Imho, this is an important article about the pluses and minuses of religion, an interview with a former nun who has had many deep experiences of what she writes. Highly recommended. ~ ronjon

Karen Armstrong is a one-woman publishing industry, the author of nearly 20 books on religion. When her breakthrough book "A History of God" appeared in 1993, this British writer quickly became known as one of the world's leading historians of spiritual matters. Her work displays a wide-ranging knowledge of religious traditions -- from the monotheistic religions to Buddhism. What's most remarkable is how she carved out this career for herself after rejecting a life in the church.

At 17, Armstrong became a Catholic nun. She left the convent after seven years of torment. "I had failed to make a gift of myself to God," she wrote in her recent memoir, "The Spiral Staircase." While she despaired over never managing to feel the presence of God, Armstrong also bristled at the restrictive life imposed by the convent, which she described in her first book, "Through the Narrow Gate." When she left in 1969, she had never heard of the Beatles or the Vietnam War, and she'd lost her faith in God. ...   more »

In his copy of Arjava’s Poems, Amal Kiran has pasted as frontispiece the pencil impression of Arjava made by himself, Amal Kiran. He is shown clad in dhoti and a buttoned-up shortish kurta, with a walking stick in his hand. He is well-groomed, has a pointed nose and a pointed chin. In this copy of his Amal has, importantly, copied Sri Aurobindo’s comments on the poems. Amal writes about Arjava’s poetry as follows: “As we might expect of a mind trained to careful intellectuality, Chadwick—or Arjava, as he came to be known from the name Arjavananda (meaning "Joy of straightforwardness") given him by Sri Aurobindo—did not achieve closeness to the Ideal through a lavish spontaneity whose very breath is song. A deliberate self-critical compact perfection belonged to him. Instead of taking the Kingdom of Heaven by a stormy frontal assault, he laid slow siege to it and won its treasures by patient compulsion—a victory no less complete though differing in plan and technique. Here too is a superb energy of imagination expended not so much in a royal diffusion as in concentrated exquisiteness or magnificence. We feel, to quote the poet's own words from a sonnet, "a chaos-ending chisel-smite" in each work—a faultless statue emerges in which every line and curve has been traced by an inspired precision…” This is one of the deepest studies on the Ovehead poetry that has come after Sri Aurobindo and it must prove immensely helpful in our critical appreciation as well as creative effort. ...   more »