On Heehs: In Hume’s footsteps by Ramachandra Guha

In Hume’s footsteps
Ramachandra Guha
April 02, 2012

Many Indians know that it was an Englishman, Allan Octavian Hume, who set up the Indian National Congress; and that it was an Englishman, Charles Freer Andrews, who was Mahatma Gandhi’s closest friend, in that capacity of lobbying with the British to grant India freedom, while (on his own steam and following his own conscience) writing a series of stirring pamphlets on the shameful condition of Indian labourers in Fiji, Africa, and the Caribbean. Indians also know that an Irishwoman, Annie Besant, established a ‘Home Rule League’ promoting self-governance for India, as well as schools for Indian girls in Benares, Madras, and elsewhere.
The line of western fighters for India’s freedom is long. There is a perhaps longer (if less well known) list of foreigners who, after the British departed, made signal contributions to the now independent Republic of India. Consider the anthropologist Verrier Elwin, who, in the 1930s and 1940s, wrote a series of very moving studies of the tribals of central India, bringing their predicament to wider attention. In 1954 he became the first foreigner to be granted Indian nationality; moving the same year to Shillong, he was appointed adviser to the Government of the North East Frontier Agency (as Arunachal Pradesh was then known). In that capacity he promoted policies that protected tribal claims to land and forest; that resisted encroachment on their homeland by outsiders; that urged senior officials to be sympathetic to their languages and lifestyles. Partly – some would say largely – as a result of Elwin’s policies, Arunachal is the one state in the North-east which has not had a secessionist movement.

In 1957 an Oxford man even more brilliant than Elwin took up Indian nationality. This was JBS Haldane, who is regarded as one of the three or four greatest biologists since Charles Darwin. Haldane set up research schools in Calcutta and  Orissa, groomed some fine students, and himself wrote a rivetingly readable newspaper column that made ordinary Indians aware of the wonders and mysteries of science. When Haldane died, in 1964, his body – as per his will – was sent to a nearby medical college, so that his fellow Indians would improve their scientific skills at his expense.

Elwin and Haldane were principally scholars and writers. Two other Europeans who made India their own were principally social activists. The first, called Catherine Mary Heilman by her parents, took the name Sarla Behn after coming to India and becoming a disciple of Mahatma Gandhi. She set up an ashram in rural Kumaun, which still functions, educating young girls and training them in weaving and other crafts. Sarla Behn identified completely with her homeland. She courted arrest during the Quit India Movement of 1942. In the 1950s she groomed  a new generation of social workers, among them such remarkable activists as Chandi Prasad Bhatt, Radha Bhatt and Sunderlal Bahuguna. In the 1970s, these activists started the Chipko Movement, while in turn training the next generation of activists, those who led the movement for a state of Uttarakhand.

Another Gandhian of English origin was Laurie Baker. In the 1950s, he helped his Malayali wife run a hospital in a village in Pithoragarh, close to the Nepal border. Later, they moved to Kerala where Baker, who was trained as an architect, resumed his profession, now adapted to Indian conditions. His decentralised and ecologically-oriented approach was in stark contrast to the concrete-and-glass-heavy methods of contemporary architecture. Using local craftsmen and local materials, he built some wonderful homes and offices, among them the campus of the Centre for Development Studies in Thiruvananthapuram,  where his methods saved so much money that the Centre was able to build a world-class library as well.

Contemporary exemplars of this admirable trend of cross-cultural living (and giving) include the economist Jean Dreze and the sociologist Gail Omvedt. Without Dreze, who was born in Belgium, there might never have been a National Rural Employment Guarantee Scheme; without Omvedt, who is of American origin, gender and Dalit studies in India would be far less robust.

