Writing the Self Diaries, Memoirs, and the History of the Self: A new book by Peter Heehs

Peter Heehs

Peter Heehs

Writing the Self: Memoirs, and the History of the Self

9781441128157

http://www.bloomsbury.com/us/writing-the-self-9781441168283/

 

The self has a history. In the West, the idea of the soul entered Christianity with the Church Fathers, notably Augustine. During the Renaissance the idea of the individual attained preeminence, as in the works of Montaigne. In the seventeenth century, philosophers such as Descartes formulated notions of selfhood that did not require a divine foundation; in the next century, Hume grew skeptical of the self’s very existence. Ideas of the self have changed markedly since the Romantic period and most scholars today regard it as at best a mental construct.

First-person genres such as diaries and memoirs have provided an outlet for self-expression. Protestant diaries replaced the Catholic confessional, but secular diaries such as Pepys’s may reveal yet more about the self. After Richardson, novels competed with diaries and memoirs as vehicles of self-expression, though memoirs survived and continue to thrive, while the diary has found a new incarnation in the personal blog.

Writing the Self narrates the intertwined histories of the self and of self-expression through first-person literature.

Table Of Contents

1. The Self and History
2. The Soul from Animism to Monotheism [prehistory to medieval period]
3. Exercising the Soul and Mind [14C-16C] /
4. Self-Examination [late 16C-17C]
5. Reasons of the Mind and Heart [mid 17C-early 18C]
6. The Soul Dethroned [18C]
7. Rousseau and Romanticism [mid 18C-early 19C]
8. Revolution and Reaction [19C France] /
9. Idealism and Irrationalism [19C Germany etc.]
10. The Individual and the Crowd [19C USA]
11. Doubting the Soul and Discovering of the Body [mid-late 19C]
12. Evolution and Affirmation [late 19C-early 20C]
13. The Search for Authenticity [mid 20C]
14. The Death of the Subject [late 20C]
15. The Self is Dead, Long Live the Self [1985-2010] /
Bibliography / Index 

Reviews

“What is the self? Do we exist? Aurobindo’s biographer embarks on a highly ambitious history of ideas of the self, embracing Asian and Islamic attitudes, but focussing on Europe and America, all the way through to the World Wide Web. Drawing on diaries and memoirs, poetry and novels, Heehs conjures up vivid portraits of all the leading contributors to this debate. It becomes an intellectual history of modern times. Essential reading for all those planning their autobiographies.” – Antony Copley, Honorary Reader, the School of History, University of Kent, UK,

A.I., Angels, & Mass Extinctions: A Conversation With William Irwin Thompson

 

A Conversation with William Irwin Thompson

by Michael Garfield Link to Blog

William Irwin Thompson is a poet, philosopher, cultural historian, former MIT professor, and founder of the Lindisfarne Association – a transdisciplinary think-tank that has significantly shaped our understanding of the emerging planetary civilization.

We met over Skype in December 2011 to discuss a richer and more organic view of our species’ next great transformation:

MG:  I’m interviewing you for Hybrid Reality in part because of the dominance of the whole ‘Rapture of the Nerds’ meme in the transhumanism community.  I am trying to provide another perspective, because they are really interested in having a bouquet of voices – and I am of the mind that we missed the Singularity.  That for all substantive purposes it already happened, and is always-already happening.

WIT: Who came up with that phrase, “Rapture of the Nerds?”

MG:  I don’t know!

WIT: Kevin Kelly used it in [Transcendent Man,] the movie about [Ray] Kurzweil– it was actually pretty good. It made me more sympathetic with Kurzweil as a mensch, whereas just reading him he just seems like a complete, you know, MIT techno-droid.

MG: It raises that whole issue of his work being motivated by the death of his father – that really puts it into the larger historical context, the continuity of all of us attempting, for the same emotional reasons, the same transcendence through new means.

WIT: This isn’t just a technological metaphor, though. When he gets down to end of “moving beyond” and the misplaced concreteness of downloading the soul into a computer, which is utter nonsense, and he starts talking about becoming transcendent beings of space and time…it’s like the twirling topological figures in Arthur C Clarke’s 2001. Remember in the movie when the astronaut is out there with the first stargate and these beings come on a horizon and they are rotating crystals of complexity? And in Arthur C. Clarke’s novel, on which the film is based, he is very clear that these are beings who have evolved beyond bodies, and are structures of music and mathematics – which used to be called celestial intelligences in neo-platonism, or angels. So this is just science fiction re-clothing cosmological concepts that have been with us for a long time.  Persianangelology.  I take a lot of this stuff with a grain of salt.  A lot of it’s hype.

MG: One of the things that I like about your writing is your talk of sympathetic resonance and entrainment between human beings in these larger musical and mathematical angelic structures.  That really hit it for me, and that is what I am getting at with this whole “We Missed The Singularity” thing. It seems that we are already embedded in these larger patterns that in some sense display their own agency and intelligence. And that what we are going through right now is not best described or characterized as us creating these structures as it is us becoming aware of them.

WIT: The short answer to all of this is, yes. The Singularity is brought forth by your horizon of perceptions. It’s like when you look at the horizon and you walk toward it:  the horizon moves because the horizon is not a place – it’s a relationship between your perceptual structural system and your location. And so there is always a Singularity, and there are these historical moments of shared singularities – like the hominization of the primates, or agriculturalization, or the shift from print to electronics – these kind of shared media of communication that [Marshall] McLuhan and others looked at.

But to reify it and give it a date the way Kurzweil did – that in 2050 it will all be over for biology – is very much a mistake.  Very much like the mistake that Edgar Cayce made in trying to make predictions out of prophecy. Prophecy is a function of the imagination in exploring the implications of the present and rendering those implications into the metaphor of the future.  So when you give a date to it, as he did, the prophets are generally wrong.  You know, California is still there it hasn’t dropped into the sea; New York was supposed to be destroyed by earthquakes in the 90’s; Atlantis was supposed to rise in the Bahamas and, none of that has happened.  Submarines claim that there are sunken temples off of Cuba, but you know, they are sunken – they haven’t come up out of the water the way the Edward Cayce said. And if they are indeed temples and not just basaltic natural configurations.

So what goes on with prophecy – and I am including Kurzweil in this, Edgar Cayce and Kurzweil are isomorphic, they are in totally different cognitive domains and traditions – one is evangelical fundamentalism from Kentucky, the other is high tech science fiction mysticism from MIT – but prophecy is really perceiving the quantum potential states, and there are all these multiple futures that are possible in quantum potential states.  And when you move into the present they collapse into a classical, possible, Newtonian physical system.  A casual chain.  You know, in 1975 I had a vision of New York underwater, where water was up to the sixth floor; and then in Albert Gore’s film on Global Warming he started talking about what the flooding of all the coastlines in the world mean for London and New York and all the rest of it.  But I wasn’t seeing the actual future of New York, I was seeing the quantum potential states of Global Warming.  Prophets generally, because they are sensitive to an imaginative mode of hyperdimensional perception, when they collapse down into three dimensional space-time they tend to suffer from what Whitehead called misplaced concreteness, and they get it wrong.  And they start making predictions, and the predictions are always wrong. So I try to avoid that mistake.

