essay I published in 2003. He writes: “The modes of reasoning taught in . . . courses on social theory in universities are not necessarily obvious to citizens from the subaltern classes who now actively shape the character of Indian democracy. Chakrabarty identifies that there is an obvious paradigm shift in which . . . history as proposed by subalterns and Dalits, which is grossly different from professional academic history, is actively and consciously redefining the boundaries of history as knowledge.”61 It is immaterial whether the observation is Narayan’s or mine, for the point is this: How can “history as proposed by subalterns and Dalits” redefine “the boundaries of history as knowledge” when it is precisely the status of “historical knowledge” that is in decline? All we have is a clash of cultures between dalits looking for pasts that would do them proud and academic historians who, in critical spirit, always historicize but seldom conclude. And if dalits and other subaltern groups have not responded to historians’ critical spirit, then historians have to ask themselves the Hobbesian question: why don’t people bring their attention even after historians have adduced their “reason” in public?

There was a time when the likes of Sir Jadunath Sarkar believed in universal history. That belief was tied to his primary (though false) belief that the British Empire stood for some universal interests. He could thus visualize a public life for history, for history was a universal good. There was also a time, toward the end of the eighteenth century and during the nineteenth, when many European intellectuals believed in historical knowledge as a universal good. (Indeed, it was from them that Sir Jadunath derived his own ideas.) When European empires collapsed under challenge from nationalist movements, these so-called universals, which had often acted as ruses for Europeans’ particular and parochial interests, had to give way to demands for multiple historical perspectives, since previously marginalized and suppressed groups now wanted to be incorporated into the life of the nation and their demands could no longer be overlooked. The discussion of history in the West was thus quite profoundly shaped by the intellectual fallout from decolonization. The talk of multiple perspectives was also part of this talk about representation. It was part of the struggle to make the West itself more democratic and multicultural. The force of this process brought the older nineteenth- century European understandings of historical truth and knowledge to a crisis. That surely was not a bad thing. It made for a democratic urge within the discipline of history even if it happened at the expense of “knowledge.”

However, it is clear that in order for history, the discipline, to have a public life again, sheer conflict of perspectives will never be enough. There needs to be a renewal of some form of shared and general if not universal history. (Here I use “general” and “universal” interchangeably, in the same way that one speaks of Newton’s “general” laws of motion.)62 Obviously, there is no question of returning to the false universals of the past. But I feel optimistic that some kind of species- history will emerge in the years to come, particularly if the looming environmental crisis — shortage of drinking water, global warming causing population shifts all over the world, factors that affect us all as a species — brings into being agencies of global governance for ensuring that humans consume scarce resources in ways that are fair to all. The reader will remember that young Marx started as a philosopher of the species-being of humans. Today, however, we are faced with the thought of species-finitude as something lacing our political projects. As we begin to write species-history in this light, superseding national ones at least for some areas of collective human life, and as that history becomes part of a search for globally equitable forms of extraction and distribution of natural elements that are absolutely necessary for human existence, the possibility emerges of thinking about the general or the universal once again. Of course, we cannot afford to give up our well-earned, healthy suspicions of the universal.63 I also make an important assumption: that the heritage of anticolonial struggles and of the postcolonial struggles for democracy will stand us in good stead in fighting off possible attempts by any particular dominant power to hijack future global governance in their own parochial interests. And, of course, I have to acknowledge that in speaking thus I speak in a utopian spirit. I speak of a politics to come.


Thanks to my coeditors and collaborators in this special issue and Rochona Majumdar and to audiences at the University of Melbourne, the Australian National University, and Columbia University for their comments.

 

1. Romila Thapar, “Somnatha: Narratives of History,” in her Narratives and the Making of History: Two Lectures (Delhi: Oxford University Press, 2000), 49.

2. Hobbes quoted in Quentin Skinner, Visions of Politics: Hobbes and Civil Science (Cambridge: Cambridge University Press, 2002), 75.

3. Tagore cited in Prabodhchandra Sen, Bangalir itihash shadhona (The Bengali Pursuit of History) (Calcutta: General Printers, 1953 – 54), 36.

4. See Tapati Guha-Thakurta, Monuments, Objects, Histories (New York: Columbia University Press, 2004), chaps. 4, 5, and Prachi Deshpande, Creative Pasts: Historical Memory and Identity in Western India, 1700 –1960 (New York: Columbia University Press, 2007). See also Shyamali Sur, Itihash chintar shuchona o jatiyotabader unmesh: bangla 1870 –1912 (The Beginning of Historical Thought and the Emergence of Nationalism: Bengal 1870 –1912) (Calcutta: Progressive Publishers, 2002); Gautam Bhadra, Jal rajar golpo (The Story of the Fake King) (Calcutta: Ananda, 2002); Kumkum Chatterjee, “The King of Controversy: History and Nation-Making in Late Colonial India,” American Historical Review 110 (December 2005): 1454 – 75.

5. I am indebted to Arjun Appadurai for inspiring in me an interest in this question by informally sharing with me his own interest in the history of the practice called “research.”

6. On the history of these two organizations, see Nirmalchandra Choudhuri, Akshaykumar Maitreya: Jibon o shadhona (Akshaykumar Maitrya: Life and Endeavors) (Darjeeling: North Bengal University, 1984?), chapter on Varendra Research Society. For the Poona Mandal, see the brief remarks of Jadunath Sarkar in his Maratha Jaitya Bikash (The Development of the Maratha Nation) (Calcutta: Ranjan Publishing House, 1936/7), 44, and Deshpande, Creative Pasts, 117 –19.

7. James Grant Duff, History of the Marathas, 4th ed., vol. 1 (Bombay: Times of India Office, 1878), ix.

8. “The Critical, Comparative, and the Historical Method of Inquiry, As Applied to Sanskrit Scholarship and Philology and Indian Archaeology,” in Collected Works of Sir R. G. Bhandarkar, vol. 1, ed. Narayan Bapuji Utgikar and Vasudev Gopal Paranjpe (Poona: Bhandarkar Oriental Research Institute, 1933), 390, 392.

9. “Presidential Address at the Opening Session of the First Oriental Conference of India, held at Poona on the 5th of November 1919,” in Collected Works of Sir R. G. Bhandarkar, 319.

10. Bhandarkar, “Presidential Address,” 319.

11. Rabindranath Thakur [Tagore], “Chhatroder proti shombhashon” (“Address to Students”) in Rabindrarachanabali (Collected Works of Rabindranath) (hereafter RR), centenary ed., vol. 12 (Calcutta: Government of West Bengal, 1961 – 62), 728 – 29.

12. Thakur [Tagore], “Chhatroder proti shombhashon,” 729.

13. Maitreya cited in Nirmalchandra Choudhuri, Akshaykumar Maitreya: Jibon o shadhona (Akshaykumar Maitreya: Life and Endeavors) (Darjeeling: North Bengal University, 1984?), 94 – 95.

14. Moni Bagchi, Acharya Jadunath: jibon o shadhona (Jadunath, the Teacher: Life and Endeavors) (Calcutta: Jijnasha, 1975), 52 – 53.

15. Jadunath Sarkar, “Presidential Address to the History Branch,” Eighth Bengal Literary Convention (Bardhaman), Proceedings of the History Branch, 1. My copy of this report, kindly lent by Gautam Bhadra, does not have a printer’s line.

16. Sarkar, “Presidential Address,” 1, 8 – 9.

17. Tagore, “Shabhapatir obhibhashon” (“Presidential Address”), Provincial Convention in Pabna, 1907 – 8, in RR, 825.

18. I am borrowing an expression, anachronistically, from the Australian context. See Stuart Macintyre and Anna Clark, The History Wars (Carlton, Vic.: Melbourne University Press, 2003).

19. The literature on these topics is abundant. I have found Catherine Adcock’s thesis on the Arya Samaj and the histories they were sponsoring in the 1920s particularly helpful in this context; Adcock, “Religious Freedom and Political Culture: The Arya Samaj in Colonial North India (PhD diss., Divinity School, University of Chicago, 2007).

20. James Laine’s engaging short book Shivaji: Hindu King in Islamic India (New York: Oxford University Press, 2003) — as well as the ugly response to it in certain parts of Maharashtra — and Daniel Alan Jasper, “Commemorating Shivaji” (PhD diss., New School University, April 2002), help to understand the changing fortunes of Shivaji as a modern political icon.

21. I have used an English translation of this book: N. S. Takakhav, The Life of Shivaji Maharaj, Founder of the Maratha Empire (adapted from the original Marathi work written by K. A. Keluskar) (Bombay: Manoranjan Press, 1921), foreword.

22. Takakhav, The Life of Shivaji Maharaj. The copy at the Regenstein Library at the University of Chicago has all this information printed on a sheet of paper attached to the back cover. Non- Brahman leaders from Gwalior and Baroda, too, helped with the publication and distribution of this book.

23. See the review by “Junata Purusha” (“Common Man”), Mahratta, August 17, 1919.

24. Takakhav, Life, 6. For more criticisms of Sarkar in this work, see vi, ix, 16n1, 268n3, 478 n1, 566, 569n1, 620n1.

25. Proceedings of the Seventh Session of the Indian Historical Records Commission held in Poona on 12 –13 January 1925 (Calcutta: Government of India, Central Publication Branch), 3.

26. See Maureen L. P. Patterson, “A Preliminary Study of the Brahman versus non-Brahman Conflict in Maharashtra” (MA thesis, University of Pennsylvania, 1952), 113, 115.

27. Bombay Legislative Council Proceedings, Questions and Answers, March 13, 1930, 1320 – 21.

28. Bombay Legislative Council Proceedings, Questions and Answers, March 13, 1930, 1323.

29. Bombay Legislative Council Proceedings, Questions and Answers, March 18, 1930, 1476.

30. D. V. Kale, ed., English Records on Shivaji (1659 –1682) (Poona: Shri Shiva Karyalaya, 1931), 44.

31. Hari Ram Gupta, ed., Life and Letters of Sir Jadunath Sarkar (Hoshiarpur: Punjab University, 1958), 151 – 52.

32. Bagchi, Acharya Jadunath, 5.

33. On this point, I have benefited from discussions with Carlo Ginzburg.

34. Rabindranath Thakur [Tagore], “Bharatbasher Itihash” (The History of India), RR, 1029.

35. Romila Thapar, “Secularism and History,” in Cultural Pasts: Essays in Early Indian History (Delhi: Oxford University Press, 2000), 1015 –17. The point is repeated in “Somnatha: Narratives of a History”: “Merely to analyze fragments cannot be the end purpose of writing history.” Thapar, Narratives, 49.