It is in this noble tradition that Peter Heehs falls. Heehs was recently in the news, for the fact that after staying in India for nearly 40 years he finds his visa status in peril. In his decades in this country Heehs has won a considerable reputation as a historian and biographer. His books The Bomb in Bengal and The Lives of Sri Aurobindo are superb works of historical scholarship. The latter book, first published to wide acclaim by Columbia University Press, is not yet available in India, owing to a court case filed by motivated (and perhaps ignorant) people. As one who has read the book I can say that it’s unlikely ever to be surpassed. It deals with all facets of Aurobindo’s life – student, teacher, revolutionary, ascetic, spiritualist, poet, philosopher – with scrupulous sympathy combined with scrupulous honesty.

No one knows more than Heehs about the life of Sri Aurobindo. And no one has done more, either, to preserve Sri Aurobindo’s works for posterity. Heehs and his colleagues – some western, some Indian – were instrumental in setting up the archives of the Aurobindo Ashram; and in publishing 16 volumes of Aurobindo’s writings, these painstakingly transcribed over very many years of selfless service. Yet this is the man, and scholar, now threatened with deportation from India due to the intrigues of petty and motivated men.

As I write this, news comes that the home ministry is ‘reviewing’ Heehs’ visa extension. One trusts that the review is favourable; that would be the right thing for (and by) Heehs, for Sri Aurobindo, and for India.

Ramachandra Guha is the author of India After Gandhi: The History of The World’s Largest Democracy. The views expressed by the author are personal.

Heehs Expelled? Letters of Protest to Prime Minister Manmohan Singh/Home Minister Chidambaram from Prominent Historians

P Chidambaram gets appeal from Heeh’s Suporters
Don’t expel US historian, govt told

Gautam Chikermane, Hindustan Times

After spending 41 years in India as part of a team that digitised and archived the works of freedom fighter and spiritual leader Sri Aurobindo, American historian Peter Heehs has been abruptly told by the Regional Registration Office at Puducherry that his visa will not be extended anymore.

The ostensible reason for the non-extension of Heehs’s visa, according to sources, is his ninth book, ‘The Lives of Sri Aurobindo’. For years, a handful of religious fundamentalists have been harassing Heehs over his treatment of Sri Aurobindo’s relationship with his spiritual collaborator, Mirra Richard, better known as The Mother.

“Should I have to leave India, I am confident that I will be back shortly,” Heehs, an inmate of the Sri Aurobindo Ashram, said.

Proponents of democratic values and free speech raised their concerns over the issue. “Factional disagreements in Mr Heehs’ hometown should not receive the implicit support of the Indian state,” a March 30 letter to Prime Minister Manmohan Singh and home minister P Chidambaram from prominent historians, including Romilla Thapar and Ramachandra Guha, said. “It would be greatly to the detriment of our country to be seen as having driven out an internationally recognised scholar…”

In their letter, the historians quoted a March 29 letter by minister of rural development Jairam Ramesh to Chidambaram. “I am very well aware that his book has angered some people in Puducherry,” Ramesh’s letter states. “But are we not a democracy where different points of view can be expressed?”

Based on select excerpts of the book presented by a small group of religious fundamentalists – and without actually reading it – a February 13, 2009 report of the Orissa government’s IG Police Intelligence said it “appears to be blasphemous”.

Two months later, Orissa banned the book on that basis.

Sri Aurobindo was not a religious personality, and his teachings did not amount to being a religion – this was a fact underlined by the Supreme Court in its November 8, 1982 judgment. However, if Heehs’s visa is not extended, the book will have to fight for its life in the Orissa high court – without its author.

Cancellation of US historian Peter Heehs’s visa to be reviewed: P Chidambaram

 
NEW DELHI: Home Minister P Chidambaram will review the decision on cancellation of the visa of a US historian Peter Heehs, living in Puducherry, and will take a decision on it by Monday.Heehs was asked to leave the country after he had spent nearly four decades while working on a project of digitisation and archival of works of freedom fighter and spiritual leader Sri Aurobindo.

“This (decision to cancel the visa) was noticed by me this morning and I understand that the FRRO Puducherry passed the order. I have asked for a suo motu review and am told that the file would be submitted to me on Monday and I will take a decision on Monday,” Chidambaram told reporters after presenting the monthly report of his ministry.