MG: In one of your posts in Wild River Reviewyou were talking about the recently late Lynn Margulis, the woman who pioneered this notion of endosymbiosis:  that evolutionary transformations – transitions in individuality – proceed through including prior structures into these newer, more complex structures. And you said that according to this kind of Age of Spiritual Machinesway of thinking, by 2030, “We humans will become the house pets or potted plants of these machines, or if we are lucky like the tiny mitochondria that move around inside the eukaryotic cell and are able to keep some of their ancient DNA. Expect to see an art that crosses genes, DNA spirals, music, and vibration into some new form of installation.”  So you are looking at this as a resurrection of human sacrifice, because we are now taking the human body and human culture as an art object and playing with it.

WIT: Well those are two different streams going on. The human sacrifice is the sensitivity of some people to the transformation – one could call it Singularity, or transformation.  “Transformation” gives us more flexible time; “Singularity” tends to collapse it into an event, which I think is a dimensional failure of topological imagination.  These people feel like they are evolutionary waste; they do not feel a joyous riding of the evolutionary wave; they feel like they are being drowned by a tsunami.  Their behavior I think is kind of pathological, and I would not be part of that group – I think they see themselves as evolutionary victims – and I just don’t go there, because I just don’t think it’s a healthy place to hang out.

And then all the other groups are quite different, and range from Kurzweil, to New Age, to fundamentalist Rapture (the literal Christian one), to the messianism of Shia – you know, the hidden Imam coming forth, the 12th Imam that is equally messianic-looking – to a meta-event that is going to intersect with historical time.

MG: So what do you see as a healthy response to this accelerating sense of future shock, and this recognition that the world that we were brought up to care about is seemingly – or at least is being sold to us as – an evolutionary backwater?

WIT: Well I think I have, you know, in terms of performance art, embodied it in the Lindisfarne intellectual chamber music” of the last thirty years, because it includes living machines in which various ontological levels – from the bacteria, to the snails, to the plant level of water hyacinths – are used to create a kind of meta-industrial village that turns pollution into information and recycles it as an energy source.

So the relationship between John Todd’s invention of living machines, to Sim Van der Ryn’s green architecture and David Oar’s work in green architecture at Oberlin College in their Environmental Studies Program, to the poetics of it – conservatively – with Wendell Berry in an agricultural context, and even more conservatively into a pre-agricultural with Gary Snyder.   This was all based on Lynn Margulis and Jim Lovelock.  This is what Lindisfarne is all about.

So we are trying to create symbiotic human settlements in which the mineral realm, the bacterial realm, and the vegetative realm are all integrated into the design of new human communities that are not as destructive as the industrial nation state.  (This obviously has been the dissenting perspective in politics, because what we see now is just a very narrow range of democratic industrialism versus republican industrialism. And that is pretty much, as with the failure of Durban and Kyoto, going nowhere in terms of ecology.)

But I would extend it even beyond, to say beyond the symbiotic meta-industrial village – which is a term I used in an essay in Darkness and Scattered Light way back in the 70’s – I would expand it to the entelechy, mystically, to say that we need to kind of “culturally retrieve,” in McLuhan’s phrase, the sensitivity to the elemental realm.  That stones – I am fondling a touchstone here that is a beautiful piece of stone that comes from St Martin’s cave in Iona in the Hebrides – that stones are alive, and hear the music of spheres, and come from exploded supernovas.  They are seen in the [J.R.R.] Tolkien form as dwarves, as people who work in the mines and the underworld, and there are the elementals of air – the Tolkien elves – and then there are the celestial intelligence of music and mathematics, the angelic realm, and the shaman – the contemporary shaman – is sensitive and develops through some kind of yogic practice, whether it is Vedic yoga, or Buddhism – there are many different paths, not just one – sensitizes its subtle body so that each subtle body has a matching grant where a being of that realm becomes a partner.  This is like a mystical version of acquired genomes, if you have seen Lynn’s films or read her book. 

So when you are, for example, a martial artist like a samurai, classically you en-soul your sword.  Your sword is not just any old hunk of metal and it’s not a tool in the industrial mentality.  This is why in medieval literature the swords are named: the Sword of Charlemagne is called Joyeuse; the sword of Roland is called Durandal; the Sword of Arthur is called Excalibur.  These are instruments, like a musical instrument (since you are a musician), that the sensitive has ensouled, and created a relationship or a conversation with the entity inside the sword (or the staff – it can vary culture to culture).

But the interesting thing about retrieving this in technological society is:  I had a conversation with our Lindisfarne fellow Rusty Schweickartwho is an astronaut, who was first to float without an umbilical cord in space and look down on the Earth – he said that really top-flight, great jet pilots ensoul their jets.  And they can do things with a jet, Top Gun stuff that no other ordinary pilot can do – they are just extraordinary, in the way that a samurai would be an extraordinary swordsman.  So even at the level of complexity of an F-16, a martial artist who is sensitive to ensouling and bringing the whole complexity of electronics and metal and everything that goes to make it, and make it run with his imagination and his consciousness…they have this ability.   Those guys in London…what was their phrase for this kind of union of technology and consciousness?

MG: The “Hybrid Reality.”

WIT: Yeah.

 

Paleontologist turned poet-philosopher, Hybrid Reality researcher Michael Garfield’s multimedia maps of the evolutionary landscape and our place in it demonstrate that everything is equally art, science, and spiritual practice.  Follow him on twitter: @michaelgarfield

Postcolonial Hybridity and the ‘Terrors of Technology’ Argument Posted by Asha Achuthan

Vandana Shiva

Postcolonial Hybridity and the ‘Terrors of Technology’ Argument

Posted by Asha Achuthan
Asha Achuthan has been building towards an understanding of how the anti-technology arguments in India have been posed, in the nationalist and Marxist positions. She goes on, in this sixth post documenting her project, to look at the arguments put out by the postcolonial school, their appropriation of Marxist terminology, their stances against Marxism in responding to science and technology in general, and the implications of these arguments for other fields of inquiry.

Everywhere we remain unfree and chained to technology, whether we passionately affirm or deny it. (Heidegger, 1927)[1]

By the very nature of its instrumental-managerial orientation to Indian society, modern science has established a secure relationship with the philosophy and practice of development in India. Indian developmentalists are now faced with the obvious fact that the developmental vision cannot be universalised, for the earth just does not have the resources for the entire world to attain the consumption levels of the developed west. It does not have such resources now, nor will it have them in the distant future. The developmentalists, therefore, have a vested interest in linking up with the drive for theatrical science to create the illusion of spectacular development which, in essence, consists of occasional dramatic demonstrations of technological capacity based on a standard technology-transfer model. Under this model, highly visible short-term technological performance in small areas yields nation-wide political dividends. This model includes a clearly delimited space for ‘dissent’, too. While some questions are grudgingly allowed about the social consequences of technology – about modern agronomy, large dams, hydel projects, new dairy technology, modern health care systems, space flights, Antarctica expeditions, et cetera – no question can be raised about the nature of technology itself. (Nandy 1988: 9)