36. Kancha Ilaiah, “Productive Labour, Consciousness and History: The Dalitbahujan Alternative,” in Subaltern Studies IX: Writings on South Asian History and Society, ed. Shahid Amin and Dipesh Chakrabarty (Delhi: Oxford University Press, 1996), 168 – 69.

37. Badri Narayan, Women Heroes and Dalit Assertion in North India: Culture, Identity and Politics (New Delhi: Sage, 2006), chap. 4.

38. On this point, Ilaiah’s essay shares something of the spirit of an essay written by the Canberra- based academic Rosanne Kennedy on the question of “testimony” provided by Australian Aboriginal individuals with respect to the history of the “stolen generations.” Kennedy opposes “the role of the historian as the expert” by wanting to read “testimonies” as “contributions to historiography in their own right.” See Rosanne Kennedy, “Stolen Generations Testimony: Trauma, Historiography, and the Question of ‘Truth,’ ” Aboriginal History 25 (2001): 116 – 32.

39. See Ilaiah, “Productive Labour,” 165 – 200. Ilaiah began by saying: “Mainstream historiography has done nothing to incorporate the Dalitbahujan perspective in the writing of Indian history: Subaltern Studies is no exception to this.”

40. Ilaiah, “Productive Labour,” 168.

41. Ilaiah, “Productive Labour,” 168.

42. Here also we must note that Ilaiah’s rejection of academic disciplines cannot ever be total. His relationship to academic disciplines, however polemical, must mean some sharing of common ground.

43. Narayan, Women Heroes.

44. Narayan, Women Heroes, 71 – 72.

45. Narayan, Women Heroes, 73.

46. Narayan, Women Heroes, 72

47. Narayan, Women Heroes, 75.

48. Narayan, Women Heroes, 159.

49. Michel Foucault, “Society Must Be Defended”: Lectures at the Collège de France, trans. David Macey, ed. Mauro Bertani and Alessandro Fontana, general ed. Arnold Davidson (New York: Picador, 2003).

50. Foucault, “Society”; see in particular the lectures of January 14, January 21, February 4, and February 11, 1976.

51. Most of the authors named have many books to their credit. For a start, see Henry Reynolds, The Other Side of the Frontier: Aboriginal Resistance to the European Invasion of Australia (Ringwood, Vic.: Penguin, 1982); Deborah Bird Rose, Hidden Histories: Black Stories from Victoria River Downs, Humbert River and Wave Hill Station (Canberra: Aboriginal Studies Press, 1991); Bain Attwood, Telling the Truth about Aboriginal History (Crow Nest, NSW: Allen and Unwin, 2005); Stephen Muecke, Ancient and Modern: Time, Culture, and Indigenous Philosophy (Sydney: University of New South Wales, 2004); Minoru Hokari, “Cross-Culturizing History: Journey to the Guridji Way of Historical Records” (PhD diss., Australian National University, January 2001). For the reference to Tony Birch, see my essay “History and the Politics of Recognition” (forthcoming).

52. See Keith Windschuttle, The Fabrication of Aboriginal History, vol. 1: Van Diemen’s Land 1803 –1847 (Paddington, NSW: Macleay Press, 2002), and Robert Manne, ed., Whitewash: On Keith Windschuttle’s Fabrication of Aboriginal History (Melbourne: Black Inc., 2003).

53. See Uros Cvoro, “The Doppled Dialectical Image: Museology, Nation and History in the National Museum of Australia” (PhD diss., University of New South Wales, October 2005).

54. See my essay, “ ‘In the Name of Politics’: Democracy and the Power of the Multitude in India,” Public Culture 19 (Winter 2007): 35 – 57.

55. I am ignoring here Ashis Nandy’s work, for he is not seen as a historian. Several Indian historians and academics railed against “postmodernism,” but about historical methods they only upheld the existing consensus. My point is that progressive or anti-Hindutva historians did not dispute methodological points among themselves, whereas methodological debates in Australia took place between historians who were, politically, on the same side. Historians in India who did raise interesting methodological questions included Shahid Amin, Partha Chatterjee, and Gautam Bhadra, who were all members of the Subaltern Studies editorial collective and were accused by several self- proclaimed “secular” intellectuals in India of giving ammunition to the Hindu Right!

56. Telegraph, April 27, 2007.

57. Daily News and Analysis, April 29, 2007; Times of India, April 29, 2007; Sakal (in Marathi), May 2, 2007; Sakal, April 30, 2007. My thanks to Philip Engblom for these references.

58. Joan Scott, “The Evidence of Experience,” in Questions of Evidence: Proof, Practice, and Persuasion across the Disciplines, ed. James Chandler, Arnold I. Davidson, and Harry Harootunian (Chicago: University of Chicago Press, 1994), 363 – 87.

59. Thomas Holt, “Experience and the Politics of Intellectual Inquiry,” in Chandler, Davidson, and Harootunian, Questions, 394 – 95 (original emphasis).

60. Narayan, Women Heroes, 88.

61. Narayan, Women Heroes, 88. The essay Narayan refers to is “Globalisation, Democratisation, and the Evacuation of History,” in At Home in Diaspora: South Asian Scholars and the West, ed. J. Assayeg and V. Benei (Delhi: Permanent Black, 2003).

62. Obviously, there is more to be said on the question of the “general” and/or the “universal.” I remain grateful to Chris Gregory and Lauren Berlant for conversations on this point. However, space prevents me from engaging the topic here in any detail.

63. These receive careful attention in Etienne Balibar’s “On Universalism — In Debate with Alain Badiou,” Translate.eipcp.net, translate.eipcp.net/transversal/0607/balibar/en (accessed July 20, 2007).

Learning Modernity? The Technology of Education in India by Nita Kumar

Nita Kumar

Learning Modernity? The Technology of Education in India

Nita Kumar

Let us begin by taking an ethnographic journey in pursuit of schools in a non- metropolitan urban center in North India, which I shall by the apocryphal name of Janabad. The first thing that strikes us is the amazing variety of schools. The most prominent are the so-called English medium schools. Their names range form Tiny Tots to Oxford Public School, including a Harvard and a Cambridge, two St Joseph’s, a St Mary’s, a St John’s, a St Atulanand, and a St Vyas. There are Temple Bells and Glorious Academies, and innumerable Little Birds, Sun Beams, Moon Rays, Golden Boughs, Margaret, Thomas and Don/Dawn ‘Public Schools’, ‘Academies’, and ‘Convents’. The names of these are not normally heard in pubic life in Janabad, my suspicion being the names do not sit comfortably on the tongues of those referring to all these schools generically as ‘convent schools’.

Then there are the Hindu, Urdu-Arabic, and Sanskrit medium schools, each of which also pronounce their status by their nomenclature. The Hindi schools are typically named after role models such as Tulsi Das or Madan Mohan Malaviya. But the cultural fund to be gained from such naming gets lost as children and the public reduces the names to undifferentiated barebones: TVS, CHS, DPS, and so on. Madrasas are typically springs gardens, and centers of learning in flowery Arabic. Non-madrasa Muslim schools are non-commital about religion in public, and even severely nationalist, calling themselves City Girls’ School and National Public School. Sanskrit schools all name the patron and only the patron, thus: Rani Chandravati, Goinka, Marwari, and Sri Nandlal Bajoria Sanskrit Schools.

Naming can provide insight into history, even the history of the nation. Within a survey of the names of schools in any provincial Indian city is summed up the history of education is South Asia. And not just the narrative of the colonial state’s administrative history, but the parallel narratives of the march of missionary education, the fate of vernacular education, and the hidden histories of family and community. In any provincial town of North India there is the following pattern. The oldest schools will have been set up by a local rais or aristocrat, if a raja or maharaja was not around, and will be named after his father or grandfather. The other large schools will have been founded by: the Agrawalas the Khatris, the Marwaris, the Thakurs, the Kaysthas and other upwardly mobile castes or caste clusters, by organic intellectuals from within the community, educated in indigenous ways often called ‘illiterate’ in government records. Some of those based on caste will be actually founded by widows, who have deliberately used their marginal status to occupy subject positions for themselves. The madrasa and non-madrasa Islamic schools will be differentiated among themselves according to sect and emphases on modernity. In the provincial capitals and larger towns, the most popular schools are certain to be the Christian Missionary ones. If the town is too small to have any there will be the simulated versions, i.e., non-Christian, but sporting ‘Saint’ in their names or with names that are self-indulgently cute. My favourite is ‘Kiddy Convent’.

Names of course have more serious implication yet. As in other cultures, past and present, names in India are regarded as isomorphic with reality or even able to create reality. Thus names are not just images, as images are not just images, but transfer unpredictable force and meaning to objects which are thus named. A name can bring an object to life. We should remember that even the Hindu College (f.1817 in Calcutta, today’s renowned Presidency College) was given that name by the founding committee because that was understood to demonstrate its ‘Hindu-ness’ although the curriculum was the secular one of government schools and what the school become renowned for was its anti-Hindu stance. Similarly there are schools today that declare themselves to be based on Montessori principles. Others evoke the Vedas, some the Quran, yet others the New Testament. Same conjure up the names of Gandhi, Tagore, Krishnamurti, and Sir Syed Ahmad Khan, who, together with Vivekanand and Aurobinda Ghosh, are the names listed in compilation of ‘Great Indian Educators’.

Our first stop, then, on our ethnographic journey:

The classroom is a kind of shed, though the campus otherwise is beautiful and idyllic with old, airy buildings. In this classroom walls are broken, windows have grills like a jailhouse, and there is no lighting (the bulb is constantly stolen, says the teacher). There are typical benches and tables with no space for huge bags or books, no place for the children to climb in and out. There is a broken blackboard, broken cupboard, broken shelf and nothing on the walls but cracks and greasy spots- yet it is pleasanter than the smart Little Flower House or Kiddy Convent…

This is the Annie Besant Theosophical School, called popularly BTS, founded 100 years ago by Annie Besant, Hindu missionary and reformer, builder of the modern nation, preoccupied with the synthesis of science and religion.