The American historian, who is an inmate of Sri Aurobindo Ashram, was told by the Regional Registration Office at Puducherry that his visa will not be extended.

Some historians had protested against the move of cancelling his visa and had also petitioned Prime Minister Manmohan Singh and Chidambaram for reconsideration of decision.

Adrienne Rich (May 16, 1929 – March 27, 2012)

Adrienne Rich

by

Deborah Pope

from U. of Illinois

There is no writer of comparable influence and achievement in so many areas of the contemporary women’s movement as the poet and theorist Adrienne Rich. Over the years, hers has become one of the most eloquent, provocative voices on the politics of sexuality, race, language, power, and women’s culture. There is scarcely an anthology of feminist writings that does not contain her work or specifically engage her ideas, a women’s studies course that does not read her essays, or a poetry collection that does not include her work or that of the next generation of poets steeped in her example. In nineteen volumes of poetry, three collections of essays–On Lies, Secrets and Silence (1979), Blood, Bread and Poetry (1986), and What Is Found There: Notebooks on Poetry and Politics (1993)–the ground-breaking study of motherhood, Of Woman Born: Motherhood as Experience and Institution (1976), the editing of influential lesbian-feminist journals, and a lifetime of activism and visibility, the work of Adrienne Rich has persistently resonated at the heart of contemporary feminism and its resistance to racism, militarism, homophobia, and anti-Semitism.

Rich was born 16 May 1929 in Baltimore, Maryland, the elder of two daughters of Arnold Rich, a doctor and pathology professor at Johns Hopkins University, and Helen Jones Rich, a gifted pianist and composer who had given up a possible professional musical career to raise a family. In her long autobiographical poem “Sources” (1983) and the essay “Split at the Root” (Blood, Bread and Poetry), Rich recalls her growing-up years as overtly dominated by the intellectual presence and demands of her father, while covertly marked by the submerged tensions and silences arising from the conflicts between the religious and cultural heritage of her father’s Jewish background and her mother’s southern Protestantism. Her relationship with her father was one of strong identification and desire for approval, yet it was adversarial in many ways. Under his tutelage Rich first began to write poetry, conforming to his standards well past her early successes and publications.

In 1951, Rich graduated from Radcliffe, and also won the prestigious Yale Younger Poets Prize for her first book, A Change of World. W. H. Auden, the judge of the award, wrote a preface for the book that acquired eventual notoriety for its classic tones of male condescension and paternalism to female artists. Yet, the preface accurately describes Rich’s elegant technique, chiseled formalism, and restrained emotional content. Rich’s early poems clearly announced in theme and style their debt to Frost, Yeats, Stevens, and Auden himself, and received their high acclaim on the basis of that fidelity.

In 1953, Rich married Alfred Conrad, a Harvard economist, and moved to Cambridge, Massachusetts, where she bore three sons in the next five years. As her journal entries from these years reveal, this was an emotionally and artistically difficult period; she was struggling with conflicts over the prescribed roles of womanhood versus those of artistry, over tensions between sexual and creative roles, love, and anger. Yet, in the late fifties and early sixties, these were issues she could not easily name to herself; indeed, they were feelings for which she felt guilty, even “monstrous,” and for which there was as yet no wider cultural recognition, much less insight or analysis.

Rich’s third book Snapshots of a Daughter-in-Law (1963), which was eight years in the writing, stands as a watershed in her poetic development. For the first time, in language freer and more intimate and contextual, she situates her materials and emotions against themes of language, boundaries, resistance, escape, and moments of life-altering choice. As the poem “The Roofwalker” states, “A life I didn’t choose/chose me,” while “Prospective Immigrants Please Note” rhetorically asserts that the safety of enclosures and illusions must be abandoned for the claims of a risky but liberating reality.