Science and technology have sustained various forms of systemic violence … [p]lanned obsolescence, with its de-skilling of communities, … [s]ocial triage, a rational framework for treating vulnerable communities as dispensable, … extinction, …[m]useumisation of tribals and other defeated and marginal groups who are unable to cope with modernity and development’, … the violence of development, including internal displacement, … the violence of the genocidal mentality, … [n]uclearism … [m]onoculture … [e]xclusion or enclosure … as central to the globalisation process … [i]atrogeny … in which the experts’ solution increases the endemic violence or suffering of a community … [and] the violence of pseudo-science, or antitechnological movements … (Visvanathan 2003: 170-2)

Grassroots movements in India have suggested the ideas of ‘cognitive justice’ and ‘cognitive representation.’ Cognitive justice … holds that knowledge, especially people’s knowledge or traditional knowledge, is a repertoire of skills and a cosmology that must be treated fairly in the new projects of technological development. Cognitive representation, which is a corollary, presupposes that in the act of science policy-making, the practitioners from various systems would be present to articulate their concepts, theories, and worldviews. Both concepts seek to pre-empt the liquidation of certain forms of local or marginal knowledge. (Visvanathan 2003: 165-6)

Modern science began as a powerful dissenting imagination, and it must return today to becoming an agent of plurality, of heretical dissent. (Visvanathan 2002: 50)

The philosophies of anti-development have largely turned on the metaphor of violence. The violence of technology, the violence of science, the violence of reason, the violence of the market. The starting premise of most of anti-development has been the correlation between the ideologies of these phenomena – science, reason, the market,[2] and their collective exclusion of experience. The question of science itself has been charted through the question of technology.[3] These connections have permeated western as well as nationalist and postcolonial critiques of mainstream development, with violence being seen as constitutive of scientific knowledge rather than simply an effect of scientific practice or policy. This position is, of course, built by challenging the premises of scientific knowledge as objective, value-neutral, verifiable, and unified. Visvanathan, Shiva, and others challenging these premises of scientific knowledge, suggest that an exclusionary violence is constitutive of such knowledge that activates a subject-object dichotomy[4] although its claims to objectivity are shown up to be false in its imperialising tendencies; further, that it works with a systematisation ‘wherein science becomes an organiser of other mentalities, [affecting] … the domains of work, education, sex, and even memory.’

Like Shiva, Visvanathan marks western science as dualistic, as imbued with a knowledge-power nexus, and as vivisectionist. Shiva makes a strong proposal for choosing pre-existing alternative knowledges as against reductionist modern science, which she defines through her identification of the ontological and epistemological assumptions of reductionism, traced to Descartes; Visvanathan, however, claims a reluctance to a simple return, looking, rather, for an ‘escape from the dualism of Luddism versus progress’ (2003: 172). He refers to the ‘chaos’, ‘play’, or uncertainty that science traditionally allows but that gets disallowed once it enters the text. For Visvanathan, the scientific self is one without shadows, cut off from the moral one, as well as from the playful, spiritual, anarchic self of its initial imagination. The scientific community is merely an ‘epistemologically efficacious’ one that has no internal filters to exercise ‘ethical restraint’, to confront the ‘perpetual obsolescence that science and markets impose on a community’ (2002: 43).

He asks, therefore, at a conceptual level, for a return to a more ambivalent, anarchic self, to play, to a place for grief,[5] to memories of change in a community; at the policy level, for a plurality and democratisation among skills and knowledge systems. Such a return to what Visvanathan names a sacred root, is a rescue from the present homelessness of modern science in its secular, proletarianised form – a condition where science is treated as apart from and above a culture instead of being embedded in it. On the other hand, ‘[m]odern science began as a powerful dissenting imagination, and it must return today to becoming an agent of plurality, of heretical dissent’ (2002: 50). Such ‘play’, such an anarchy of perspectives, such a form of democracy, embodied for him in ‘grassroots movements’ like the popular science movements of the 70s, where the citizen is seen as a ‘person of knowledge’, and where those ‘currently designated scientists’ become ‘prisoners of conscience’, is what could effect a response to what he calls the secularisation and proletarianisation of science. He charts a series of exercises that might make this possible – renunciation of science, cognitive indifference to it, a different cognitive justice being among them. ‘One wishes one had a Gandhi or a Loyola to construct … a book for science, with exercises which, while spiritual, are also deeply cognitive and political. I think in this lies the real answer to the Cartesian meditations or to Bacon’s Novum Organum’ (2002: 47).

While Shiva makes fairly straightforward substitutions between science and technology in her critique, citing the violence of one to indict the other, Visvanathan suggests, at various points, that technicity (2002: 41) – by which he refers to an attitude that treats the human as immortal, nature as resource, and technology as both instrument and nearly universal antidote – is the problem with a science that might otherwise have been better. ‘Everyday technologies’, on the other hand, being embedded in cultural requirements and practices, release science from expertise.

My purpose, in charting these positions, is partly about this peculiar connection, or substitution, between science and technology that most of the critiques stand on in pointing to the violence of mainstream development. The ‘will to power’ of technology in these positions seems, more often than not, an obverse of the ‘will to mastery’ over technology in its most instrumental sense, which is why the debates seem to hover endlessly over technology being beneficial, devastating, or a judicious mixture of the two. The pre-technological appears free of the instrumentality of technology; ‘everyday technologies’ seem to offer respite in the shape of an embeddedness in community; at the very least, they appear to possess the mythicity, the poiesis, that Visvanathan so wistfully regrets the absence of in modern science. And these two –everyday technologies and the pre-technological, in their common possession of such poiesis, such anarchy, seem organically tied and a natural vantage point for critique of the modern technological.

All these critiques, then, try to offer a release from the ‘instrumentality’ of technology, but by attaching themselves to a certain instrumental view of technology itself. An instrumental view might be, as Heidegger puts it, the correct view, the fundamental characteristic of technology; is it the true (essential) one? The correct view of technology – in other words, what technology is – for Heidegger, is the instrumental and anthropological view, namely, technology as a tool and means to an end, and technology as human activity.[6] To move from the correct to the true requires an understanding of instrumentality itself, and Heidegger takes up the task of this movement in trying to understand ‘man’’s relationship to technology. To understand instrumentality is to understand the early Greek sense of responsibility, a bringing forth. ‘The principal characteristic of being responsible is this starting something on its way into arrival’, i.e. an occasioning or an inducing to go forward. This is the essence of causality in Greek thought, and not a moral or agential sense, as populates these and other critiques.[7] This bringing forth is basically a revealing, demonstrates Heidegger, an entry into the realm of truth – aletheia. ‘Bringing-forth, indeed, gathers within itself the four modes of occasioning-causality and rules them throughout. Within its domain belong end and means, belongs instrumentality.’

