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Friday, April 13

The Internet Sacred Text Archive, ref. by Yatanti
by
ronjon
on April 13, 2007 11:18AM (PDT)
Thanks to Yatanti for referring us to this site re "The Works of Rabindranath Tagore" and other sacred texts. ~ ron _________________ Rabindranath Tagore (1861-1941) was a Bengali poet, philosopher, artist, playwright, composer and novelist. India's first Nobel laureate, Tagore won the 1913 Nobel Prize for Literature. He composed the text of both India's and Bangladesh's respective national anthems. Tagore travelled widely and was friends with many notable 20th century figures such as William Butler Yeats, H.G. Wells, Ezra Pound, and Albert Einstein. While he supported Indian Independence, he often had tactical disagreements with Gandhi (at one point talking him out of a fast to the death). His body of literature is deeply sympathetic for the poor and upholds universal humanistic values. His poetry drew from traditional Vaisnava folk lyrics and was often deeply mystical.
LAST night I dreamt that I was the same boy that I had been before my mother died. She sat in a room in a garden house on the bank of the Ganges. I carelessly passed by without paying attention to her, when all of a sudden it flashed through my mind with an unutterable longing that my mother was there. At once I stopped and went back to her and bowing low touched her feet with my head. She held my hand, looked into my face, and said: "You have come!"
In this great world we carelessly pass by the room where Mother sits. Her storeroom is open when we want our food, our bed is ready when we must sleep. Only that touch and that voice are wanting. We are moving about, but never coming close to the personal presence, to be held by the hand and greeted: "You have come!" ... more »
Tuesday, April 10

Philip K. Dick's Divine Interference, by Eric Davis
by
ronjon
on April 10, 2007 11:30AM (PDT)
...Unlike most religious seers, Dick did not approach his visions with anything like certitude. Dick distrusted reification of any sort (his novels constantly wage war against the process that turns people and ideas into things), and so he refused to solidify his experiences into a belief system. ...Dick approached his theophany (or "in-breaking of God") as artistic material, reworking it in his writings with an artist's commitment to irony, craft, and a political bite. Even in his private journals, he constantly liquefies his revelations, writing with a modern thinker's sense of the tentativeness of speculative thought.
... Dick's Black Iron Prison imaginatively captured the "disciplinary apparatus" of power analyzed by historian Michel Foucault. Demonstrating that prisons, mental institutions, schools, and military establishments all share similar organizations of space and time, Foucault argued that a "technology of power" was distributed throughout social space, enmeshing human subjects at every turn. Foucault argued that liberal social reforms are only cosmetic brush-ups of an underlying mechanism of control. As Dick put it, "The Empire never ended."
"...today we live in a society in which spurious realities are manufactured by the media, by governments, by big corporations, by religious groups, political groups... unceasingly we are bombarded with pseudo-realities manufactured by very sophisticated people using very sophisticated electronic mechanisms. I do not distrust their motives; I distrust their power. [10]"
As Jean Baudrillard has argued into the ground, simulation rather than representation has become the defining characteristic of cultural signs and artifacts in our time. ... The technological simulacrum creates its own reality, which Baudrillard calls the "hyperreal," a kind of ersatz parody of Plato's ideal world of forms. For example, when you download a printer driver from the Internet or record a CD onto digital tape, you do not "copy" the information so much as replicate a hyperreal object.
... As an exhausted rationalist, Baudrillard simply abandoned himself to a morbid celebration of the pixel apocalypse, giving up any notion of resistance or transformation while ignoring the messy realities that gum up the works of all such grand intellectual scenarios. But Dick never gave up his commitment to the "authentically human," the "viable, elastic organism which can bounce back, absorb, and deal with the new." He also recognized that simulacra lie deep in our souls, and that we are not so far from the spiritual paradigms of the ancient world, with their camouflage spirits, talking images, and automata gods. And so Dick redeployed the gnostic struggle for authenticity and freedom within the hard-sell universe of simulation. The world is a prison not because of its materiality—which was the opinion of the ancient Gnostics—but because of the hidden orders of power and control it houses: the various corporate, political, and ideological archons herding us into increasingly compelling synthetic worlds. ... more »
Monday, April 2

From "A Coney Island of the Mind" by Lawrence Ferlinghetti
by
Rich
on April 2, 2007 07:03PM (PDT)
one can sense a touch of e.e. cummings in the following ferlinghetti piece and the innocence of the song is a welcome variation from some of the Beats more indulgent themes rc
The pennycandystore beyond the El
is where I first
fell in love
with unreality
Jellybeans glowed in the semi-gloom
of that september afternoon more »
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