The critical reaction to Snapshots was negative, with objections to its bitter tone and the shift away from her hallmarks of formalism and emotional control. Tellingly, feeling she had “flunked,” Rich wrote Necessities of Life (1966) with a focus on death as the sign of how occluded and erased she felt when her own sense of coming into her rightful subject matter and voice was denied. Necessities, personally and poetically, was less a retreat than a pause. Coinciding with her personal and poetic evolution was the tremendous force of the historical moment. Rich’s earlier, inchoate feelings of personal conflict, sexual alienation, and cultural oppression were finding increasing articulation in the larger social/political currents gathering force throughout the sixties, from the civil rights movements to the antiwar movement, to the emergent women’s movement.

Rich moved to New York in 1966, when her husband took a teaching position at City College. She taught in the SEEK program, a remedial English program for poor, black, and third world students entering college, which was raising highly political questions about the collision of cultural codes of expression and the relation of language to power, issues that have consistently been addressed in Rich’s work. She was also strongly impressed during this time by the work of James Baldwin and Simone de Beauvoir. Though Rich and her husband were both involved in movements for social justice, it was to the women’s movement that Rich gave her strongest allegiance. In its investigation of sexual politics, its linkage, as Rich phrased it, of “Vietnam and the lovers’ bed,” she located her grounding for issues of language, sexuality, oppression, and power that infused all the movements for liberation from a male-dominated world.

Rich’s poetry has clearly recorded, imagined, and forecast her personal and political journeys with searing power. In 1956, she began dating her poems to underscore their existence within a context, and to argue against the idea that poetry existed separately from the poet’s life. Stylistically, she began to draw on contemporary rhythms and images, especially those derived from the cinematic techniques of jump cuts and collage. Leaflets (1969), The Will to Change (1971), and Diving into the Wreck (1973) demonstrate a progressive coming to power as Rich contends against the desolation patriarchy enacts on literal and psychic landscape. Intimately connected with this struggle for empowerment and action is the deepening of her determination “to write directly and overtly as a woman, out of a woman’s body and experience.” In the poem “Tear Gas,” she asserts “The will to change begins in the body not in the mind/My politics is in my body.” Yet this tactic has not led Rich to a poetry that is in a way confessional. Rich’s voice is most characteristically the voice of witness, oracle, or mythologizer, the seer with the burden of “verbal privilege” and the weight of moral imagination, who speaks for the speechless, records for the forgotten, invents anew at the site of erasure of women’s lives.

With each subsequent volume–Twenty-One Love Poems (1976), A Wild Patience Has Taken Me This Far (1981), The Fact of a Doorframe: Poems Selected and New (1984), Your Native Land, Your Life (1986), Time’s Power (1989), and most recently An Atlas of the Difficult World (1991)–Rich has confirmed and radicalized her fusion of political commitment and poetic vision. In her urging women to “revision” and to be “disloyal,” she has engaged ever-wider experiences of women across cultures, history, and ethnicity, addressing themes of verbal privilege, mate violence, and lesbian identity.

Over the years, Rich has taught at Swarthmore, Columbia, Brandeis, Rutgers, Cornell, San Jose State and Stanford University. Since 1976, she has lived with the writer and editor Michelle Cliff. She is active in movements for gay and lesbian rights, reproductive freedom, and for the progressive Jewish movement New Jewish Agenda. In 1981, she received the Fund for Human Dignity Award of the National Gay Task Force. Her poetry has been honored with the National Book Award in 1974 for Diving into the Wreck (which she accepted jointly with Alice Walker and Audre Lorde in the name of all women who are silenced), two Guggenheim Fellowships, the first Ruth Lilly Poetry Prize, the Brandeis Creative Arts Medal, the Common Wealth Award, the William Whitehead Award for Lifetime Achievement, and the National Poetry Association Award for Distinguished Service to the Art of Poetry.

From The Oxford Companion to Women’s Writing in the United States. Copyright © 1995 by Oxford University Press.