What of the difference between the older sense of craft and modern technology? Can it be said that this sense of revealing, bringing into unconcealment, is true only of Greek thought, and can be applied at the most only to the ‘handicraftsman’? Heidegger holds that modern technology too is to be understood in its essence as a revealing, with the difference that in modern technology, the revealing becomes a challenging that perhaps converts nature into resource, a ‘setting-upon’ rather than a ‘bringing-forth’. ‘But the revealing never simply comes to an end. Neither does it run off into the indeterminate … [r]egulating and securing even become the chief characteristics of the challenging revealing.’ [17]

A turn to Heidegger, then, at least seems to imply that a simple description of technology as instrumental and therefore somehow morally evil cannot be the basis of critique. Whatever the difference between the pre-technological or the everyday on the one hand, and modern technology on the other, both the fundamental characteristics and the essence of technology remain the same; further, techné as a form of knowing is hardly, in its originary sense, reducible to the ‘machine’, defined in opposition to a romantic vision of ‘man’. Although both ecofeminist and postcolonial critiques have declared themselves apart from such a Luddite view, they fail, in their persistent definitions of technology, to sufficiently separate themselves from it.

This ‘man’-machine opposition also follows on the debate around a clear separation between the two. In the various engagements with technology, or rather with the machine, we see attempts to bring it around to terms of friendliness with ‘man’, or to humanise it, or to get it to mimic ‘humanness’. Artificial intelligence projects look for the anthropomorphic answer – look in the mirror – to understand intelligence, science fiction longs for the monster machine that can be made human. The critical debates on the AI project too, then, insist on some ‘extra’, some remainder, in human consciousness, that must escape computation – an ‘essence’ in Searle, the search for a likeness in Nagel, a methodological mystery for Chomsky and others. For more external critiques, questions of machine learning, representing ‘man’ adequately, or emotive capacity, take centre stage.

It is not too difficult to trace continuities between these positions and the postcolonial ones I have just delineated above, with the development that the frail ‘human’ rendered even frailer in subalternity now takes centre-stage; and it seems that in both, the sacred boundary between ‘man’ and ‘machine’ is at stake. Haraway, speaking from within the late-twentieth century scientific culture of the United States, refers to this now ‘leaky distinction … between animal-human (organism) and machine’ to suggest that ‘[p]re-cybernetic machines could be haunted; there was always the spectre of the ghost in the machine. This dualism structured the dialogue between materialism and idealism that was settled by a dialectical progeny, called spirit or history, according to taste. But basically machines were not self-moving, self-designing, autonomous. They could not achieve man’s dream, only mock it. They were not man, an author to himself, but only a caricature of that masculinist reproductive dream. To think they were otherwise was paranoid.

Now we are not so sure. Late twentieth-century machines have made thoroughly ambiguous the difference between natural and art)ficial, mind and body, self-developing and externally designed, and many other distinctions that used to apply to organisms and machines. Our machines are disturbingly lively, and we ourselves frighteningly inert’ (Haraway 1991: 152). The technological determinism that drives socialist feminist critiques of science and technology, then, and offers natural collectivities of women, or class, in their empirical connotations, as vantage points, is re-opened, so that destruction of ‘man’ by ‘machine’ no longer suffices as critique. Putting together Heidegger and Haraway, it is clear that it never did, and that boundaries are indeed the sites on which control strategies function, rather than the integrity of natural objects. With such a view, it is obvious that neither questions of vivisection nor of representation stand, with their reliance on wholeness and organicity.

Finally, following Sanil V., the history of technology is the history of culture. A critique of technology arising from culture, therefore, as the postcolonials seem to articulate, particularly, in their accessing of anterior difference, is hardly a useful, or sound, critique. It is, moreover, an instrumental critique, as caught in the thrall of technology as the mainstream itself, indeed more so. The necessity might be to recognise the impurity in the separation itself, rather than in, as again the hybridity framework seems to suggest, the negotiations with technology by culture.

To sum up this and the 2 preceding posts, therefore, I put down telegraphically the following steps. Predominant critiques of science in India that continue to have valence today have been voiced as critiques of technology. These have drawn partly on Gandhi’s critique of technology as instrument, and have articulated the empirical subaltern as seat of resistance to technology, retaining, in this move, the commitment to the ‘human’ of liberalism that they also purport to critique. Such a subaltern is also seen as having cultural continuities, in whatever inchoate fashion, with an anterior difference – an immutable past. When such a ‘subaltern-as-resistant’ is purported to offer crisis to western science, as the hybridity framework suggests, resistance is asked to carry the referent of revolution, without fulfilling the promise of inversion of the dialectic that revolution, to merit the name, must carry. I would suggest that, in such a case, resistance remains the Kuhnian anomaly, without succeeding in a convertion to crisis.

In the next set of posts, I will try to look at feminist arguments drawing from these and other positions.

 

[1] Martin Heidegger, ‘The Question Concerning Technology’, from Martin Heidegger: Basic Writings from ‘Being and Time’ (1927) to ‘The Task of Thinking’ (1964)’‘, Revised and expanded edition, edited, with general introduction and introductions to each selection by David Farrell Krell. Harper:San Francisco.

[2] ‘… both science and market are amnesiac communities, … hegemonic groups that force products, processes and communities into obsolescence. Both are seen as progress. But what is progress but a genocidal word for erasure, for forgetfulness’ (2002: 43).

[3] There are many sides to this debate between whether the scientific and technical traditions were two streams that, for most of recorded history, run apart from each other. For most of postcolonial practice, which wants to work against a simple version of the technological as applied science, a connection is sought to be made between the two that is, however, not explored or explained carefully, except when referring to the everyday technologies, where, paradoxically, the separation of the scientific and the technological is what is drawn on, to suggest the value of one over another.

[4] Vandana Shiva would make this case particularly with respect to nature, which, she says, is treated as passive in the western scientific knowledge binary of subject-object.

[5] ‘The tear may transform the scientific ‘eye/I’’ (2002: 46).

[6] ‘We ask the question concerning technology when we ask what it is. Everyone knows the two statements that answer our question. One says: Technology is a means to an end. The other says: Technology is a human activity. The two definitions of technology belong together.’

[7] ‘Today we are too easily inclined either to understand being responsible and being indebted moralistically as a lapse, or else to construe them in terms of effecting. In either case we bar to ourselves the way to the primal meaning of that which is latter called causality. So long as this way is not opened up to us we shall also fail to see what instrumentality, which is based on causality, actually is.’ [9]

Poiēsis and technē (praxis) in Foucault and Heidegger: Towards an Aesthetics of Free Being

Poiēsis and technē in Foucault and Heidegger: Towards an Aesthetics of Free Being

by Warwick Mules

School of English, Media Studies and Art History

University of Queensland

 From: Academia Edu

Paper presented to  “Tekhne, Technique, Technologie”: 17th Annual Conference of the Australian Society of French Studies, 15-17 July 2009, University of Queensland.

 

Introduction

In this paper I will develop a discussion around Foucault’s comments in his later essays on an “aesthetics of existence” and “free being.” I will relate these comments to Foucault’s writings on the “care of the self” as well as to Heidegger’s analysis of Dasein as a way of drawing out the ontological dimensions of Foucault’s comments as well as proposing possibilities for further thought on an aesthetics of indeterminate being that I believe is possible to discern in the general contours of Foucault’s work.