The second example:

In the Principal’s office, I notice with a shock that near my feet is a metal waste paper basket from which is leaking some liquid. Looking more closely, I realize that it is pan juice, and the basket is not only wet but totally rusted at the bottom with the remains of many pan spittings Many spittings must have also missed their mark, because the mat outside and under is liberally sprinkled with pan juice, chewed ingredients and much else…

This is Dayanand Anglo –Vedic College, or DAV the most impressive of the reformist–progressivist schools in terms plant and philosophy, the plant resembling an English public school’s, the philosophy that of synthesis between the most valued in traditions and the best in modern western knowledge.

A third example:

The Montessori apparatus in the pre-school section is all packed away and I am allowed to view it in its abode of ground level shelves covered with cloth curtains. The nun explains that Montessori practices have been dropped “in view of the preparation for the higher classes”, the apparatus packed away because “the children are of Indian background” (as she is). “Is Montessori not a suitable method then?” I ask innocently. “Very suitable,” she tells me, “but the place, the atmosphere, has to be suitable.” Meanwhile, it is a parents’ meeting day and mothers have been dropping in. The first one has a daughter, all of four years old, who cannot learn the Hindi vowel signs and got them all wrong in dictation. She has been labouring at home continuously from then on, under the guidance of her father as well as a tutor, and gets everything right now. Sister Gita squashes this claim from the mother with no compunction. “Abhi apko bahut mehnat karni hai. Isko nahin ata, nahia ata…” (“You have to work much harder with her. She still doesn’t know the stuff…”)

This is St Mary’s, a Catholic school, the actual model that every provincial school strives to follow, with its indisputably dedicated nuns, unmatched Church endowments, and invincible philosophy of rationality, uniformity, and punctuality (these qualities measured by size and action: it has the largest gates of any school in the city and they are closed the most punctually in the morning to shut out all latecomers).

I am interested in using the cases above to illustrate and discuss a series of problems today under the rubric of ‘technology’ and ‘modernity’. Technology, as we know, is some artifact or set of artifacts related to a context of human action, including techniques of use. I include within my discussion of ‘technologies’ non-material circumstances as well, in the anthropological belief that dreams are as real (and as hard) as rocks.

I distinguish my approach from three major ones in the study of schooling in South Asia. Many studies describe graphically how step after step was taken on the on the path of building a progressively better system of education in India without questioning the actual building, that is the texts comprised by the brick and mortar of school building. But these aside, most studies do pay attention to technology if they do not call it that, Some studies describe the efforts of nationalists and conservatists to set up alternative institutions, For the nineteenth century, we have evocative studies of the Deoband madrasa (Metcalf 1982), and the Aligarh university (Lelyveld 1978), and for the 20th, the Krishnamurthy school in Rishi Valley (Thapan 1991), respectively, Each institution comes alive in its technological setting, Each is placed n the history of Hinduism or Islam, an nationalism, but then there is no discussion of the political and discursive effects produced within its walls. That is, what kind of subjects do they produce? Other scholars of education such as Krishna Kumar, do an interesting job of interpreting the colonial and the nationalist projects, but then leave out completely the ‘how to’ of these projects, so that we cannot visualize the overall sites of these projects, leave aside any details of classrooms or playing fields. That is, we know of the subjects, but what is the technology? Then finally there is the fascination ethnography of Doon School by Sanjay Srivastava, which is called, tellingly, Constructing Post-Colonial India (1998) which focuses precisely on the school as creator of a national subject. Here we have a salutary distancing from a straightforward class reproduction model of Paul Willis and the social interactions approach of most education studies. Srivastava looks at the school as the space for the production of the citizen, of the nation, and of modernity. In doing this, he does not accord the processes sufficient specificity: what makes a pedagogic institution different in so far as it is a space for children, and children are in their turn actors, albeit subaltern ones, and the commodity being produced is not only citizenship but also intelligence and stupidity, and the control of languages and narratives. That is we have both the technology and the subjects, but there is no agency and no pain. A focus on elite institutions, moreover, that are only the illusion of a real (a real that exists nowhere), shuts out other illusions of other realities and there is no space left for non-elite institutions.

I choose to speak of technology because it permits me to weave together the material, the political, and the meaning-creation aspects of the process of education. And I speak specifically of non-elite institutions in a provincial city.

To simplify, let us say at the outset that the minimal technology of schooling consists of: buildings and spaces, furniture and textbooks, teachers and curricula, routines and rituals. I will not be able to touch on all these areas in my talk, and will focus on buildings and spaces, as in the first two ethnographic descriptions, and some rituals, as in the third. The purpose can be accomplished with just these few: to demonstrate how a particular kind of modern subject gets created, and a particular discourse of modernity, precisely at the sites of these classrooms and the interactions of these teachers with their students gets famed and crated by the technologies of the school. My purpose is to question the nature of this subject, and the nature of our Anthropology in pursuing this subject.

Mapping

Although they are all fundamentally one, as I shall be arguing, the apparent diversity of schools in a small town requires some mapping. One division would be into the public or recognized and the private or unrecognized schools, each then further divisible according to management. There are at least five major Boards that recognize and affiliate schools. In a city like Janabad with a populating of 10 lakhs or one million, there could be easily over 200 schools, counting only those that exist for at least a decade. Why there are so many is because of the phenomenal growth in the market demand for schooling, both in absolute terms and proportionate to the population.

Of the 200 plus schools that I am aware of, in a city like Janabad, 64% are unaided and unrecognised. Apparently the conflict between the requirements for government recognition, and the needs of a neighborhood, continues today, some 150 years after the system was first set up. Schools that ‘survive’, including unrecognised ones, cater to local needs which consist of English language and a modern syllabus. Good academic results are also needed but are seen to depend on the family’s initiative, not the school’s. Other considerations, such as a playground, extra-academic activities, innovative teaching or reliance on extra resources and method, do not constitute a ‘need’.

The requirements for recognition, on the other hand, include facilities such as library, laboratories, and playground, which private schools do not have. What is significant is that recognised schools do not have them either. They may have them ‘in name’, that is there are spaces that may be pointed out to the visitor as ‘games room’ or ‘library’, or ‘laboratory’ but are never used by the students for the named purpose. Real facilities, actually used by the children, as required for the running of a modern, liberal school by any of the Boards, do not exist in any schools in the city.

If we were to look at the Board requirements as they are presented on paper, we might say that the rules were well meaning as premises for a liberal, modern education. Given the demand for modern schooling, the paucity of funds with public bodies to aid schools, and a popular ideology not congruent with the colonial, the rules became for the last over 100 years a non-constructive restraint and a progressively bigger bottleneck that had to be overcome by circuitous routes. Schools recognise these routes today to be: exertion of influence or power, running around to, and repeated humiliations from, officers, sheer time and perhaps bribery. In this they are playing the discursive game that characterises all public life in India: a recognition of the utility and I will add, even of the pleasure, of a second parallel plane of functioning to the officially articulated one. This Indian is the ‘flexible subject’ who thrives with élan in condition of insecurity and seeming doubletalk, willing to accommodate contradictory demands.

In the case of schools, this duality is significant because of the ‘naturalness’ of the absence in all schools of the very facilities required by government boards. The cultural assumptions that underlie recognition rules are modernist ones, concerning the nature of childhood, the nature of learning, and the duties of educators. Schools and their public do not share these assumptions.

Buildings and Classrooms

The most obvious instance of technology is perhaps the building. In India buildings have been the citadels and indeed statements of empire. The choice of sites for studying in the early part of the 19th was laboriously listed by various surveyors of the indigenous scene and is available in the Reports of Howell, Kempson, Monteath, Reid, and Thornton. These sites were popularly: teacher’s house, parent’s house, other’s house, temple, mosque, chabutara or garden. The sub-text of the listing of these sites was a critique of their non-specialized nature and their primitive continuity of the outdoors with the indoor. The discussion invited, not any appreciation of its rationality, but only opprobrium. The critique of the possible plurality of sites was so complete that it did not have to be even articulated. A coded allusion was sufficient: “There are no proper school buildings.” This comment summed up the negative assessment of the total educational practice.

From the middle of the 19th century onwards, there was a discursive shift form older legitimate understandings of teaching to a newer one. This ‘progress,’ as it was considered by both the British and Indians, and Indians, was marked by the earliest schools such as Hindu college in 1817, Jai Narain Ghoshal in 1816, to the Universities of Calcutta, Bombay, and Madras in 1857, each approximating the definitions of proper institutions in Europe. By1900, there was no conflict or questioning left regarding the norm of the proper school building. The case of Bombay is archetypal. The architect of the central Hall and Library of Bombay University was the famous Sir Gilbert Scott who had never visited India. He adopted a style which was “a free variety of the 18th century adapted as far as I was able to judge to the exigencies of a hot climate.” The building, therefore, embodied rationality and science, paying attention to the broad points of temperature, wind and water currents: and confirmed the authority of European architectural principles, the weight of the Greco-Roman heritage, and of course, the authority of the colonial state. He emphasized what he saw as “all practical considerations,” such as making the Tower the loftiest and most conspicuous in the city.

In the case of each building, the foundation ceremony was now conducted with great pomp and circumstance, with hopes expressed loudly for the future of the institution as an instrument of acculturation and profound change. Lord Mayo said in Bombay: “The building now commenced will give a fresh impetus to these objects for which the University has been founded,” described otherwise as “a moral and social training… The native student… receives unconsciously each day a thousand moral and social as well as intellectual impressions. Only by personal experience of College life can it be known how great a change in the character is so produced in a few years.“ (Chatfield 1876: 226; Tikakar 1984: 30)

The new architecture was the single most dominant mark of the new era. There has been no conflict or questioning left of the model for at least 100 years. When I stress this, I am saying that this ideal of a closed, box-like school building (for gradually no more turrets or verandas were possible) with heavy gates in front, both proclaiming some terrifying rules of discipline that can only be maintained if all is insulated from interference of the world outside, is the norm. However, when we look at the urban scene in the 1990s. we see – to use one of my favourite metaphors – that the stick of modernity with which the place was going to be beaten into shape has received a beating of sorts itself. Even while the normative school building in Janabad is the only model of a good school, the majority of schools, or 95% of them are acceptable and popular even without their fulfilling the criteria of this school building or its corollaries: adequate playgrounds, classroom space, ventilation and lighting. “Saraswati dwells even in little rooms” is the convenient expressing of the acted out ideology.

Most schools in Janabad are housed in residences that have been donated to the school by philanthrops and do not even pretend to emulate the model. But as opposed to the tolerance expressed for these, antagonism is aroused by a building that may seek to be deliberately different, to offer an alternative to the code of heavy masonry and closed doors and suggest, perhaps, openness to the outdoors, child centred spaces, or climate-appropriate materials such as tiles and bamboo. There is a threat inherent in this, which cannot be met except by a refusal to participate in a new dialogue, to respond to a challenge to ideas beyond a stubborn conviction of ‘rightness’.