 

 

Tonight No Poetry Will Serve
by Adrienne Rich
Saw you walking barefoot
taking a long look
at the new moon's eyelid

later spread
sleep-fallen, naked in your dark hair
asleep but not oblivious
of the unslept unsleeping
elsewhere

Tonight I think
no poetry
will serve

Syntax of rendition:

verb pilots the plane
adverb modifies action

verb force-feeds noun
submerges the subject
noun is choking
verb    disgraced    goes on doing

now diagram the sentence

2007

Planetarium

By  Adrienne Rich

Thinking of Caroline Herschel (1750—1848)
astronomer, sister of William; and others.

A woman in the shape of a monster
a monster in the shape of a woman
the skies are full of them
a woman      ‘in the snow
among the Clocks and instruments
or measuring the ground with poles’
in her 98 years to discover
8 comets
she whom the moon ruled
like us
levitating into the night sky
riding the polished lenses
Galaxies of women, there
doing penance for impetuousness
ribs chilled
in those spaces    of the mind
An eye,
          ‘virile, precise and absolutely certain’
          from the mad webs of Uranusborg
                                                            encountering the NOVA
every impulse of light exploding
from the core
as life flies out of us
             Tycho whispering at last
             ‘Let me not seem to have lived in vain’
What we see, we see
and seeing is changing
the light that shrivels a mountain
and leaves a man alive
Heartbeat of the pulsar
heart sweating through my body
The radio impulse
pouring in from Taurus
         I am bombarded yet         I stand
I have been standing all my life in the
direct path of a battery of signals
the most accurately transmitted most
untranslatable language in the universe
I am a galactic cloud so deep      so invo-
luted that a light wave could take 15
years to travel through me       And has
taken      I am an instrument in the shape
of a woman trying to translate pulsations
into images    for the relief of the body
and the reconstruction of the mind.

Manual DeLanda, Philosophy and Simulation, the Emergence of Synthetic Reason

from: Computational Culture

…….

The Plane of Obscurity — Simulation and Philosophy

Review of, Manual DeLanda, Philosophy and Simulation, the emergence of synthetic reason
London, Continuum, 2011
ISBN 1441170286
240 Pages

 

Manual DeLanda has been best known as a significant figure in the introduction of the works of Gilles Deleuze to the English speaking world with numerous examples of scientific phenomenon. Such an approach presents Deleuze as a scientifically informed philosopher who also used science and technology as a pivot to carry out a revolution within the field of French philosophy, as well as extending the philosophy of Deleuze to a broader range of areas that exceed Deleuze’s own endeavours. Four years after the publication of A New Philosophy of Society, Manual DeLanda has returned with a new title, Philosophy and Simulation—The emergence of synthetic reason, in which the name Gilles Deleuze only appears in the bibliography of the appendix. Shall we expect a new philosophy on the way, one not shadowed by the name Deleuze? A name nevertheless adds power to the history of philosophy, in Deleuze’s own words, the name of the father.

In search of synthetic reason

In this new title, DeLanda proposes a philosophy of emergence by defending what he calls synthetic reason, one that cannot be reduced to deduction and its principles, one that exceeds both the linear, simple mechanisms and the logical operation of the human brain, one that can better be thought by computation and mathematical models. The book, in its modest words, according to DeLanda, is to study the various mechanisms of emergence and its ontological status through computer simulations. Yet the ‘and’ in the title also gives an ambiguous position to ‘simulation’ in a philosophical text such as this. The book consists of eleven chapters on different phenomenon of emergence including chemistry, genetic algorithms, neural networks, economies, language, society, accompanied with examples of computer simulation. It finishes with an appendix to associate this ambitious work with what he has developed elsewhere: the theory of assemblage. The philosophical goal is to unfold an “emergent materialist world view that finally does justice to the creative powers of matter and energy”, but, interestingly, through computer simulations.