Foucault’s and Heidegger’s arguments are not about the autonomous self, but relate to a particular engagement with being which is fundamentally pre-subjective and pre-ethical. In both cases, I will argue, care of the self concerns a certain openness within the closure of modern technologically conditioned experience; an openness that is resolutely indeterminate. This openness is not something that exists outside technology; rather it is technology’s very possibility, but considered in terms other than those prescribed by technology itself.[1]  I will argue that access to this openness, which is, in effect, an indeterminacy of the self, should be the goal of critique as a praxis of self-discovery.

This praxis is not to be considered in terms of an individualistic ethics, but as an aesthetics of existence, in the sense of (i) a resistance to the already constituted modes of selfhood made available through technological practices, and (ii) an openness in being itself as a possibility or chance for the creation of new modes of being within the being-together of human existence. As I have already suggested, this possibility of new being needs to be grasped from within the technological environments that already exist and lay claim to us in specific ways, and not from some outside position. That is, we need to consider how we can redeploy technology against itself  in a creative way to make possible new modes of being.

 

I   Power

As everyone knows Foucault’s writings have been crucially informed by his thinking about power. For Foucault power is to be thought as an omnipresent force: “power is ‘always already there,’ … one is never ‘outside it’” (Power/Knowledge 141). For Foucault, power exceeds the relations that it makes possible as an immanent force: “power [is] the multiplicity of force relations immanent in the sphere in which they operate” (HS 1 92). Here we need to think of power as something more than the kinds of power that Foucault identifies as juridical power (the power of the law) and bio power (the power of technique). In juridical power, power is repressive: it enforces according to the rationality or logos of the law. In bio-power, power is productive: it produces through regimes and practices in the formation of social subjects: “techniques of power present at every level of the social body” (HS 1 141). In both these cases, power functions to constrain being, to make it conform to certain laws or technical requirements. This kind of power cannot account for any change in being since its aim is always to produce itself consistently for the same being. How then can we think of being not as universally the same, but as something that transforms, evolves and changes? To account for the possibility of a change in being itself, power must also be thought in such a way that it exceeds both juridical power and bio power. There must be another kind of power – a creative power immanent in both juridical and bio power that not only makes these powers possible but exceeds and resists them at the same time.

Foucault identifies this creative power in a number of ways: in terms of an “aesthetics of existence” (Ethics 260), as an “ethico-poetic function” of the self (HS 2 13), or simply as “free being” (Ethics 316). This “ontological turn” in Foucault’s writings is not, I suggest, an entirely new direction that he took later in his career, but the necessary working through of his theory of power as an ontology of being, derived from Nietzsche and his readings of ancient Greek philosophy. His identification of power as an excessive, resistive force, accounts for changes in being as an event of disruption – a perpetual violence that irrupts in singular instances, opening up potential ways of being that cannot be contained and accounted for by technologies of the self or juridical commands and prohibitions.[2]

 

II   Care of self

A number of writers have noted similarities between Foucault’s concept of power and Heidegger’s working of the Greek theory of Being (McNeill, “Care of the Self,” “Glance of the Eye”; Ziarek). In particular parallels have been drawn between Foucault’s “care of the self” and Heidegger’s category of Sorge or ontological care (which I will discuss in due course).[3] Foucault points out that the care of self was not limited to the well-being of the individual self, but was undertaken with an awareness of the self in relation to others: (Ethics 287). These “practices of freedom” are not designed to liberate the self, but to form relations that are essentially free and open in the civility of the polis (283).

Foucault comments that in ancient Greek ethics “this work on the self with its attendant austerity is not imposed on the individual by means of civil law or religious obligation, but a choice about existence made by the individual” (Ethics 271). This “choice,” however, should not be regarded in terms of an ethics of subjective self-reflection; rather, it means that individuals had a certain freedom to think in absolute terms, so that thinking and acting for oneself was also primarily thinking and acting with others in the absolute possibility of what might be. Christian and post-Christian practices of the self turned away from this absolute style of thinking and became self-reflexive (Ethics 178). They turned in on the self, in the opposite way to pre-Christian practices which were always already open to others. Here Foucault proposes both a continuity with the pre-Christian practices of self-formation and a transformation of them. Christian and post-Christian practices of the self are self-reflexive, whereas, pre-Christian practices of the self were not, implying another being self belonging to the pre-Christian era which is nevertheless inflected in some way in the Christian and post-Christian eras.

So, just what is this pre-Christian practice of the self? Rather than being a relation with oneself, these pre-Christian practices were in the first instance, a relation with others. Technique, then, in the way that Foucault uses it, is not a technique designed to produce an autonomous or “free” self, but the practice of free being lived openly with others in the polis, as the very possibility of being human. Furthermore, this technique of free being is not something that we have left behind in the Christian and post-Christian eras, but is fundamentally embedded in our way of being. The task then, is to bring this technique of free being to light, to make it operable as a possible way of being.

 

III   The ethico-poetic function

In The History of Sexuality, vol. 2, Foucault identifies what he calls an ethico-poetic function in his analysis of Greek and Latin handbooks for self-formation. These handbooks offer practical guidelines “that would enable individuals to question their own conduct, to watch over and give shape to it, to shape themselves as ethical subjects; in short their function as ‘ethico-poetic.’” (HS 2 13). What Foucault is driving at here is not simply that the handbooks show how to fashion a self by following rules of self formation which no doubt they do – “the  determination of ethical substance” (26) – but that they allow individuals to establish a relation to these rules – “mode of subjectification” (27). It is the latter that Foucault identifies as ethico-poetic, not the former. The ethico-poetic function is not the practice of self formation but an ontological relation to self as a questioning of self being.[4]

The ethico–poetic function risks the self’s being by questioning possibilities in techniques for self formation. These “possible differences” (HS 2 27) constitute different ways of being a self within the finite situation in which individuals are challenged to think and to be a self. Care of the self then, is a resistive mode of being – one that resists the being that one is destined to be in following certain rules and practices. Resistance is not outside the techniques of self-formation, but installed within them, as a reflective capacity to think about and act in accordance with the rules of self-formation, but in such a way that exceeds them. Although he does not say it, Foucault’s identification of the ethico-poetic function is equivalent to what Heidegger, in his reading of Aristotle, identifies as Augenblick: the “glance of the eye” within a concrete situation that sees the possibilities of what is – an orientation to an implicit future yet to be actualised.[5]  Later in this paper I will identify this mode of resistive being as praxis – the reflexive “doing” of critique that brings itself into existence by what it does in doing what it does.

 

IV   The Ontological Self

The ethico-poetic function operates in an openness in the self’s being; in the “otherwise” that the self might be. Here we can see parallels with Heidegger’s analysis of Sorge or ontological care. For Heidegger, human being is already thrown into being with others, a situation which challenges the human being to “be” in an ontologically singular sense. The challenged human being (Dasein) is related to other beings through Sorge (care) – concernful being-with others – from which Dasein must decide to “be,” each time, in the singular sense of being a finite human being.[6] In deciding to be (a decision, by the way, which must be made – it is not a choice in the sense that Dasein could elect not to be), Dasein finds itself already where it is, but in such a way that its being is “outside itself.”[7] Dasein bears a resistive relation with the being that it already is; a restless unhomeliness that makes its being an ecstasis or emptying of self into otherness.[8] An analysis of care is not an analysis of individual Dasein, but of the possibilities within a set of relations in which Dasein is thrown in the event of Dasein’s becoming a finite self. Both Heidegger’s Dasein and Foucault’s self are not actual selves but potentials opened up in the finite experience of absolute openness that resists the technically determined self.