The historical explanations are the easy ones. One is the role of philanthropy in old urban centres in India, leading to schools like Bipan Behari Chakravarty Higher Secondary School, housed in an old, ornate, early 20th century aristocratic home with deep verandas and high ceilinged shady rooms – all wonderful but positively not suited for use as classrooms. Such buildings are donated, and accepted, with grace and gratitude. As expansion becomes inevitable, new classrooms are created with tin or asbestos siding, on the roofs, all around in the compound and spawning all over corridors and verandas. I wish to emphasize the range this includes. There is W.H. Smith Memorial School founded by an Englishman/s widow and immensely popular because of its suggested resemblance to a ‘convent.’ There is Sir Syed Public School started by the Aligarh Old Boys’ Association as a ‘reply’ to Christian and Hindu schools. In both cases, all semblance of the original plan has been lost as classes meet in the verandas, in the courtyard, in front of offices, and literally in nooks and crannies – in the case of residential buildings, in bathrooms and garages. Historically, any acquired space may be used for any stated purpose, and failure or success in achieving the purpose is not attributable to the space. While I use the term ‘historically’ loosely here, I mean it as both a discernible characteristic of ‘The History of India’ and also of the awareness of tradition with which people choose. In all these cases, the crowding is of no interest to the educators, including all those who enthusiastically discuss “the problems of Indian education” where space, classroom, or building finds no mention No educator or alumni of a school ever commented voluntarily on the physical properties of their school, either with relation to its excellence or mere satisfactoriness and, never at all, inferiority.

Such a persisting pattern in history might provoke us to attribute the indifference to space to a notion of non – materiality. Are Indians, both Hindus and Muslims as we see, but additionally Sikhs, Jains, Buddhists, and Christians, characterized by an unarticulated cultural grammar of the possibility of any and all achievement merely through internal resources, and not external ones? One may also pose another question of great contemporary relevance to the anthropology of the nation state. One’s common sense understanding is that the ideology of the nation state is transmitted and reproduced in actual sites: the office, the railway, the newspaper, the school. But its propagation may well be achieved through images, not even the images on a screen or in a book, but in the mind and in the rhetoric of words. The grandiose architecture of a neo-Gothic style college set up in the 19th century may be reduced to local tropes through posters on the walls, peeling paint, overgrown flora, garbage and cows depositing their dung freely around the campus. Yet the only imaged ideal of a ‘college’ that is positively reinforced in the whole population remains that of the colonial-style college.

This particular fate of the modernizing project in small towns in India is significant. These small towns are India, with their seeming resistances, compromises, and maladjustments. ‘India’ is not the postmodern re-discoveries of variety in traditions and the arts, such as regularly encountered in the metropolitan centers. Yes, the different composition of symbolic capital in the metropolises and provinces of India may give us an insight into the problem. Veena Das’ argument for continuing the focus on local experiences and practices as constitutive of contemporary human existence in postcolonial societies is indeed a powerful one, one which she then works out in her own study of the suffering of the victims of Bhopal (Das 1996). What I seek to do is to extend the meaning of ‘critical events’ to go beyond tragedies and disasters easily recognisable, such as the Babari masjid demolition and the response to the Mandal Report, to the everyday disaster and tragedy of life in small – town India, such as in its classrooms. If the nation is the simulation of the real and acts itself out in theatres such as elite public schools, the threat to it comes not only from specific action of the communal, the ignorant, and the chaotic, but continuously from the populations of small towns (who are of course, according to this terminology, ignorant and chaotic).

People in Janabad, even while paying lip service to the ideology of the nation state, do not modify modern school buildings beyond recognition, because they are ignorant. In modifying them or finding alternatives, they are distancing themselves from the play-acting of Delhi, and theatres like the Doon School. They are skeptical of the liberal nation-state, openly dismissive of its civilizational claims, and finally, not overly threatened by its coerciveness. There is certainly a clash of two contrary discourses: a modern one of properly conducted specialized space, and an anti-modern one indifferent to the specific qualities of organized space. There is also a double loop: The mimic-man of Macaulay is the one produced in the provincial school. We can interpret this as mimesis if we also question the implicit claim that there exists a purer model of which this is an unstable copy. I prefer to regard mimesis itself as the ultimate in creativity, when a representation satisfying certain criteria, functional and aesthetic, is made by the actor, not particularly because he is a certain kind of actor – colonised, South Asian – but because mimesis is the condition of life. How real does a copy have to be? These schools fail our realist tests; they show no fidelity, in the sense of both accuracy and loyalty. But the magic of mimesis lies in that while the copying may be quite imperfect, it is nevertheless effective in acquiring the power of the original (Taussig 1993), as well as accomplishing some further purpose of the actors.

Let us look briefly at an Agarwal school in the heart of the city. The founder is an idealistic woman who has no other interests in life but personally supervising every detail of its running, one of the widows mentioned elsewhere by me as turning around the discourse of widowhood to her advantage. Her single – mindedness is confirmed to me by her turning to me to exploit me as a resource, as would any good educator to her environment. “What is an intsy wintsy spider? What is a tuffet?” she demanded of me. The meanings of some of the nursery rhymes “taught in the convent schools,” as she put it , were not clear. And she insisted on minute explanations rather than my evasion that many were supposed to be nonsense anyway. Here as English nursery rhyme is taken by her as symptomatic of the ‘modern’: opaque and incomprehensible, but unchallengeable and with some material reference to meaning and power that was simply undisclosed yet, but could be captured through mimesis.

This particular school was impressive in its obvious effort to emulate innovative techniques such as the use of visual and aural devices, and emphasis on art and music, an increased participation by children by seating them in semi-circles, and so on. The problem, for the anthropologist, was its inadequate space and related inconveniences. In an old residential house in the densest part of the city, every space is used as a classroom, some shared by two, some on a rotating basis as classes go elsewhere for dance, music and physical training. Dance classes are held in the courtyard of the owner’s house. Music is taught in the owner’s bedroom, bare of anything but a string not used by the teacher and her instrument. PT (Physical Training) is conducted in the front courtyard—in turn, as the space can accommodate no mare than ten boys. The children take all this totally in their stride. The teachers are matter—of—fact, the owner non- committal. The anthropologist’s feelings of unease are shared by on one.

The anthropologist has the dilemma of whether to take the point of view of the school administrator, dedicated to the proposition of a good school through sheer commitment of her own house, funds, time and energy. She does not seem to notice that children in her classrooms cannot bend over, stretch out, or move their legs. She will not see that the teacher cannot move around among her students or display her illustrations to all of them or that there is insufficient light in the classroom, once the natural light has been restricted by iron grills on the windows and the artificial light economized. In her practice, she is not ‘modern.’

Or, should the anthropologist take the side of the school children who need a spokesman since they do not themselves know or can say what is best for them, but could find a voice in the anthropologist’s report? But that would of course make the anthropologist a modernizing colonial—type authority on educational matters, a role that restricts her options in many ways. Or should the anthropologist be the old fashioned detached observer, taking the most prominent voice as the authentic informant’s? The crises of legitimating and representation which beset our discipline are well displayed here. Who is the subject? Who is being spoken for, and to whom?

As we take leave of Mrs. Agrawal and move on I will re-emphasize one point. Clearly the description of the domestic facilities of the owner doubling as school facilities evokes the image of the old indigenous school where the teacher taught in his own home and space naturally overlapped between different function. The conflict I wish to highlight is that the owner in this case in not striving to re-create the indigenous. She would consider the indigenous a poor alternative to the modern, implying specifically poor physical surroundings even though she may refer positively to some ethical values transmitted 200 years ago. In her articulation of the matter, she is a deliberate modernizer seeking the colonial western mode, even when this mode is not comprehensible as in the case of nursery rhymes or buildings. The grandiose liberal, humanistic discourse of education with its large, built-up, specialized space and its ideas of engaging the children in sport, must be taken seriously by the anthropologist (as it is in name by the educator). Equally seriously must be taken the lived—in culture of the city where it is believed that a child can be taught anywhere, with no material help, as long as there is moral dedication.

Playgrounds and Garbage

Let us enrich our observations on the non-materiality of Indian small town modernity further, remembering the conventional truth that human beings inhabit discursive worlds of culturally constructed significance, including their construction of a differentiated terrain. Almost all schools make the effort to provide some sort of open space for their children: in a sample of 50, 20 do so with what may be called ‘playgrounds’, 23 do it with courtyards. The remaining either cannot or do not need to. The schools which cannot are located in the chauk and market places of inner cities and possess no semblance of free space. Those which do not need to are the madrasas which have no open-air or physical activity as part of their curriculum. They have successfully institutionalized an attitude that is in front in the minds of many Indian educators and parents, but that suffers from being buffeted by a contrary ideology. The attitude is that mental drilling is sufficient and physical drilling is unnecessary. The ideology that buffets it is that PT and games are part of the modern curricula and therefore necessary to fashion the modern (English medium) individual. This duality has roots in both history and culture. The Hellenistic legacy of competitive sports has been integrated with local culture, and funding has ensured a national legitimacy for both. The history of the ideology of wrestling and body building in provincial India has seen the following pattern: first, the exclusion of females and its installation as a male prerogative some 300 to 200 years ago. Then its typification as a lower class practice from being that for all males some 200 to 100 years ago. Finally, the loss of patronage and cultural capital for even the lower classes over the last 100 years. Now neither do modern sports, nor Indian bodybuilding, find a niche in the practice of city schools.

Of the 20 schools with playgrounds 13 do not use or maintain theirs at all. Some look like overgrown wildernesses, others like dusty fields. The cultural attitude enshrined here is not simply one of indifference, but a discursively complex one. ‘Jungles.’ as they are called, have a privileged status in local life. The opposite of brick and mortar structures is not the cultivated flower garden, bur the ‘jungle,’ meaning not necessarily a verdant forest, but any natural place, unspoilt by human hands (Dove 1994). The British ideal of the culture of nature has never made any impact on Indians outside the metropolitan centers. Indeed, uneducated or vernacular-educated Indians, such as in our small town, regardless of region, religion, or caste, continue to have their own ideal of cultured nature which is a contrast to the modern one. There is a commonsense comfort with mud and water in context, such as of the akhara or the will or river. The student of the modern school learns to despise this in concept through exposure to a discourse of sports-with-all-your-clothes-on, but in practice gets neither of the two worlds to embrace and experience.

