I met Paul Lonely last night at a friend's gathering. When I told him a bit about SCIY, he said he was an admirer of Sri Aurobindo's epic poem Savitri, and graciously offered to send me a link to his own new book of "post post-modern" poetry: Suicide Dictionary. I've been looking over his website and his work is quite impressive. E.g., see below the words of one of his many enthusiastic reviewers, the artist-musician Michael Garfield. ~ ronjon
I am the voice of a generation starving for an adequate myth. Myths are the carriers and conduits of a vision - the metaphors and narratives around which we organize and accrete our understanding. Every generation has come together within a mythology, and used it to push forward into its fruition. In a way, we are nourished by our myths in return for fulfilling them.
It must be said that my generation has more mythology from which to choose than any before it. We stand before a global buffet of stories, food of all flavors, information crashing in from all sides, an unprecedented panoply of cultural richness. What we lack is an organizing directive, some way to handle all of this humanity without shrinking from its light or dissolving into incoherence at the spectacular diversity of it all. Imagine everyone in the cafe trying to force-feed you simultaneously, and you'll get the idea. In spite of our wealth of culture, we hunger for genuine, hopeful, reconstructive narratives that is, integral myths. Almost no one is telling my generation, or those to come, what to do with this orgiastic diversity of experience. Our myth has been one of dissipation, of dissolution the end of oil, the end of modernity, the end of the biosphere, the end of western hegemony, the end of science, the end of childhood. We are born into a world that has come together just in time to discover it is breaking apart.
But Paul Lonely is changing all of that. What Paul is doing for us - the generation growing up alongside the academic reconstruction of integral theory - is offering us a new mode of experiencing these truths. ... Freed from the conventional trappings of historical spiritual texts, blindingly aware of its own cultural embeddedness and laughing at it compassionately, Suicide Dictionary belongs in a thin pantheon with the paintings of Alex Grey as a message for and from our collective future. It is playful and colorful and fluid, in stark opposition to even the most inspiring theories of the world into which we walk with one eye open. That Paul has used language to communicate this utterly translinguistic vision is a testament to his cleverness his book is winking at all of us from behind the veil, like the Tao Te Ching or its formal predecessor, the Upanishads. Every page rings brightly with the cause to which he is devoted. ... more »