What consequences does this way of thinking about the self have for the idea of technique? Technique no longer relates to an instrumental notion of achieving an end, but in freeing something up from what it already is. Technique as “free being” needs to be understood neither as a form of self-fashioning nor as an expression of an autonomous self, but as a way of accessing the possibilities of otherness opened up by the resistive capacity of critique in the technologically determined self. For both Heidegger and Foucault, the human self is inhabited by an ontological openness through a resistive capacity to reflect on being itself as a singular way of being. Indeed, the human self is this openness in its “free being.” In this case, the self has to be understood as ontologically existing and not simply as ontically determined. As an ontic determination the self takes the form of a particular, that is a particular determination of a general type: self as man, self as woman, self as black, self as white and so forth. The self is determined by particularities that it has, in common with others as so many possibilities of being a self under general rules, calculations, laws and prohibitions (the juridico- or technical self). However, self as ontologically existing is not a particular but a singular: an irreducibly concrete existence in the finitude of what is. Here, the practice of self cannot be a method for producing a kind of self, but a way of being singular in resistance to the particularity of what is. The “technique of freedom” invoked by Foucault is not an ethical practice concerning the formation of a freely autonomous self, but a praxis of proto-ethical virtue, or the “free being” of the singular in its resistive capacity to think otherness against the particularity that entails it in technological and discursive determinations of selfhood.

 

VI   Technē and poiēsis

So far in this paper I have identified a power relation in Foucault’s work that needs to be thought in terms other than juridical or technological power. This power relation is a relation with the self that is ontologically open to otherness. Furthermore, I have suggested that this self-relation is fundamentally indeterminate – the self cannot be known in advance but is created out of a resistive capacity to reflect on the finitude of what is. This resistive capacity, which Foucault identifies in terms of an ethico-poetic function, is not a property of the autonomous subject but a pre-subjective mode of being that “sees” (or is the seeing of) the possibilities opened up in an indeterminate openness within being itself. This kind of poiētic seeing is not a capacity of the subject, but a seeing that occurs in resistance to technological seeing, to the eidos that determines the technological object in advance.

Here I want to elaborate briefly on Heidegger’s critique of technology, and in particular his reading of Aristotle in terms of the distinction between technē and poiēsis. In his deliberations on technology, Heidegger refers to the Greek term technē, which means a way of bringing things to presence. In human technē, things are brought to presence through the application of a plan or calculation as that being presently there to be seen. Technē anticipates being in the backward glance that will bring the thing to presence (its eidos).

We should be careful not to construe technē simply in terms of a technique for making things. Rather technē is a mode of revealing something by way of a challenging forth (Heidegger, Question 21). Technē sets upon things, appropriates them and orders them according to a plan or calculation. It challenges them in their being, to be something else, implying a violence to their being.[9] This, in turn, is distinguished from poiēsis which is a bringing forth – a letting be by allowing something to become what it is in its being. Challenging forth and bringing forth are not alternative modes of presencing, but should be thought together. Poiēsis – as a bringing forth – is that which resists the challenging forth of technē. Technē thus entails a poiēsis but not on its own terms.[10]

Beings, in their resistive affirmation to technē, are always being-in-potential-to-be-otherwise, in a possibility that, by that very fact, cannot be calculated or predicted. This is because calculation and prediction are always part of a technē. Being subject to technē means being predictable, being calculable, being brought into view and so forth. [11] Being otherwise cannot be this; it cannot be an otherwise subject to a calculation; it cannot be seen in advance. What this means is that being other always remains as an absolute possibility, that is, a possibility that can only be thought at the very limit of being in its resistance to technē. This thought can only take place in the violence of a resistance to technē, in the refusal of expropriation. But this refusal is not something that happens outside technē, as if beings had a resistive capacity within themselves, as part of their own internal being. Rather, it is part of the very violence of technē in its expropriation of the being of beings, in the struggle over being as that which shows itself in beings that come to be in a certain way, as beings made visible according to a certain view of things.

More generally we can think of poiēsis as the “art” of life in general, not as a separate domain of aesthetic self-expression, but the freeing force of a figuration; an immanence in the technical ordering of the world, that leads towards otherness by letting be that which is in the face of its expropriation by technē. Poiēsis is the finite gesture of freedom as indeterminate sense within the determination of technical ordering. To be free in a poiētic sense, entails a break with technē, in the very resistance that being free is. To realise this is to be creative, that is, to break with the seeing that sees in advance in a potential becoming-other through resistive affirmation. By breaking with technē, one engages in a practice of freedom – an aesthetics of free articulation.

 

VII   Praxis

In this final section of the paper, I will present some conclusions to my thoughts on technē and poēisis in terms of what Foucault has called an aesthetics of existence in relation to the possibility of “free being.” These ideas relate to the Kantian discovery of transcendental freedom in critical self-reflection, and the aporia between freedom and necessity inaugurated by the positing of a contingently existing autonomous subject constituted freely and spontaneously yet in accordance with universal, a priori laws. An aesthetics, in Kantian terms, is the resolution of this aporia between the finite being of the subject and the transcendental infinite: the possibility of a reunification of sense and universal reason in some future determinate state of being.[12]

I do not have sufficient time to make the connections here between Kant and Foucault in this regard, except to say that  Foucault’s proposal of an aesthetics of free being can be read as an ontological critique of the Kantian problem of the autonomous subject that inflects it into a genealogical tracing of free being within the finite terrain of historical becoming. It seems that in the broader historical-genealogical sense, Foucault wanted to show the emergence and disappearance of the autonomous subject in nineteenth century discursive practices, but that, when it came to questions of self-formation as a resistive practice in a more localised sense, he was prepared to consider the possibilities of a post-autonomous subjective being which continued to draw on the Kantian problematic of freedom but situated more concretely in the specific sense of what it is to be. That is, like Heidegger, he offers a critique of the Kantian autonomous subject by historicising its emergence as a specific way of being framed by technological and juridical power, by situating his own critique from within the locus of this power in order to think through it.

To account for this situated critique, we can turn to the idea of praxis. Praxis is critique of critique. A praxis operates by discovering the fact of its own practice as something that does something, makes something happen.[13] Praxis is critique reflecting on itself, so that what it critiques gets done, gets made in the critique itself. It follows then that praxis cannot know what it critiques in advance. Praxis is not technē; it is not a method of critique, but critique’s own self-determination insofar as it engages with something. Praxis determines itself in the indeterminacy of what it engages with. Unlike Kantian critique which always knows what it wants in advance by following a priori rules, praxis makes up the rules as it goes along. If Kantian critique is an exercise of transcendental freedom, then praxis is critique’s finite limit, its singular happening at this place, and no other. Praxis is the finite freedom of an absolute event – a possibility determined by the limitations of what is, and not what will be.