The schools that do use their playgrounds are either populous boy’s schools where the boys in their enthusiasm find it a fine site fro as many as one dozen cricket games going on simultaneously; or the Christian missionary schools which, through their system of ‘houses,’ have as their annual event not a cultural programme as do all other urban schools, but a Sports Day. The few other schools with ill maintained front grounds use them exclusively for morning Assemblies.

Because these Assemblies are rituals that are confined to fixed spaces, they deserve to be mentioned briefly here. The assembly, with its emphasis on straight lines, silence, and correct uniforms, is an exercise in making the child respond to instructions unclear in principle, such as ‘stand at ease!’ ‘attention!’ ‘keep arm’s distance!’ Indeed the distortions of these dreamt up by children in various degrees of playfulness and even seriousness are marvelous. What children experience at Assembly time is that certain rules have to be obeyed in that one context and that one space, bur not transported over to others. The discipline of the assembly becomes restricted to and associated with the space in which it is held. The school assembly, if taken as a formal disciplining site for future adults, makes it possible to explain the chaos of public life in urban India. Schoolgoers as children, and then as educated adults, can never maintain even a fraction of the discipline they are/were subjected to at assembly time when they find themselves in other spaces, such as when boarding trains or buses, buying tickets, or entering a narrow gateway. Here we have extra-materiality: too close an associating of a discipline with its physical location.

I come then to a discussion of garbage. The average citizen of a small town insists on his freedom to disregard the rule of law that is supposedly institutionalized in the city (these citizens include lawmakers, such as policemen). Most also display ignorance about basic science, and seem uneducated about sanitation and the germ theory. Small towns in India are quintessentially dirty places, originally with recyclable waste, presently further degrading the environment through liberal disposal of plastic bags and non-recyclable waste. The indifference to cleanliness and sanitation in the city spaces is perfectly replicated in the spaces of the school. Modern education should pose a threat to this freedom and this ignorance but it does not.

The question then, reflected in the invasion of garbage everywhere, is why, for all the lip service paid to modernity in the form of buildings and banks, offices and schools, roads and traffic signals, citizens prefer to remain at a pre-civic level of involvement with the city, demonstration a passivity to soluble problems, and even actively celebrating their perpetuation of garbage.

Again. the history and culture: Indians may have always had a strong notion of ‘own’ versus ‘other’, related to well developed ideas of hierarchy, pollution, and contest-based appropriateness. The experience of the colonial state over more than a century as both invasive and foreign may have created an indifference to public spaces which were clearly under colonial control; and a need for private spaces which were not. A postcolonial state then failed to dispel, and perhaps nurtured further, the infancy-syndrome in its citizens bred from decades of dependance on the colonial state. Thus the average small town Indian has no interest in public spaces, no belief of contiguity regarding them, and no concept of his own rights or power to do anything regarding them.

Again, there is a dilemma for the anthropologist. We could empathise with local practices and refuse to accept or comment on the problematic nature of garbage because our informants thus refuse. Or we could be colonizers who believed in difference, and maintaining their own preserved enclaves elsewhere, in leaving the natives alone to wallow in their own cultural preferences. Or we could react, again as with classroom space, by striving to engage those in control in a dailogue regarding what arouses us but not them.

This possible critique then takes us into deeper waters. We cannot but glimpse a similarity between us and other intellectuals in the past, both nationalist and colonialist. These intellectuals are routinely deconstructed for their seemingly un-reflexive reliance on ‘tradition,’ ‘history,’ ‘science,’ and ‘progress.’

But, if we were to take the problem of garbage seriously, what can we propose we would do in the place of these intellectuals and social traders in the past? When one searches for ways to transmit the principles of cleanliness to children and uneducated adults, one thinks of teaching about the germ theory and about environmental pollution. One ponders on various rituals that breed pride in one’s own, but where ‘one’s own’ can be defined in a wider way to include public spaces. One’s mind turns to various resources, to traditions, for instance, of nature worship, corpuses of stories about trees and animals, to the images of ashrams and philosophies of oneness with the environment.

That is, one moves towards the logic behind the occasional effort to strive for the scientific subject in India; to design rituals that expand the ‘our’ into the national; to use the resources of literature mythology and philosophy to construct a ‘tradition.’

We then go beyond the deconstructivist historian who would critique modernizers in the past for their promotion of science, or question the whole allegiance to progress displayed by the educated elite. Judging from our survey of schools and the invasion of garbage today, should we not wonder instead: why was science not loved and promoted more?

Similarly, as anthropologist we need to steer clear of essentialism when judging the behavior of the ordinary Indian at face value. I am on record as having marked my break with ethnosociology when I realized that I did not share many of the values of my informants (Kumar 1992). That, after I was through interpreting the aesthetics and freedom, I was finally critical of the violence, often fatal, as in the ignoring of garbage. A critic of my work narrates the following incident. He interfered in a young man’s dumping of garbage on the road and was bemused at the youths’ challenge to him. ‘Is this England?’ The academic was rendered silent, trailing off in his narrative, implying that demanding a cleaner surroundings in India is tantamount to an elitists, objectifying conflation of India with England, based on an ignorance of Indian ‘indigenous’ culture (Chakrabarty 2002). I want to conclude this section on garbage by suggesting rather, another set of consideration with which this Indian youth’s comfort with garbage dumping could be treated.

Maybe we could consider that there are more complicated equations than the intuitively perceived ones of garbage dumping as equaling ‘freedom’ and cleanliness as equaling external control. The young’s man’s notion of what is English and what is not in our anecdote is clearly uninformed and has resonance of protest against upper class control. But can we afford to forget that this essentialist notion of the English and the Indian was itself bred by colonialism? By being generous to purer, native values, we are not confusing the indigenous with the essentialism of colonialism?

The framework we are obliged to adopt is clearly one of modernity. I suggest that there is no other path for the Indian state or its citizens to follow than one leading towards science (but an environmentally sensitive science); technology (but a culturally appropriate technology); and progress (but a progress aimed at redressing gender and other inequalities). And that if this placing is not recognised by the anthropologist, she is still placing herself, but on the side of science, technology and progress without the caveats mentioned above.

The Discourse of Childhood

The technologies of education allow us to glimpse the discourse of the child in India.

Sanskrit schools and madrasas eschew all symbolism, because they are themselves icons and signs of the religions they substantialize. Catholic schools are abundant with crosses and bleeding hearts and pink, blonde children cuddling kittens. But in non-religious schools the only representation is of Hinduism and a closely allied nationalism. The favourite personage depicted is Saraswati, the goddess of learning, with close favourites being Vivekanand and Tagore, Gandhi and Nehru, and Krishna in pursuits arguably adult. The philosophy of childhood evident here is an unreflective one based on the educators’ predilections towards a combination of a bhakti style and a reformist Vedantic Hinduism, and a pre BJP Congress HIndu nationalism. The philosophy is comfortable therefore with symbolism that has no local referents, thus there are lotuses, swans, and Mughal or Victorian gardens. The child, it is maintained confidently, can be unilaterally worked upon. He or she is a blank slate with no context in everyday life and can be written on.

The child is understood to be chaotic, destructive and unstructured. When there are farmed pictures or flower pots or other destructible items in schools spaces, they are at a height or in places beyond the reach of children. The supposedly innate capacity of children to violence is regarded with tolerance and pragmatism. There are no theories of how the child can be brought within discipline, short of growing older. Rationality, orderliness, and respect for the law, do not characterize the child, and it is not that he must therefore be made over from the inside, but that he must be controlled and opposed in all his impulses from the outside. There is thus a non-negotiable belief in authoritarianism. The most important aim in the classroom is obedience. When some allegedly new fangled ideas are introduced such as seating children not in straight rows but a circle, or having them brainstorm or discuss, the purpose of these ideas is not understood. Educators claim disciplinary difficulties with practising them, and the vote always goes in favour of ‘discipline’. This is just the opposite of the discipline of Foucault which is a transcendent self-discipline and works through a mystique of the everyday. Self-discipline in space and in time is the characteristic of the modern citizen, and endless suprvision from the top through coercion and threat is the characteristic of its Other. The ground is therefore not made ready for the creation of the modern subject of postcolonial nationalism in the schools we have been looking at. Such a ground is only made ready elsewhere, in boarding schools in the mountains, in Delhi or Bombay, but not in provincial towns. The explanation given by both metropolitans and provincials is that in the provinces there is simply too much disorderliness, religion, irrationality, and backwardness allied with sheer cussedness.

Prior and more significant than even the above discussion is the observation that in doing an ethnography that may seek to focus on the child, one would be pursuing the unrecognised, trying to locate the undefined. The ‘child’ or ‘childhood’ have no resonance in small town India yet. It is not clear how to ask about them in languages: bachcha, shishu, larka-larki, vidyarthi, chhatra-chhatri? It is clear from all evidence, linguistic and otherwise, that the overall discourse in society is emphatically not of discrete, self-sufficient individuals and of the child as one such individual in the making. She has typically no choices and no status outside that of her family, community and local history. Without belabouring the point, I would claim, as I have done elsewhere, that the modernist invention or discovery of the child and of childhood has not occurred in India yet outside metropolitan centers, and that the non-relevance of some categories on enquiry tells us of the subject itself.

Pain

What is it that the nation state is afraid of, that is seen by the national elite as a threat to the democratic, secular order? That is further characterized as primordial, communal, ignorant, and factionalist? That is privately also known as vernacular, with the greatest divide recognised as between English and provincial languages? The threat is typically discussed with reference to events and happenings: demolition of Babri Masjid, Roop Kanwar’s self-immolation, rural tragedies in Bihar. But the threat lies, for this national elite, in very familiar, mundane, quotidian sites, where subjects are produced and reproduced who have no access to and no vision of the secularism, liberalism, and nationalism of this elite. They are accessing a range of other options, none of which are certainly primordial or ignorant. They are also modern, but also specific as both threatening to the modernity enshrined in nationalist discourse, and creative of a via media between larger cultural processes on the ground and larger global processes. We have to discard dichotomies, especially of the real and the mimicking modernity, of the center and the periphery, of colonialism and the indigenous. If is not that there has been a struggle or resistance against a model modernity that resulted in peculiar local versions of the modern. There has appeared rather a formation of modernity that is as legitimate as the more globally familiar variety, and is more than simply protest. It is constructed and hybrid as much as any modernity is constructed and any construction is hybrid.