The first question that must be justified is what is the relation between emergence and simulation? That question is immediately followed with another one: what is the position of philosophy in such an assemblage? DeLanda recognizes that simulation cannot be fully responsible for ensuring the legitimacy of the concept of emergence; in fact, simulation is always a reproduction of an epistemological understanding. Simulation for DeLanda is a tool that opens up a philosophy that can be visualized and imagined through the topological figures and the constant reconfiguration of data within the simulated environment. Simulation demonstrates and confirms DeLanda’s early writings on the creative force of matter, which formed what one might call a scientifically informed transcendental empiricism. In this respect, DeLanda remains loyal to his Deleuzian method of philosophy, as stated in Qu’est que la Philosophie by Deleuze and Guattari: ‘Philosophy is a constructivism, and the construction has two complementary aspects that are different in nature: to create the concepts and to trace a plane”[1].  Philosophers establish a plane according to their contemporary situation and project the image of thought to the diagrammatic infinity. In this book, DeLanda creates the concepts of synthetic reasons and further develops that of the abstract structure of the assemblage, it also seems to me that he was trying to extend a plane that goes beyond the previous conception of transcendental empiricism, but this yet remains obscure in this ambitious work.

To elaborate this ambiguity, I propose here to see two conceptions of transcendental empiricism. The first conception is what DeLanda emphasized many times in the book, the distinction between the subjective and the objective, the sensual and the actual, the function and the limitations. To illustrate with an example proposed by DeLanda himself, in its early explanation, the contraction of the stomach was considered to be part of the mechanism by which hunger motivates food seeking behaviour. In an experiment to test this hypothesis, despite the stomach of a rat being removed, food seeking behaviour did not cease. DeLanda hence proposes that this corresponds to a ‘subjective gradient that can be dissipated by habituation’, there is an ‘objective gradient, a concentration of excitation substances in the neural substrate’[2]. In the case of the rat, the objective gradient is for example the concentrations of glucose in its blood stream. These objective gradients, which possess different limits and thresholds, also present the singularities that are ‘by default’. These singularities are not limited to the biological, but also occur in chemical reactions, neural networks, etc; for example the discrete energy levels of an electron, the energy for activating the attractors within neural networks, the formation of rocks through different stratifications, etc. The field of transcendence that are presented by the singularities that governs the thresholds in these cases, composes ‘the structure of the space of possibilities’ for the phenomenon of emergence. Such ‘universal singularities’ create a field of transcendence that governs the ontological structure and the general expression of matter, for example the specific combination of molecules (H2O) and ions(CaCl2) give rise to particular properties. Yet the transcendental field doesn’t account for the freedom of the empirical field, the empirical and the transcendental are always already situated on the same plane, that allows the emergence of the expressions which exceeds the transcendental structure, hence every crystal has its own expression, that is to say each of them is singular, as is every cat.

Computer simulations of emergence operate exactly under this principle. In order to run a simulation of cellular automata, one must specify the conditions, the functions, the number of parameters, etc. (This also poses secondary conditions to emergence, that is to say every simulation is always already a limitation of perception under the condition that it can be expressed by computers). Emergences, seen as the repetition of patterns which are determined by such singularities, are in fact recursive functions[3]. To give a quick definition of recursion, it is when a function calls itself until certain thresholds are reached or an external force modifies the current conditions. Computer software in this sense, is the best demonstration of a transcendental empiricism in the Deleuzian sense. But here we must take one step further, if emergence follows a computational and mathematical model, then how can one still account for the discrepancy, and moreover, the artefacts of simulation themselves. It seems to me that DeLanda has literally succeeded in bringing different emergent phenomenon together through the lens of simulations, but that the potential of the project doesn’t yet seem to be well developed, as if the plane is not yet extended and remains to be discovered. However it is also the obscurity of the plane itself, that demands the attentions of the next generation philosophers to address computational culture, or more precisely, computational objects themselves.

We have to approach this from the second sense of transcendental empiricism.  It is imposed not only by the transcendental singularities, but also artificial singularities, that is, the simulations themselves. What are these apparatus that allow us to peep into the process of emergence (another structure of the space of possibilities)? What are their effects on the perception of emergence themselves? In fact, computer simulations must be further generalized within the broader set of computational objects and repositioned here. In other words, one must recognize that computer simulations are not only used in laboratories that try to visualize and aid control over experiments, but are also present more and more in video games, or in data visualizations, of, for example, the simulation of the growth of social networks, the increase in complexity between Twitter status updates, etc. Such simulations present themselves not only as mechanisms of control, or spectacles, but also become functions that are integrated into everyday life existing in the form of a visualized knowledge.