An aesthetics of existence is a praxis of free being; a way of being in the indeterminacy of an encounter with otherness exposed in a critique of what is. In technologically determined contexts, a praxis of free being is an affirmation of what is in resistance to the technē that turns it into something else; a “letting be” of the being of something within its being-for-something else. Or to put this in other words, it is an exposure of the singularity of something in resistance to its particularisation as an object of conceptual determinacy.[14] Praxis does not seek to make the indeterminate determinate, but precisely the reverse, to open the determinate into an indeterminacy that has no determinate future. In terms of the self, a praxis of self-formation is an aesthetics of “free-articulation” in which the self is allowed to become other, in the “letting be” that happens when exposed in the indeterminacy of its finite “event.”

How does praxis relate to poiēsis? If poiēsis is the release of being in resistance to technē, then praxis is the practice that makes this happen. Poiēsis without praxis is simply blind becoming. What then determines praxis? Praxis is the decision to be in the resistive affirmation of what is; in the “letting be” of beings, making them capable of being something else. A praxis decides for itself on the basis of possibilities of being other within the technological limits of what is. Praxis is a creative practice of making the self “indeterminately determined,” thereby opening up possibilities, preparing new ground for different ways of being a self. A creative praxis operates within the finite freedom of the axiomatic decision rather than from the “free necessity” of universal laws; it risks being by refusing the end-goal of technē to know the thing in advance, yet is itself technologically determinate.

The risk of being is not the risk of an individual being reflecting on its own existence, but the risk of being-with others thought strictly in terms of the finite situation in which a praxis occurs. If we recall, the ethico-poetic function that Foucault discovers in Greek ethics requires an orientation of the self to others as an ontological condition for self-questioning – as an openness of being. Thus a praxis of free being frees up possibilities for being with others, a recovery of the openness of free being that Greek ethics strives for through care of the self.  I end on this note then: that we consider Foucault’s proposals for an aesthetics of existence in pursuit of free being not as a furthering of the Kantian project of the free autonomous subject, but as an ontological reflection on it, in terms of finite freedom. This critical reflection or praxis is creative rather than productive. It produces nothing, but in its practice, it creates possibilities in what it does.

 

 

References

Foucault, Michel. Ethics: Subjectivity and Truth. Ed. Paul Rabinow, trans. Robert Hurley et. al. London: Penguin, 1997.

Foucault, Michel. Language, Counter-Memory, Practice: Selected Essays and Interviews. Ed. Donald F. Bouchard, trans. Donald F. Bouchard and Sherry Simon. Ithica, New York: Cornell University Press, 1977.

Foucault, Michel. Power/Knowledge. Selected Interviews and Other Writings 1972-1977. Transl. Colin Gordon et. al. Brighton, Sussex: Harvester, 1980.

Foucault, Michel. The History of Sexuality, volume 1: an introduction. Trans. Robert Hurley. New York: Vintage, 1978.

Foucault, Michel. The Uses of Pleasure: the History of Sexuality, vol. 2. Trans. Robert Hurley, London: Penguin, 1985.

Heidegger, Martin. Being and Time. Trans. John Macquarrie and Edward Robinson, Oxford: Basil Blackwell, 1962.

Heidegger, Martin. The Question Concerning Technology and other essays. Trans. William Lovitt. New York: harper Row, 1977.

McNeill, Will. “Care of the Self: Originary Ethics in Heidegger and Foucault.” Philosophy Today, 42.1 (1998): 53-64.

McNeill, William. The Glance of the Eye: Heidegger, Aristotle, and the Ends of Theory. Albany: The State University of New York.

Nancy, Jean-Luc. The Experience of Freedom. Trans. Bridget McDonald. Stanford: Stanford University Press, 1993.

Taminiaux, Jacques. “Poiesis and Praxis in Fundamental Ontology.” Research in Phenomenology, 17 (1987): 137-169.

Ziarek, Krzysztof. “Powers to Be: Art and Technology in Heidegger and Foucault.” Research in Phenomenology, 28 (1998): 162-194.

 

 

 

 

 

 

 



[1] Heidegger calls this a “free relation” with technology (Question 3).

[2] This power can be considered in terms of an originary Ursprung, or divisive leap of being that irrupts omni-directionally in the historically contingent event. Foucault discusses Ursprung in terms of Nietzsche’s genealogical theory of power (see “Nietzsche, Genealogy, History” in Language, Counter-Memory, Practice).

[3] See Ziarek 186, McNeill “Care of the Self” 53 ff.

[4] William McNeill makes this point in relation to Heidegger’s concept of Dasein as a relation of “mineness” in a singular, concrete, finite individuation of the self in indeterminate being with others: “Selfhood or mineness is thus to be understood as an ontological relation to self, that is, as a relation of being” ( “Care of the Self” 54).

[5] For further discussion see McNeill, The Glance of the Eye (49). This seeing cannot be attributed to a subject in the form of a psycho-biological body (e.g. a human being with eyes attached to a retina and a brain that processes what it sees into an object of sight), but must be thought in a primary way as “gaze” or “view” that makes an appearing possible – its “fact” as that which is present. Foucault identifies the panoptic gaze in these terms: as the possibility for a certain kind of body to come into view, to be seen, to appear as a meaningful seeing.

[6] “the Being of Dasein itself is to be made visible as care [Sorge]” (Heidegger, Being and Time 84).

[7] “In expressly choosing itself there lies essentially the full self-engagement [of Dasein], not in the direction of where it has not yet been, but in the direction of where and how it always already is as Dasein insofar as it exists” (Heidegger, The Metaphysical Foundations of Logic, cited in McNeill “Care of the Self” 55).

[8] Heidegger refers to this restlessness of Dasein as “fallenness” or “falling away” from itself (Abgefallen) (Being and Time 220).

[9] Heidegger points out that modern technology (by this he means the technology of the modern age, defined by the exact physical sciences) does not simply involve the objectification of things into objects of contemplation, but a “challenging” of nature in such a way that things are “set upon,” becoming objects ordered according to the logic of representation (a logic requiring subject/object relations). He calls this ordering of objects “enframing” (Question 14-19). This results in an “injurious neglect of the thing” (Question 45).

[10] On this point William McNeill notes Heidegger’s reference to the “doubling” of technological operations that, in extracting maximum potential from the thing with minimal effort, overlook it by looking towards the future that the thing will be, and by this very overlooking, leave behind “the ghost of the technological operation” (McNeill, The Glance of the Eye 199). This ghosting of the thing by a technological evacuation becomes the site of poiēsis, as potential for otherness that cannot be seen in the technē for which the thing is already ordered.

[11] Calculation can be understood here not simply as mathematical computing, but in Foucault’s sense as the distribution of power as ordering, normalising and disciplining (Foucault, HS 1 94-95).

[12] Kant proposes a transcendental aesthetics in the Critique of Reason, which is then grounded in specific aesthetic experience in the Critique of Judgment.

[13] For praxis as an ontologically defined event see Taminiaux.

[14] See Jean-Luc Nancy’s comments on “letting be” in relation to Heidegger (142).