The power structures at the national level work out in terms of both repression and subversion. As repression, they keep the larger part of the population out of the accounting for ruling the nation (though for different reasons than Norman Weiner gives in his class analysis (1991)). As subversive potential, however, they may well prepare a script leading to a larger upheaval in the national-global model of democracy if not capitalism, sometimes summed up as ‘Lalu Raj’ and ‘Mulayam Raj’ named after new and powerful provincial leaders.

I want to end, however, by suggesting a legacy of colonialism and an interrogation of modernity that is less familiar to us than the tropes of mimesis, alterity, and subalternity, that is experienced by the subjects of the nation as pain.

There are two obvious experiences of pain for the child at the micro level, each constituting an unbroken tradition for 150 years. One is the paraphernalia of ‘convent schools,’ i.e. the some 200 schools in our city, of blazer, tie, belt, badge, socks and shoes, ostensibly the marks of a disciplined identity. The power of these artifacts in producing meaning is displayed by the opposition to them of the few schools with a rigid ideology behind them, such as Rashtriya Swayam Sevak Sangh Hinduism or Wahabi Islam. They are decisive in their condemnation of western Christian gadgets, but they to not realize the power these gadgets potentially exercise, a power that has eluded the critics. The critics discover, as they think, appropriate symbols in the past, and are simultaneously convulsed by the realization that the symbols themselves, say, white pyjama-kurta with topi in one case, salwar-kamiz and dupatta in another, or a local language in a third, spell marginalization. Meanwhile, the ethnographer notes that the synthetic, tight fitting, pants, shirts, socks and shoes do not in fact suit the climate, and notes that adults accent heat and discomfort for their children as celebration of the victory of modernity—and further notes that elite metropolitan Indians celebrate their modernity with the comfort of loose cotton garments and sandals.

The second micro level tradition of pain is comprised by rote learning. Schools had become synonymous with rote learning already 150 years ago, both because of the previous legitimacy of memorization in the Sanskrit and Arabic curricula, and because it was not possible to perform well in the new schools until the new language had been somewhat mastered. But while there was legitimacy for rote learning in the Sanskrit and Arabic learning systems, in English studies it was rued from the beginning. To tackle English was launched a technology that has become elaborated further and further over the past 150 years: of private tuition, notes, translations, commentaries, and other guides for everyday work and final examinations. The spiral of insecurity that is built at the outset for a student is typically never broken, as demonstrated in my third ethnographic example of St Mary’s. There are no possible rewards for effort or improvement, only total success or failure, the constant expectation of being judged, of competing ceaselessly, and for most, of not being good enough.

This is at the micro level. I have been ethnographically stressing the local. Such pain might seem to be the fate of every student everywhere. The particular colonial gloss on it is that the greater pain lies in the denial to children of the rewards of the national-global. At the national-global level, or the level of power, there are clearly winners and losers, both economic and symbolic. Provincial schools do not succeed as little theatres of the nation to play out, or little workshops to create, the spokesmen, the elite and the intelligentsia. They reproduce the pan chewing, pan spitting headmaster of DAV College, who stars in my second ethnographic example—a free and satisfied human being certainly, but not the progressive, successful citizen of the nation.

The problem is not merely, as postcolonialist critics put it, that this is the cultural strategy of he postcolonised nation state. The problem is that the schools create pain, at the level of both the local and the global. This modernity deserves to be ceaselessly interrogated.



The Arab Spring: The Contradictions of Obama’s Charismatic Liberalism by Arthur Kroker


C Theory: The Arab Spring:

The Contradictions of Obama’s Charismatic Liberalism

by
Arthur Kroker

 

The tripartite character of Obama’s charismatic liberalism — his remixing of the potentially potent themes of salvation, security, and freedom into a compelling vision of global politics — is what both differentiates Obama’s liberalism from received interpretations of liberal theory as well as from conservative estimates of religion and politics.

Suddenly the Arab Spring is upon us. Courageous citizens of autocratic societies — Tunisia, Algeria, Egypt, Yemen — take to the streets in active dissent against the politics of tyranny and in defense of that most seemingly elusive of all political regimes, the right of individuals to assemble without fear of reprisals, to speak without danger of imprisonment, to dissent without the terror of violence, to vote for a future that is distinguishable from the past. While the spring of 1989 marked the eclipse of Soviet domination of Eastern and Central Europe, the spring of 2011 marks the beginning of a resurgent Arab politics formulated from the hard historical matter of poverty, unemployment, oppression, and inequality. While contemporary western governments have closed their collective eyes to popular Arab demands for social justice in favor of the bunker archeology of the “War on Terrorism,” the irrepressible human demands, the Arab demands, for real solutions to mass poverty, innovative strategies for employment, political redress against the politics of oppression, and the most basic rights to equality will not be silenced. While western culture has celebrated the technological futurism of network society, another global network has silently, irresistibly formed, a network of bodies that, from the cynical perspective of empire politics, do not count — a network of Egyptian bodies, Afghan bodies, Iraqi bodies, Iranian bodies making that most fundamental of all human demands, the right to full democratic inclusion. For the centers of real power, for the masters of the abstract geo-strategic logic of empire, for the logic of the West, the uprising that is the Arab Spring creates an immediate credibility crisis. This is nowhere more evident than in the halls of power in Washington where the Arab Spring instantly exposes the major fault lines in American liberalism generally, and in the charismatic liberalism of Barrack Obama specifically. In this most promising of political upsurges, in this most immediate of political crises, which side of the American liberal story will prevail: its grisly illiberal side marked in the past as in the present by unwavering American support for oppressive regimes in Algeria and Egypt as core military satraps of the US National Security Strategy as mapped out by the Pentagon’s AFRICOM as well as convenient designations for the forsaken bodies of rendition; or its genuinely liberal side represented in all its idealism, complexity and charisma by Obama’s recent speech in Cairo.


The Cairo Speech

President Obama ignored unfolding events in Egypt in his State of the Union speech last night (while praising the popular uprising in Tunisia that has created the chance for democratic reform there). Response from the rest of the US government has been muted. Secretary of State Hillary Clinton said yesterday: “The Egyptian government has an important opportunity to be responsive to the aspirations of the Egyptian people, and pursue political, economic and social reforms that can improve their lives and help Egypt prosper.” In a statement today, US Ambassador Margaret Scobey slightly upgraded that talking point to include “we call on the Egyptian authorities to allow peaceful public demonstrations.

Dan Murphy, Christian Science Monitor, January 26, 2011.

Delivered on June 4, 2009 at Cairo University, this speech provided Obama with an opportunity to address the world community of Muslims. The setting of the speech was politically volatile, with Egyptian faculty and students in attendance taking careful note of the American occupation of Iraq as well as the American invasion of Afghanistan. In the United States, powerful media voices demanded a new crusade against Islam while in the Muslim world the most violent forms of political resistance against American soldiers were widely viewed as morally justified. To the highly selective targeting of Muslims by all the policing strategies involved in the War on Terror, the Islamic counter-response was as sudden as it was terminal — the destruction by suicide bombs, by IEDs, by the sword, of American targets of opportunity. To the American military’s documented acquiescence in war crimes by the Shia-dominated security forces against Sunni Muslims, young Arab resistance fighters sought out opportunities for revenge killings that would have maximum media impact. In all this, Obama was no innocent. His endorsement of the concept of a “Just War” motivated his strong and persistent support for the invasion of Afghanistan. While he may have decried the use of extra-judicial procedures such as the rendition of political suspects to torture chambers in Egypt, Jordan, Syria, and Eastern and Central Europe, his concern with American security led him to support draconian surveillance and policing tactics in America, including bunkering North America in a Perimeter Defence. For all his protestations against Bush’s Guantanamo, the prison has still not been closed, and Obama has proved reluctant to provide the full measure of judicial protections for CIA nominated terrorist suspects. All this to say, the Obama that rose to speak in that sun drenched Cairo day was a fully contradictory figure, compromised by a war raging not only in America itself but in his own liberal heart–ideals versus realities, reason versus passion. As the French philosopher Jean-Paul Sartre might have said, Obama was entangled in the “practico-inert” of the War on Terror with all its political nomenclature concerning bodies that needed to be secured by the power of government and bodies that don’t matter and, hence, could be disavowed, excluded, marginalized. At the same time, by force of political conviction Obama was driven to transcend the limitations of his political predicament. In this sense, his speech in Cairo was a way of throwing his general political project into the future, breaking with the past in order to negotiate new pathways through a fully uncertain future.

This is evident in the first measures of the speech that began with a political confession of responsibility:

We meet at this time of great tension between the United States and Muslims around the world — tension rooted in historical forces that go beyond any current policy debate. The relationship between Islam and the West includes centuries of coexistence and cooperation, but also conflict and religious wars. More recently, tension has been fed by colonialism that denied rights and opportunities to many Muslims, and a Cold War in which Muslim-majority countries were often treated as proxies without regard to their own aspirations. Moreover, the sweeping change brought by modernity and globalization led many Muslims to view the West as hostile to the traditions of Islam.

There we have it: colonialism as the source of political disenfranchisement of Muslims and a Cold War that resulted in many “Muslim-majority countries” being treated as pawns in the larger games involved in the clash of imperial powers. Political history of this order surely sows the seeds of distrust and suspicion among subject populations, providing fertile ground for the growth of resistance networks among those who refuse to bend to the will to colonial domination. For Obama, the results are as self-evident as they are dangerous.

Violent extremists have exploited these tensions in a small but potent minority of Muslims. The attacks of September 11, 2001 and the continued efforts of these extremists to engage in violence against civilians has led many in my country to view Islam as inevitably hostile not only to America and Western countries, but also to human rights. All this has bred more fear and more mistrust.

If the aim of effective political rhetoric is to frame the interpretation of events in advance, implicitly defining what is considered to be intelligible and consequently within the boundaries of moral acceptability and what is considered to be unintelligible and thus to be disavowed, marginalized, and excluded, Obama’s opening statement is noteworthy. Rather than side with majoritarian American opinion that continues to hold that the events of 9/11 had no historical context, representing an irrational act of extremist violence against an unsuspecting nation, Obama does something different. He brings into intelligibility the events of 9/11, noting that the story of domination and power that was implicit to the history of colonialism and the Cold War finds its inevitable result in what the historian, Chalmers Johnson, once described as “blowback.” [1] Of course, Chalmers went to his death noting that America was caught up in a fatal mythological spiral associated with the rise and fall of empires. From Chalmers’ perspective, the migration of the United States from Republic to Empire has inevitably fatal consequences, committing American future to the classic rhythms of political mythology whereby the project of grasping for power, particularly the power of global domination, creates in its wake unpredictable historical consequences: melancholic subjectivity as the keynote of American subjectivity, gathering hints of nemesis abroad, followed by spectacular acts of revenge-taking by subjected populations.

