Controversy surrounding the representation of a "nationalized" Indian mystic comes late to Sri Aurobindo. Pre-dating the latter in personal chronology as in nationalism and the modern articulation of a global Vedantic spirituality, Vivekananda precedes also in the matter of contemporary debates on representation. In the present 2005 piece by Makarand Paranjape, some of the recent histories of representation and the all too familiar stakes are rehearsed and can be instructive to our consideration of the present controversy raging around "The Lives of Sri Aurobindo." Who gets to authorize the representation? What are the relative uses of hagiographny and biography? Are not both of these varieties of fiction? What purposes do they serve? Where does cultural tradition come in? What is the place of hermeneutics in all this? Paranjape's reflections and call for a balanced realism is much needed for us to heed and reflect on in these times of myth-making and madness.   more »

 

 

"A man well versed in all disciplines, curious about each and every mystery, father of alphabets, languages, utopias and mythologies, host of paradises and infernos, author, pan-chess player, and perfect astrologer in indulgent irony and generous friendship, Xul Solar is one of the most peculiar events of our times" - Jorge Luis Borges

If the essence of critique, as per Foucault, is the desubjugation of the self in the politics of truth, and if utopias, as per Jameson, represent the limit condition of social critique, Argentinian Xul Solar (1887-1963) is one kind of subject exemplar of the wholesale reconfiguration of modernity. Standing at the initiation of an age of world history which harvests humanity for a totalitarian global market, offers alienation and conditioning in the name of freedom, policed uniformity in the name of creativity and multiculturalism, dromologic deformation in the name of progress, animal lust and aggression cloaked as civilization, Xul Solar, like his friend Jorge Luis Borges, made of his life and its expressions a performance at the margins which opened the cracks to alternate worlds of creative communitarian self-fashioning, poised between internal coherence and external noise, negotiating their realities and truths in real-time. An epic personality, Solar leaves his legacy of the message that it is not through the politics of the democratic vote but through what may seem an eccentric creative aspiration towards global and teleological alternate integralities, resistances to assimilation and an assimilation of resistances, that we may gather the invisible threads and weave the text of a world which makes possible the gnostic community.

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