From the Ruins of Empire (aurobindo, anticolonialist narratives, islamic nationalism, hinduvta, in context)

Return of the native

From The Hindu

by Tabish Khair

Pankaj Mishra’s new book, From the Ruins of Empire, which challenges Western narratives of the ‘white man’s burden’, has been raising hackles in the West and in India. Such reactions are pointers to an existing imbalance in cultural and political power, he tells Tabish Khair. Excerpts from a conversation.

Pankaj Mishra is not a stranger to controversy, but his new book, From the Ruins of Empire, has been met with a barrage of criticism, implicit and explicit, from not just right-wing circles in the West but also from some British authors who cannot be described as right wing. Of course, there have been very positive reviews too: Piers Brendon’s review in the Literary Review states that the book “incisively anatomizes what Orwell called the ‘slimy humbug’ of the white man’s burden”. In another review, John Gray bestows unstinted praise on the book as “an assault on false consciousness and self-deception in both east and west”. On the other hand, right-wing and conservative reviewers have attacked the book for being a ‘polemic’ and not seeing the (mostly) ‘good sides’ of the British Empire. One complex example of this reaction was provided by the historian Dominic Sandbrook, who reviewed it for the Sunday Times: Sandbrook is known for his belief that the British Empire was a ‘beacon for tolerance, decency, and the rule of law’. More interestingly, the British novelist, Philip Hensher, who cannot be considered politically right-wing, was also evidently upset by the book: in the Spectator, he dubbed it ‘disappointingly blinkered’. Among other things, Hensher critiqued Mishra’s account of the Jallianwala Bagh massacre for underplaying British fair-handedness (because, after all, the British officer in charge “was suspended”) and accused him of being soft on Chairman Mao.

In your new book, From the Ruins of Empire, you discuss people like Al Afghani, who are considered by many to be the intellectual progenitors of today’s Islamism. How can you justify that?

I think there is no reason for us to bring to Islamism or political Islam the fear and ignorance of Western commentators and their hysterical vocabulary. Islamism itself is such a broad and nearly meaningless word as used by the mainstream Western press, including everything from Turkey’s AKP party to al Qaeda. Al-Afghani was a very complex figure, who manifested many political tendencies — from pan-Islamism to Hindu-Muslim unity — we saw later in South Asia and West Asia. And his disciples ranged from Saad Zaghlul, the Egyptian nationalist, James Sanua, the Jewish playwright, to Rashid Rida, the inspiration for the Muslim Brotherhood in Egypt. My book shows, too, how overtly Islamic movements grew under the lash of European imperialism, which made the more liberal and secular forms of anti-colonial nationalism look impotent.

But then, can’t this also be said of what is now known as Hindutva in India as a broad movement with similar 19th century roots?

Up to a point, but then we can’t claim Aurobindo, who I quote at some length in my book, as the predecessor of Praveen Togadia. There is a huge difference between the anti-colonial nationalism of 19th century Hindu activists and thinkers and the business-friendly Chief Minister of Gujarat who desperately wants a visa to the U.S. I think there is a serious problem with the history of ideas, which I have tried to avoid, when it starts connecting apparently similar movements and ideologies without regard to specific political contexts.

I am struck by the responses to your book in the British right-wing press, all of which describe you as a mere ‘polemicist’. They also see your book as a response to Niall Ferguson, though obviously you conceived and wrote it long before your piece on him appeared.

I am actually relieved to see these kinds of responses, because they accurately reflect the GREAT imbalance of power in the intellectual as well as political realm — what the Asian voices in my book describe and protest against. For a long time, Western histories simply suppressed non-western perspectives — nobody cared what the ‘native’ thought. But even today, the benignly universalist West creates the standards of judgement, and the historian at the imperial metropole of course writes the truly objective and coolly rational history. And the non-westerner challenging it with other perspectives is prone to be described — and discredited — as no more than a polemicist (The word is usual preceded by a damning adjective like ‘left-wing’ and ‘angry’). In this ‘universalist’ and ‘cosmopolitan’ perspective from the West, the parochial-minded native always responds and reacts, he doesn’t initiate anything or have original thoughts, let alone a history, of his own. But, you know, it is getting too late for this kind of ideological trickery.

Which brings us to your famous differences with Niall Ferguson and the clash of civilisations thesis…

I think subsuming political and economic conflicts into some grand ‘clash of civilisations’ theory or ‘the west versus the rest’ binary is a particularly insidious form of ideological deception. By loudly invoking religion and culture and race, these Western pundits want to prevent us from examining the material basis of global inequality in all matters, intellectual as well as economic — the long history behind the fact that some countries are rich, many others permanently poor; why some forms of large-scale violence, such as neo-imperialism, enjoy moral sanction and respectability, and those opposed to them prone to be dismissed as left-wing crackpots and losers. I think the neo-imperialists and their sympathisers are best seen as a symptom of Anglo-America’s bizarre political culture of the previous two decades — a culture in which politicians supported by an unquestioning corporate media wage genocidal wars while feeding lies to their electorates, crooked bankers give themselves huge salaries and bonuses, and intellectuals — well, many of them turn to justifying and vindicating this shameful state of affairs and are given bully pulpits for this purpose at mainstream institutions like Harvard and the BBC.

That might explain why you have many harsh critics in Western circles. But why is it that you also seem to raise hackles in some Indian circles?

I am hardly the only writer to be attacked. Anyone questioning delusionary narratives such as ‘India Rising’ is likely to be denounced as a bitter JNU jholawalla, and critiques of the appalling human rights situation in Kashmir gets you stigmatised as an ‘India-hater’. Our journalistic and intellectual culture in two decades of economic liberalisation has manifested a growing intolerance for real dissent and a deference to power and wealth — and a pathetic desperation to stand with and be counted among the apparent winners of history. In that sense, we have closely followed recent trends in the West, though we also seem to have replicated in India some of the intellectual pathologies that Tagore witnessed in the ‘rising’ nation-state of Japan.

You often take a combative political stand, but you have also written a book that is partly a biography of Buddha, An End to Suffering. Why Buddha?

He struck me as a very profound thinker, perhaps the greatest the subcontinent has produced, someone who stood well out of the mainstream of classical Indian thought, and was also astonishingly modern in his diagnosis of the human condition. He was particularly trenchant about the concept of the self-directed, self-seeking autonomous individual — something that in our own era has been the basis of social and political and economic models that we associate with Western modernity and which have now been exported across the world.

You have written on a number of socio-historical and political issues, but have not published any novel after The Romantics, your first. Is it a lack of faith in the genre or is it that novels are more difficult to write?

I started out as a novelist and wrote several novels before deciding to publish one and I fully intend to go back to the form. And, yes, the novel in its more conventional form can seem inadequate today. But the truth is that no compelling idea for a novel suggested itself to me after The Romantics. I didn’t want to do the same kind of book again and the experiences I was having seemed a better fit for other literary genres, the travel essay, reportage, reflective memoir, intellectual biography, historical essay. The difficulty is that I am now a very different person and writer than I was when I published The Romantics, and the novel I write now would have to reflect that, or it will bore me to tears, not to mention the reader.

Tabish Khair’s new novel How to Fight Islamist Terror from the Missionary Position was published earlier this year.