Perhaps it was with something like this in mind that led Obama to break with the harsh policies of the Bush regime, encapsulated in all its bitterness and sense of American exceptionalism in the phrase — “You’re either with us or against us.” Presiding in the bleak aftermath of the Bush administration with poll after poll confirming profound mistrust of American intentions in Muslim countries, Obama chose not to evade issues of mistrust, fear and skepticism but to do the opposite, namely to turn directly into the wind of Islamic discontent. In doing so, Obama’s Cairo speech is a lesson in the metaphysics of power. While the Bush administration implicitly operated on the basis of a theory of power that held that power must always expand, must always seek out new opportunities for control, that the world must be subjected to military policies aimed at “full spectrum dominance,” Obama’s theory of power is different. Perhaps at some point he might have reflected on Nietzsche’s The Will to Power wherein Nietzsche argued that power always seeks external resistances in order to thrive, that power establishes boundaries and limits in order both to test its strength as well as to mobilize its energies. In the most mature stages of the development of power, a period that Nietzsche described as “completed nihilism,” the will to power, finding itself without external enemies of merit, turns back on itself, making of itself its own opposition. Considered in terms of political theory, while the Bush administration represented the highpoint of American will to power before its political fortunes stalled in the face of gathering global opposition, the Obama administration may be the quintessential expression of power as the will to will, that point where power, having tested its outer limits, turns back upon itself.

In retrospect, the Bush political administration probably represented the last bacchanalian feast of power in its purest form. Here, the power of American empire having no manifest enemy was finally liberated to be power in its final stage — power as a pure sign. Globally hegemonic in its military claims to “full spectrum dominance” of time and space as well as “metabolic domination” of the world population, the feast of American power expanded with implosive energies — a financial sector that transformed the machinery of capitalist transactions into an economic landscape where money in the form of credit finally floated free of any solvency requirements; a housing sector that increasingly operated on the basis of purely virtual value standards, with the value of homes measured by aesthetic standards; and a consumer sector where the delusional economy of zero credit requirements made individual over-indebtedness a structural requirement of the operation of the system as a whole.

Like many Democrats before him, Obama’s fate was to be elected after the party when the bills for the feast come due and the treasury of the state is effectively bankrupt. Probably by force of circumstance, Obama’s interpretation of international politics is based on a realistic understanding of the limits and precariousness of American power. Confronting their moment of inevitable historical decline after wild bouts of over-expansion and hyper-contraction, empires, like individuals, are definitely not above reacting badly — lashing out against convenient scapegoats as projected sources of their own internally constituted troubles. While the grim politics of reaction-formation was the everyday language of the Bush administration with its War on Terror, secret detention facilities, and the mobilization of the domestic population into a constant state of anxiety based on an increasingly phantasmagoric fear of terrorism, Obama has chosen a different pathway. Here, American power begins to acknowledge its limits, recognizing its contingency and, indeed, political vulnerability in a swiftly changing word, seeking out “conversations” with its opponents rather exercise brute force.

It is not so much that Obama’s political circumstance is to preside over the decline of American power, but quite the reverse. If Obama can speak earnestly and enthusiastically about America as a “young country” based on innovation, creativity, and hard work, it is perhaps because he wishes to reanimate American power in the context of a radically altered world situation, that point where power begins to play the game of seduction, not force. In the game of political seduction, shared aspirations, the reality of mutual implication, and the assumption of co-responsibility are everything. The transition of American power from a command philosophy of military force to a theory of international relations based on political seduction begins with mutual recognition.


“Islam is a Part of America”

That is why Obama immediately remarks in his speech in Cairo that Islam and the West share a common heritage, that “Islam is part of America.”

As a student of history, I also know civilization’s debt to Islam. It was Islam — at places like Al-Azhar — that carried the light of learning from so many centuries, paving the way for Europe’s Renaissance and Enlightenment. It was innovation in Muslim communities that developed the order of algebra, our magnetic compass and tools of navigation; our mastery of pens and printing; our understanding of how disease spreads and how it can be healed. Islamic culture has given us majestic arches and soaring spires; timeless poetry and cherished music; elegant calligraphy and places of peaceful contemplation. And throughout history, Islam has demonstrated through words and deeds the possibilities of religious tolerance and racial equality.

Not only part of America in terms of the participation of Muslims in government, sports, architecture, labor, education, but something deeper, more autobiographical. It is as if Obama’s worldview is not so much a reinvocation of American exceptionalism, but a projection of the founding story of Obama’s exceptionalism onto the political canvas of America and thereupon onto the skin of the globe.

Now, much has been made of the fact that an African American with the name of Barack Hussein Obama could be elected President. But my personal story is not so unique. The dream of opportunity for all peoples has not come true for everyone in America, but its promise exists for all who come to our shores — and that includes nearly 7 million American Muslims in our country today who, by the way, enjoy incomes and educational levels that are higher than the American average.

So then, a new politics based on common aspirations towards a “common humanity.”

So then, let there be no doubt: Islam is a part of America. And I believe that America holds within her the truth that regardless of race, religion, or station of life, all of us who share common aspirations — to live in peace and security; to get an education and to work with dignity; to love our families, our communities, and our God. These things we share. This is the hope of all humanity.

Two propositions follow from this: mutual implication in an increasingly interdependent world; and a politics of shared responsibility:

For we have learned from our recent experience that when a financial system weakens in one country, prosperity is hurt everywhere. When a new flu infects one human being, all are at risk. When one nation pursues nuclear weapons, the risk of nuclear attacks rises for all nations. When violent extremists operate in a stretch of mountains, people are endangered across an ocean. When innocents in Bosnia and Darfur are slaughtered, that is a stain on our collective conscience. That is what it means to share this world in the 21st century. This is the responsibility we have to one another as human beings. And this is a difficult responsibility to embrace. For human history has often been a record of nations and tribes — and yes, religions — subjugating one another in pursuit of their own interests. Yet in this new age, such attitudes are self-defeating. Given our interdependence, any world order that elevates one nation or group of people over another, will inevitably fail. So whatever we think of the past, we must not be prisoners to it. Our problems must be dealt with partnership; our progress must be shared.

The particular challenge confronting Obama’s charismatic vision of a liberal world — interdependent, responsible, shared, intermediated — is twofold. First, how does he convince the Muslim world of the good intentions of the United States when facts appear to move in the opposite direction? How does Obama persuade the world that what is in the particular (security/economic) interest of the United States is in the general interest of the global community? Secondly, how will Obama accomplish what surely must be his major objective, namely migrating American political thought to a more complex understanding of Islam? After all, at the same moment that Obama rose to speak in Cairo the empire politics of the United States were in full motion: the garrisoning of the globe with a multiplicity of American bases; the violent occupation of Iraq; mass casualties among the Iraqi civilian population as a result of American air attacks; a decade-long war against Muslim guerilla forces in Afghanistan; aggressive containment policies against Iran; and American support of Israel. While Obama may deny the efficacy of the politics of power as “self-defeating” and, moreover, insist in his Cairo speech that Muslim “stereotypes” of the United States as a “self-serving empire” were false, at least to the extent that such stereotypes did not take into account the progressive quality of the American political experiment, nonetheless his reanimated liberal vision seems to be short-circuited by the real world of American empire. This is made all the worse because in Obama’s estimation the events of 9/11 continue to traumatize the American psyche. In excluding “violent extremists” from the moral pact that is charismatic liberalism, Obama is adamant: “These are not opinions to be debated; these are facts to be dealt with.” In other words, the interpretation of the liberal framework with its calculus of friends and enemies, bodies that matter and bodies that do not matter, is not an opinion open to debate, but “facts to be dealt with.” So then, a skeptical Islamic world outside and traumatized American subjectivity within, an Islamic world that is mistrustful of its place in the American interpretation of power, and an American population filled with animus about any challenges to the hegemony of “facts to be dealt with.” These are seemingly intractable obstacles to a charismatic liberal politics that would privilege complexity, yet if not dealt with obstacles that possess such virulent psychological force that they would quickly deliver the world to a new dark age of mistrust, suspicion, and violence. While the American exercise of imperial power has reduced many Muslim-majority countries to abuse value, the inevitable blowback from such political subjugation has reinforced the most atavistic tendencies in American politics.

The strength of Obama’s perspective on Islam and the West is that he approaches the question on the basis of a personal autobiography shaped by the three dominant mythologies of contemporary politics — security, salvation, and freedom. In his Nobel Prize Speech, Obama made a special point of contrasting his perspective with Gandhi and Martin Luther King. While affirming common cause with their struggles for political and racial equality, Obama affirmed not only his belief in the concept of “Just War,” but elaborated the religious grounds for this belief. Noting the presence of implacable evil in the world as another of those “facts to be dealt with,” Obama described his political mission specifically and that of the United States more generally as a profoundly moral struggle between good and evil. In this interpretation, the defining precepts of the New Testament’s Sermon on the Mount could not be realized in the world without struggle — a struggle of ideas, movements, politics, but sometimes violent struggle as well. Consequently, the two wars that have thus far defined his presidency — Afghanistan and Iraq — are both tinged with the religious language of redemption. Thus understood, the question of salvation is not of simply personal interest, but cast as a global struggle between forces of good and evil becomes a way of understanding America’s military missions in the world. In this regard, Obama is not that different from his predecessor on the question of the politics of salvation. Both understand Afghanistan and Iraq through a double prism: the real politics of controlling fossil fuel supplies in an age of diminishing resources; and the putatively moral character of both military campaigns. Here, security and salvation are blended together in a homogenous story concerning evil “facts to be dealt with.” In this sense, the larger theme of good and evil is everywhere present in American discourse, from Reagan’s targeting of the Soviet Union as the “evil empire” and Bush’s description of the “axes of evil” to Obama’s equation of evil with “violent extremists” — whose “actions are irreconcilable with the rights of human beings, the progress of nations, and with Islam.”