The word ‘simulation’ that follows after ‘philosophy and’ seems to entail DeLanda’s strategy as well as his ignorance: on one hand simulation becomes a synonym of such a philosophy; on the other hand simulation hasn’t really been addressed. I was impressed that in this book, DeLanda becomes a scientist rather than a philosopher. Or if necessary, a philosopher who seems to ignore the effects of these objects of simulations, and the synthetic reason becomes a force that appears to be purely technical. By saying this, one doesn’t need to go back to the thesis of Jean Baudrillard and consider society as pure simulation, but rather one can trace the plane by integrating these technical objects into it, in a manner related to what has been done by Gilbert Simondon and the Simondon-inspired Deleuze. If we can justify what has been called synthetic reason here, it stands in an obscure position that seems to be under-addressed in the discipline of philosophy. Synthetic reasons are not purely theoretical, that is to say they are not simply hypotheses that can easily be accused of being mysterious entities such as ‘life force’ and ‘élan vital’, as with the previous generation philosophers of emergence[4]; on the other hand, they are not actual since what is simulated is only an isomorphism but not  reality itself. What accounts for the reality brought forth by the simulations and what are the relations between the principles of simulations and the transformations imposed? That is to consider a plane on which the simulations themselves become attractors and create a new topography which is not reflected on the screen. What remains at stake, as unquestioned, in DeLanda’s work, is not the ontological status of emergence, but rather that of the computer simulations.

Reality and Simulation

DeLanda, in my view, did a brilliant job in opening up the philosophical investigation concerning simulation by illustrating with different examples in different scientific disciplines. He rightly points out the significance of computer simulation and its importance in contemporary culture, and it seems to me he is trying to integrate these images on the screens into his thought image, but, at least in this book, simulation is rendered solely as the justification of the hypothesis of the synthetic processes. When DeLanda is addressing the computational process of simulation, he still speaks within the field of computing, without reinserting simulation back into reality, that is to say to extend the plane of consistency.

Computational simulations have been often seen as tools, imitations, since their birth, while their transforming power imposed on reality is often overlooked. The discrepancy between the real and the hypothesis also poses a question between truth and untruth. In AI, the simulation of human language, of robotic movement had been criticized as ‘untrue’, for example, as we can see in work by Hubert Dreyfus, such as, What Computers Can’t do? and further in, What Computers Still Can’t Do, in which he considers that simulations based on formal rules follow a mistaken method towards understanding humans and nature. For example, Dreyfus mocked Herbert Simon’s 1957 prediction that AI would win the world chess championship in 10 years time[5]. In this case, the simulation that corresponds to Simon’s prediction was not realized until 1997, when the IBM chess computer Deep Blue beat the world champion Garry Kasparov. The 30 years delay confirms neither the truth nor untruth of this statement, but already constitutes a world which demands a new plane. A genuine philosophical thought is one that integrates the oppositions into a plane of consistency.

On one hand, the reinsertion of computational objects and their synthetic concepts into the plane of consistency is apparently lacking in this book. On the other, philosophy, through simulation, is constructing a new reality that eliminates the gap between simulation and emergence. This is exemplified by the chapter on multi-agent systems and language. In fact, this discussion seems to be one of the strangest of the book. DeLanda proposes to understand the formalization of language through a simulation process of grammatification. Grammatification according to DeLanda is a process “that can break down a set of monolithic sentences into recursively, recombinable components[6]”. For example, how by breaking a sentence like ‘FullMoonCauseLowTide’ into smaller component like Cause (FullMoon, LowTide), and finally a context free logical form Cause(x, y). Here DeLanda seems to concur with what has been discussed in computational linguistics and the formal logic of language. On top of that, DeLanda proposes his own model to understand such process in terms of what he calls biological evolution and cultural evolution. The formal is the passing down of genetic capacity to detect the patterns of word occurrence; the latter transforms ‘customary patterns into obligatory constraints on word-choice behaviour[7]’.  Within such a simulation of the emergence of ‘primitive language’, one encounters again an approximation of the last century’s anthropological research, which takes symbolic logic over other forms of logic, although this time it appears on the computer screen.

