...Zizek has cast a very long shadow in what can only be termed "cultural studies" (though he would despise the characterization). He is an effective purveyor of Lacanian mischief, and, as a follower of the French "liberator" of Freud, Zizek's Lacan is almost exclusively transcribed in mesmerizing language games or intellectual parables. That he has an encyclopedic grasp of political, philosophical, literary, artistic, cinematic, and pop cultural currents — and that he has no qualms about throwing all of them into the stockpot of his imagination — is the prime reason he has dazzled his peers and confounded his critics for over ten years.

Primarily the goal appears to be to demolish the coordinates of the liberal hegemony that permit excess and aberration insofar as it does not threaten the true coordinates. He suggests as well that the true coordinates are much better hidden than we realize. The production of cultural difference is to Zizek the production of the inoperative dream — a dream that recalls perhaps Orwell's 1984 or even Terry Gilliam's Brazil where a kind of generic pastoralism or a sexualized nature substitutes for authentic freedom — the flip side of this is film noir. Zizek has determined that late-modern capitalism has engendered a whole range of alternative seductions to keep the eye and brain off of the Real. The Real only exists as a fragment, fast receding on the horizon as fantasy and often phantasm intercede. These dreams and nightmares are systemic, structural neuroses, and they are part of the coordinates of the hegemonic. The hegemony — the prevailing set of coordinates — always seeks to "take over" the Real, and, therefore, this contaminated Real must be periodically purged. ...   more »