Where they differ is on the question of racial justice. For Obama, the question of racial oppression and the continuing struggles against the bitter politics of racism has deeply influenced his political perspective. While Reagan, Bush and Obama could possibly find common ground in a moral interpretation of American exceptionalism in the context of a world threatened by different orders of “evil,” Obama’s perspective has been deeply touched by the question of freedom, specifically by the struggles of African-Americans to achieve the human rights of democracy on the basis of non-violence. Consequently, the tripartite character of Obama’s charismatic liberalism — his remixing of the potentially potent themes of salvation, security, and freedom into a compelling vision of global politics — is what both differentiates Obama’s liberalism from received interpretations of liberal theory as well as from conservative estimates of religion and politics. That this tripartite sense of charismatic liberalism is politically powerful is indicated by Obama’s ability to simultaneously justify American military missions against Muslim-majority countries while calling Islam to find common cause with America not only on abjuring “violent extremists’ but on a range of critical issues including nuclear weapons, democracy, education and innovation, women’s rights, education and development, and religious freedom.

For example, speaking to a Muslim audience with whom he is trying to establish common cause, Obama is both self-critical about the aims of American power and, for the first time in recent, introduces limits on its uses. Rather than avoid areas of tension between Islam and the West — Israel, Afghanistan, Iraq — Obama insists that the renewal of understanding between Muslim-majority countries and the West will only succeed on the basis of a reasoned discussion of key areas of “tension.” While the central tension in Obama’s charismatic liberalism might be viewed as that between an ethics of reconciliation and a politics of national security, his actual assessment of the key tensions in world politics is decidedly more complex. While strongly defending America’s “unbreakable bond” with Israel and noting the “tragic history” of the Holocaust, Obama is equally emphatic about the moral right of an independent Palestinian state.

Around the world, the Jewish people were persecuted for centuries, and anti-Semitism in Europe culminated in an unprecedented Holocaust. Tomorrow, I will visit Buchenwald, which was part of a network of camps where Jews were enslaved, tortured, shot and gassed to death by the Third Reich. Six million Jews were killed — more than the entire Jewish population of Israel today. Denying that fact is baseless, it is ignorant, and it is hateful. Threatening Israel with destruction — or repeating vile stereotypes about Jews — is deeply wrong, and only serves to evoke in the minds of Israelis the most painful of memories while preventing the peace that the people of this region deserve. On the other hand, it is undeniable that the Palestinian people — Muslims and Christians — have suffered in pursuit of a homeland. For more than sixty years, they’ve endured the pain of dislocation. Many wait in refugee camps in the West Bank, Gaza, and neighboring lands for a life of peace and security that they have never been able to lead. They endure daily humiliations — large and small — that comes with occupation. So let there be no doubt: The situation for Palestinian people is intolerable. And America will not turn its back on the legitimate Palestinian aspirations for dignity, opportunity, and a state of their own.

If charismatic liberalism is about taking account of hard, seemingly intractable, political facts on the ground while expanding possibilities for social justice, that is precisely what Obama’s realignment of Middle East policy seeks to achieve. From an understanding of the shared trauma of Palestinians and Israelis, everything follows: American support of a two-state policy, demands for Arab acknowledgement of Israel’s right to exist, condemnation of Israel’s “continued settlements,” an appeal to Palestinians to “abandon violence,” and an insistence on an immediate expansion of the Arab Peace Initiative. While most political leaders in the West are quick to rush to an automatic defense of Israel with accompanying denunciations of Palestinian struggles, that is definitely not the case with Obama. Breaking with received ideologies of the past, he eloquently articulates a new pathway forward based on Israel’s acknowledgement of the “human rights” of Palestinians and the latter’s renunciation of “violence as a dead end.” As Obama argues, judged by freedom struggles from

… South Africa to South Asia; from Eastern Europe to Indonesia: It is a story with a simple truth: That violence is a dead end. It is a sign neither of courage nor power to shoot rockets at sleeping children, or to blow up old women on a bus. That’s not how moral authority is claimed; that is how it is surrendered.

In a world where politics is grounded in narrow considerations of self-interest and enduring cleavages based on race, religion, class, and ethnicity, Obama’s perspective on the Israeli-Palestinian question is illuminating. Here, the supposedly opposing interests of security and reconciliation are actively blended together, with long-term security for Israel’s existence clearly viewed as dependent on social justice for Palestinians. While this perspective will not attract support from established political interests, neither from Hamas nor the present Israeli government, Obama’s ambition is to cultivate a new community of shared understanding between Islam and the West. Rising beyond a narrowly policy-driven, conflict-based interpretation of the situation, Obama’s analysis is as comprehensively historical as it is religious:

Too many tears have been shed. Too much blood has been shed. All of us have a responsibility to work for the day when the mothers of Israelis and Palestinians can see their children grow up without fear; when the Holy Land of the three great faiths is the place of peace that God intended it to be; when Jerusalem is a secure and last home for Jews and Christians and Muslims, and a place of peace for all the children of Abraham to mingle peacefully together as in the story of Isra, when Moses, Jesus, and Mohammed, peace be upon them, joined in prayer.

Here we are firmly in the realm of cosmology with the story of Isra — the famous “night journey” of Mohammed as its central element. If the Koran can speak so mystically about the ascent of Mohammed to the heavens on a winged horse and his meeting with other prophets — Moses, Jesus, and Adam — then surely there are religious grounds for new pathways of understanding among Jews, Muslims, and Christians. Of course, the larger question is whether or not the cosmological domain of religious reconciliation can survive the immediacy of political conflict, whether the search for shared truths in the Koran, the Bible, and the Torah can overcome the bitter legacy of internecine political struggle. Can what Obama likes to describe as the “divine spark” in each individual overpower the collective anger generated by “states of injury?” If this proposition were to be advanced by a religious leader, it would probably be greeted as naïve optimism. Advanced by a political leader with the means to translate new pathways of understanding into actual political practices, it is a courageous attempt to reframe the religious base of contemporary politics, linking religious cosmology with the language of social justice and in the process providing a way of overturning implacable historical antagonisms into possibilities for tolerant cohabitation of clashing perspectives.


The Liberal Spirit in Islam

Obama provides an inspiring vision of common truths among the Torah, the Koran and the Bible as a way of evoking the liberal spirit in Islam. Repudiating political extremes in the United States that transformed the tragedy of 9/11 into actions that were “contrary to our traditions and our ideals” as well as Islamic extremists who stereotype the United States as only a “self-serving empire,” Obama appeals directly to the rising class in Muslim-majority countries throughout the world who find common cause with charismatic liberalism on key issues including human rights, democracy, women’s rights, education and innovation, civic tolerance, and an end to nuclear weapons. While this might immediately raise the critical, but reasonable, counter-response that the United States has backtracked, if not offended, egregiously on each one of the above issues, this would miss the larger point, namely that the cultural values of charismatic liberalism from democratic participation and education to women’s rights, are set in motion by the forces of technologically-enabled globalization. In this case, the triumph of digital technology has created seemingly everywhere new relations of communication in direct opposition to old modes of economic and political production. While the clash of interests in the West between emergent relations of communication and superseded modes of production often assumes the form of political struggles over the future of technology, in many Islamic countries the inherent biases of communication towards openness, in-depth participation, and global citizenship run directly counter to orthodox religious belief, undemocratic governments, and economies based less on achievement than on ascription. Of course, this raises the larger question concerning the future of charismatic liberalism in contemporary history. Are the values of charismatic liberalism inalienably linked to the imperial power of the West, with the struggle between democracy versus oppression, women’s rights versus women’s subjugation, educational achievement versus inherited status, essentially the form of ideological consciousness created by the triumph of technological capitalism? Or does the promise of a transformation in human values towards democracy, innovation, education, human rights speak to something more fundamental, and indeed common, in humanity at large? In other words, is charismatic liberalism the last, inspiring ideology of an empire in decline or does charismatic liberalism, for all its faults and contradictions, have the power to transcend differences of class, ethnicity, race, and nationality by speaking to something elemental in the story of humanity, namely the right to choose your own individual pathway among the great mythologies of freedom, salvation, and security?

While denying American naming rights to the values of charismatic liberalism and, in effect, evoking the possibility of charismatic liberalism in many countries, Obama’s aim is nothing less than to encourage a decisive value-transformation in Muslim-majority countries. After all, in the context of an oppressive Egyptian state, his appeal for governments “to maintain your power through consent, not coercion” and “to respect the rights of minorities” is as fundamental as it is revolutionary. Equally, in the context of very real oppression of women and minorities in many Muslim-majority countries, Obama’s declaration on gender equality and human rights speaks directly to the great tension lines of contemporary international politics. Finally, given the bitter reality of the oppression of the democratic will of Iranian citizens by its theocratic government, Obama’s recommendation that governments “place the interests of your people and the legitimate workings of the political process above your party” situates charismatic liberalism not only on the progressive side of history, but at the cutting-edge of real social change. In a contemporary global politics increasingly dominated by the most atavistic of religious tendencies, the most oppressive of political practices, and the most revenge-seeking of ethnic and class resentment, charismatic liberalism offers the opposite. As Obama concludes his speech in Cairo:

It’s easier to start wars than to end them. It’s easier to blame others than look inward. It’s easier to see what is different about someone else than to find things we share. But we should choose the right path, not just the easy path. There’s one rule that lies at the heart of every religion — that we do unto others as we would have them do unto us. This truth transcends nations and peoples — a belief that isn’t new; that isn’t black or white or brown; that isn’t Christian or Muslim or Jew. It’s a belief that pulsed in the cradle of civilization, and that still beats in the hearts of billions around the world. It’s a faith in other people, and it’s what brought me here today.


Notes
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[1] Chalmers A. Johnson, Blowback: The Costs and Consequences of American Empire, Henry Holt and Company: New York, 2010; and Chalmers A. Johnson, The Sorrows of Empire: Militarism, Secrecy, and the End of the Republic, New York: Metropolitan Books/Henry Holt and Company, 2004.

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Arthur Kroker is Canada Research Chair in Technology, Culture and Theory, professor of political science, and the director of the Pacific Center for Technology and Culture at the University of Victoria. His most recent projects include the monograph Born Again Ideology: Religion, Technology and Terrorism (New World Perspectives, 2008), and Critical Digital Studies: A Reader, co-edited with Marilouise Kroker (University of Toronto, 2008). He is the co-editor of the Digital Futures book series for the University of Toronto Press, as well as the peer-reviewed, electronic journal CTheory. www.krokers.net www.ctheory.net