What do these simulations tell us if they are not already within the unexamined limit of the computational machines? This way to look at the emergence of primitive languages seems to fundamentally ignore all other technical apparatus involved in the simulation and re-establish logical form as the ultimate pursuit of language. Or, in fact, is this a limitation of simulation itself? Does there exist an emergence phenomenon that cannot be simulated by a Turing machine? For example, when this emergence process involves a non-stop looping or recursion? The equivalence between philosophy and simulation seems to be quite clear here, especially the invisible attempt to axiomatize both nature and culture. But is a philosophy as such simply one that imposes an ‘ontological structure’ through some visual impressions and logical operations? In other words, isn’t such work merely reinforcing epistemological understanding as well as transforming it into an ontological one?

By the end of the book, DeLanda goes back to the theory of assemblage and sketches the relations between the discourse on emergence and simulation. In this part, DeLanda puts simulation aside, and fits the image projected through the lens of simulation into the theory of assemblage as it concerns singularities, codings and identities. Every phonemenon of emergence can be explained, or at least thought through, by an assemblage accompanied with internal dynamics of reterritorialization and deterritorialization. The metaphysical understanding of materiality as a topological graph compounded of both a transcendental and empirical field is plausible, it restores a vitalism to matter: including both a dead cat and an electron, but it nevertheless remains an older project, one that DeLanda already outlined in his previous works, such as Intensive Science and Virtual Philosophy.

Where are the computational objects of simulations? In the last two pages, DeLanda attempts to philosophize a Turing machine, that is ‘the assemblage made out of operators and data’[8], but this remains too general if not already a form of common sense. After all, the numerous examples seem unable to express the philosophical ambitions well. DeLanda may already point to the plane which is brought about by simulations and visualizations. They finally lead to the reconfiguration of the topological figure of transcendental empiricism. But in this book, it remains obscure, and in certain sense it discloses the crisis of a metaphysics that always overlooks its apparatus of seeing, like a short-sighted man always forgets the fact that he is looking the world through his glasses.

 

References:

De Landa, Manuel, A New Philosophy of Society : assemblage theory and social complexity, London : Continuum, 2006

De Landa, Manuel, Intensive Science and Virtual Philosophy, London : Continuum, 2004

Deleuze, Gilles & Guattari, Félix, Qu’est-ce que la Philosophie?, Paris: Les Édition de Minuit, 2005

Dreyfus, Herbert, What Computers Still Can’t Do : a critique of artificial reason, Cambridge, Mass. : MIT, c1992

Wolfram, Stephen, Cellular Automata as Simple Self-Organizing Systems, 1982, http://www.stephenwolfram.com/publications/articles/ca/82-cellular/

 

Bio:

Yuk Hui, recently obtained his PhD from the Centre for Cultural Studies, Goldsmiths, University of London with a thesis titled “On the Existence of Digital Objects. He is trained in computer science, philosophy and cultural theory, and was a researcher in the Metadata Project funded by the Leverhulme Trust.

 


[1] Gilles Deleuze and Felix Guattari, Qu’est ce que la philosophie, 38

[2] DeLanda, Philosophy and Simulation, 100

[3] Stephen Wolfram, Cellular Automata as Simple Self-Organizing Systems, 1982, http://www.stephenwolfram.com/publications/articles/ca/82-cellular/

[4] Philosophy and Simulation, 2

[5] Hubert Dreyfus, What Computers Can’t Do: A Critique of Artificial Reason (New York: Harper & Row,1979), 69

[6] Philosophy and Simulation, 154

[7] Philosophy and Simulation, 162

[8] Philosophy and Simulation, 201